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Half-pass
The half-pass is a lateral movement seen in dressage, in which the horse moves forward and sideways at the same time. Unlike the easier leg-yield, the horse is bent in the direction of travel, slightly around the rider's inside leg. The outside hind and forelegs should cross over the inside legs, with the horse's body parallel to the arena wall and his forehand leading. The horse should remain forward, balanced, and bent, moving with cadence. The inside hind leg remains engaged throughout the half-pass, and the horse should not lose its rhythm. The half-pass is a variation of haunches-in (travers), executed on a diagonal line instead of along the wall. At higher levels it is used to perform a counter-change of hand, combining more than two half-passes with changes of direction in a zig-zag pattern. Vs. the leg-yield The half-pass requires more balance, engagement, and collection from a horse than the leg-yield. This is because the horse is slightly bent in the direction of movem ...
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Half Pass
The half-pass is a lateral movement seen in dressage, in which the horse moves forward and sideways at the same time. Unlike the easier leg-yield, the horse is bent in the direction of travel, slightly around the rider's inside leg. The outside hind and forelegs should cross over the inside legs, with the horse's body parallel to the arena wall and his forehand leading. The horse should remain forward, balanced, and bent, moving with cadence. The inside hind leg remains engaged throughout the half-pass, and the horse should not lose its rhythm. The half-pass is a variation of haunches-in (travers), executed on a diagonal line instead of along the wall. At higher levels it is used to perform a counter-change of hand, combining more than two half-passes with changes of direction in a zig-zag pattern. Vs. the leg-yield The half-pass requires more balance, engagement, and collection from a horse than the leg-yield. This is because the horse is slightly bent in the direction of move ...
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Lateral Movement
Lateral movements or lateral flexions within equestrianism, have a specific meaning, used to refer to movements made by a horse where the animal is moving in a direction other than straight forward. They are used both in training and in competition, vary in difficulty, and are used in a progressive manner, according to the training and physical limitations of the animal. Uses Lateral movements are important tools to help with training problems, as they encourage better balance, suppleness, and response to the riding aids. When performed correctly, they ask the horse to move their legs further under their body, thus increasing impulsion and improving movement, and can help build muscle evenly on both sides. They are also required in some competition, such as dressage and reining. Additionally, they may have a practical purpose, such as allowing the rider to easily open a gate, or to ask the horse to move sideways to avoid an obstacle. Common problems Incorrectly ridden lateral move ...
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Leg-yield
The leg-yield is a lateral movement in which a horse travels both forward and sideways at the same time. The horse is fairly straight through his body in the leg-yield, although he may have a slight bend opposite to the direction of travel. It is one of the "three initial movements leading up to true lateral work", the others being the turn on the forehand and the shoulder-fore.Cf. Loriston-Clarke, p. 77. - Davison, p. 53, calls it "the first preliminary lateral exercise". Difference from the half-pass The leg-yield and half-pass are sometimes confused because they are both movements in which the horse goes forward and sideways. However, the half-pass is quite a bit more advanced, requiring greater balance, engagement, and collection from the horse. In the leg-yield, the horse is fairly straight or bent slightly away from the direction of travel. In the half-pass, the horse is bent ''towards'' the direction of travel, which is physically much more difficult for the horse. Uses an ...
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Haunches-in
Haunches-in, also called travers or ''tĂȘte au mur'' ("head to the wall" in French), is a lateral movement used in the dressage discipline of horse training. It has a close cousin, haunches-out, renvers, or ''croupe au mur'' ("rump to the wall"), that is slightly more difficult. Both movements are ''four-track'', meaning they produce four lines of hoof prints in the sand, as opposed to the usual two seen if the horse is straight and to the ''three-track'' shoulder-in. In haunches-in, the horse bends its hindquarters slightly to the inside of the arena, away from the arena wall, so that the horse is ''bent in the direction of movement''. The front legs and shoulders should not move from the original track. This produces the four tracks, with the outer track made by the outside foreleg, the second track by the inside foreleg, the third track by the outside hind leg, and the inside track made by the inside hind leg. In haunches-out (renvers), the horse is similarly bent in the direc ...
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Dressage
Dressage ( or ; a French term, most commonly translated to mean "training") is a form of horse riding performed in exhibition and competition, as well as an art sometimes pursued solely for the sake of mastery. As an equestrian sport defined by the International Equestrian Federation, dressage is described as "the highest expression of horse training" where "horse and rider are expected to perform from memory a series of predetermined movements." Competitions are held at all levels from amateur to the Olympic Games and World Equestrian Games. Its fundamental purpose is to develop, through standardized progressive training methods, a horse's natural athletic ability and willingness to perform, thereby maximizing its potential as a riding horse. At the peak of a dressage horse's gymnastic development, the horse responds smoothly to a skilled rider's minimal aids. The rider is relaxed and appears effort-free while the horse willingly performs the requested movement. The discip ...
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Dressage Terminology
Dressage ( or ; a French term, most commonly translated to mean "training") is a form of horse riding performed in exhibition and competition, as well as an art sometimes pursued solely for the sake of mastery. As an equestrian sport defined by the International Equestrian Federation, dressage is described as "the highest expression of horse training" where "horse and rider are expected to perform from memory a series of predetermined movements." Competitions are held at all levels from amateur to the Olympic Games and World Equestrian Games. Its fundamental purpose is to develop, through standardized progressive training methods, a horse's natural athletic ability and willingness to perform, thereby maximizing its potential as a riding horse. At the peak of a dressage horse's gymnastic development, the horse responds smoothly to a skilled rider's minimal aids. The rider is relaxed and appears effort-free while the horse willingly performs the requested movement. The discipl ...
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Maestoso Basowizza & Oberbereiter Hausberger
''Maestoso'' () is an Italian musical term and is used to direct performers to play a certain passage of music in a stately, dignified and majestic fashion (sometimes march-like) or, it is used to describe music as such. ''Maestoso'' also is associated with the advent of Classicism, Romanticism, and the newer forms of Neo-Classicism and Neo-Romanticism. The interpretation of ''maestoso'' is varied by the conductor depending upon the overall style in which the piece is written. Used as more of an interpretive choice, this term is not always associated with a specific tempo or tempo range. Examples The term is commonly used in relatively not fast pieces, but there are many examples, such as the first movement of Mozart's Flute Concerto No. 1, in which a faster tempo can be played in such ''maestoso''. Common examples of ''maestoso'' tempo include Elgar's ''Land of Hope and Glory'', the first movement of Mozart's Piano Concerto No. 21, the first movement of both Anton Bruckne ...
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Impulsion
Impulsion is the movement of a horse when it is going forward with controlled power. Related to the concept of collection, impulsion helps a horse effectively use the power in its hindquarters. To achieve impulsion, a horse is not using speed, but muscular control; the horse exhibits a relaxed spinal column, which allows its hindquarters to come well under its body and "engage" so that they can be used in the most effective manner to move the horse forward at any speed. The concept and term was first written about by practitioners of dressage, but an ability to move with impulsion is a desired goal in most other equestrian disciplines. Impulsion occurs when a horse is under human control and is one of the desired goals in horse training, but it may sometimes be exhibited by a horse in a free and natural state. Impulsion allows any horse gait to be more elastic and light, and also provides the animal with the power needed to perform complex movements, including the piaffe an ...
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United States Dressage Federation
The United States Dressage Federation, or the USDF, is the national membership federation for the equestrian sport of dressage. Running under the USEF, the Federation is committed to education, recognition of achievement and promotion of dressage in the United States. Founded in 1973, the USDF now has over 33,000 members. It offers year-end awards for every level of competition, as well as different breeds, junior and young riders, and adult amateur riders. The USDF also has an instructor certification program, and offers many clinics for riders of all levels. External linksUnited States Dressage Federation Dressage Dressage Dressage ( or ; a French term, most commonly translated to mean "training") is a form of horse riding performed in exhibition and competition, as well as an art sometimes pursued solely for the sake of mastery. As an equestrian sport defined by ... Equestrian organizations Equestrian sports in the United States Equestrian organizations headquartered ...
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Volte
Voice over LTE (VoLTE) is an LTE high-speed wireless communication standard for mobile phones and data terminals, including Internet of things (IoT) devices and wearables. VoLTE has up to three times more voice and data capacity than older 3G UMTS and up to six times more than 2G GSM. It uses less bandwidth because VoLTE's packet headers are smaller than those of unoptimized VoIP/LTE. VoLTE calls are usually charged at the same rate as other calls. To be able to make a VoLTE call, the device, its firmware, and the mobile telephone provider must all implement the service in the area, and be able to work together. VoLTE has been marketed as HD Voice by some carriers, but this is not the same as the VoLTE standard. Moreover, HD+ (EVS) is what actually is used only in LTE; HD Voice was available in 3G too. Overview VoLTE is based on the IP Multimedia Subsystem (IMS) architectural framework, with specific profiles for control and media planes of voice service. This facili ...
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