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Hydraulophone
A hydraulophone is a tonal acoustic musical instrument played by direct physical contact with water (sometimes other fluids) where sound is generated or affected hydraulically."Fluid Melodies: The hydraulophones of Professor Steve Mann" In WaterShapes, Volume 10, Number 2, Pp 36–44, New York, NY, USA. Volume 10, No 2, 2008 February Oct 27, 2006 The hydraulophone was described and named by Steve Mann in 2005, and patented in 2011. Typically, sound is produced by the same hydraulic fluid in contact with the player's fingers. It has been used as a sensory exploration device for low-vision individuals. Types and basic operation The term may be applied based on the interface used to play the instrument, in which a player blocks the flow of water through a particular hole in order to sound a particular note, or based on a hydraulic sound production mechanism. Hydraulophones use water-flow sound-producing mechanisms. They have a user interface, which is blocking water jets to ...
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Hydraulophone Diatonic Range
A hydraulophone is a tonal acoustic musical instrument played by direct physical contact with water (sometimes other fluids) where sound is generated or affected hydraulically."Fluid Melodies: The hydraulophones of Professor Steve Mann" In WaterShapes, Volume 10, Number 2, Pp 36–44, New York, NY, USA. Volume 10, No 2, 2008 February Oct 27, 2006 The hydraulophone was described and named by Steve Mann in 2005, and patented in 2011. Typically, sound is produced by the same hydraulic fluid in contact with the player's fingers. It has been used as a sensory exploration device for low-vision individuals. Types and basic operation The term may be applied based on the interface used to play the instrument, in which a player blocks the flow of water through a particular hole in order to sound a particular note, or based on a hydraulic sound production mechanism. Hydraulophones use water-flow sound-producing mechanisms. They have a user interface, which is blocking water jets to p ...
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Hydraulophone Diatonic RangeWithoutOctave
A hydraulophone is a tonal acoustic musical instrument played by direct physical contact with water (sometimes other fluids) where sound is generated or affected hydraulically."Fluid Melodies: The hydraulophones of Professor Steve Mann" In WaterShapes, Volume 10, Number 2, Pp 36–44, New York, NY, USA. Volume 10, No 2, 2008 February Oct 27, 2006 The hydraulophone was described and named by Steve Mann in 2005, and patented in 2011. Typically, sound is produced by the same hydraulic fluid in contact with the player's fingers. It has been used as a sensory exploration device for low-vision individuals. Types and basic operation The term may be applied based on the interface used to play the instrument, in which a player blocks the flow of water through a particular hole in order to sound a particular note, or based on a hydraulic sound production mechanism. Hydraulophones use water-flow sound-producing mechanisms. They have a user interface, which is blocking water jets to p ...
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Pagophone2008 03 13 22 36 58
A hydraulophone is a tonal acoustic musical instrument played by direct physical contact with water (sometimes other fluids) where sound is generated or affected hydraulically."Fluid Melodies: The hydraulophones of Professor Steve Mann" In WaterShapes, Volume 10, Number 2, Pp 36–44, New York, NY, USA. Volume 10, No 2, 2008 February Oct 27, 2006 The hydraulophone was described and named by Steve Mann in 2005, and patented in 2011. Typically, sound is produced by the same hydraulic fluid in contact with the player's fingers. It has been used as a sensory exploration device for low-vision individuals. Types and basic operation The term may be applied based on the interface used to play the instrument, in which a player blocks the flow of water through a particular hole in order to sound a particular note, or based on a hydraulic sound production mechanism. Hydraulophones use water-flow sound-producing mechanisms. They have a user interface, which is blocking water jets to p ...
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Hart House Symphonic Band
Hart House Symphonic Band (HHSB) is a Concert band, wind orchestra, with woodwind, brass, and percussion sections, based at Hart House (University of Toronto), Hart House at the University of Toronto. HHSB is historically noteworthy as the first symphonic band to have instruments in which the initial sound-producing mechanisms of the instruments cover all three states of matter: solid, liquid, and gas. While other orchestras have three categories of instruments (strings, percussion, and wind), two of these categories (strings and percussion) use matter in its solid state, and one category (wind instruments) uses matter in its gaseous state. HHSB is, in some sense, the first large symphonic orchestra to use hydraulophones, musical instruments that produce the initial sound by way of matter in its liquid state. The 2007 Spring Concert, including Janzen's Suite for Hydraulophone, Movement II, was also webcast live by six "cyborgloggers" using wearable computers, underwater came ...
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Steve Mann (inventor)
William Stephen George Mann (born 8 June 1962) is a Canadian engineer, professor, and inventor who works in augmented reality, computational photography, particularly wearable computing, and high-dynamic-range imaging. Mann is sometimes labeled the "Father of Wearable Computing" for early inventions and continuing contributions to the field.Tech Giant "Father of Wearable Tech" Steve Mann "Goes for The Ride" to YYD ROBO!, YYD Corporate News, 2017-07-31"Father of Wearable Computing, Steve Mann, to Keynote FITC Wearables", by Nikolas Badminton, 2014-11-11, Toronto, Medium He cofounded InteraXon, makers of the Muse brain-sensing headband, and is also a founding member of the IEEE Council on Extended Intelligence (CXI). Mann is currently CTO and cofounder at Blueberry X Technologies and Chairman of MannLab. Mann was born in Canada, and currently lives in Toronto, Canada, with his wife and two children. Early life and education Mann holds a PhD in Media Arts and Sciences (1997) from t ...
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Glass Harmonica
The glass harmonica, also known as the glass armonica, glass harmonium, bowl organ, hydrocrystalophone, or simply the armonica or harmonica (derived from , ''harmonia'', the Greek word for harmony), is a type of musical instrument that uses a series of glass bowls or goblets graduated in size to produce musical tones by means of friction (instruments of this type are known as friction idiophones). It was invented in 1761 by Benjamin Franklin. Names The name "glass harmonica" (also "glass armonica", "glassharmonica"; ''harmonica de verre'', ''harmonica de Franklin'', ''armonica de verre'', or just ''harmonica'' in French; ''Glasharmonika'' in German; ''harmonica'' in Dutch) refers today to any instrument played by rubbing glass or crystal goblets or bowls. The alternative instrument consisting of a set of wine glasses (usually tuned with water) is generally known in English as "musical glasses" or the "glass harp". When Benjamin Franklin invented his mechanical version of th ...
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Fipple
The term fipple specifies a variety of end-blown flute that includes the flageolet, recorder, and tin whistle. The Hornbostel–Sachs system for classifying musical instruments places this group under the heading "Flutes with duct or duct flutes." The label "fipple flute" is frequently applied to members of the subgroup but there is no general agreement about the structural detail of the sound-producing mechanism that constitutes the fipple, itself. Nomenclature The accompanying illustration of the mouthpiece of a recorder shows a wooden block (A) with a channel carved into the body of the instrument (B), together forming a duct that directs a ribbon of air across an opening toward a sharp edge (C). The edge splits the air in a manner that alternately directs it into and outside of the tube, setting the contained column of air into periodic vibration. This flow-controlled "air reed" is a definitive characteristic of all flutes, which therefore all have an edge or equivalent ai ...
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Embouchure
Embouchure () or lipping is the use of the lips, facial muscles, tongue, and teeth in playing a wind instrument. This includes shaping the lips to the mouthpiece of a woodwind instrument or the mouthpiece of a brass instrument. The word is of French origin and is related to the root ', 'mouth'. Proper embouchure allows instrumentalists to play their instrument at its full range with a full, clear tone and without strain or damage to their muscles. Brass embouchure While performing on a brass instrument, the sound is produced by the player buzzing their lips into a mouthpiece. Pitches are changed in part through altering the amount of muscular contraction in the lip formation. The performer's use of the air, tightening of cheek and jaw muscles, as well as tongue manipulation can affect how the embouchure works. Maintaining an effective embouchure is an essential skill for any brass instrumentalist, but its personal and particular characteristics mean that different pedagogues ...
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Monaural
Monaural or monophonic sound reproduction (often shortened to mono) is sound intended to be heard as if it were emanating from one position. This contrasts with stereophonic sound or ''stereo'', which uses two separate audio channels to reproduce sound from two microphones on the right and left side, which is reproduced with two separate loudspeakers to give a sense of the direction of sound sources. In mono, only one loudspeaker is necessary, but, when played through multiple loudspeakers or headphones, identical signals are fed to each speaker, resulting in the perception of one-channel sound "imaging" in one sonic space between the speakers (provided that the speakers are set up in a proper symmetrical critical-listening placement). Monaural recordings, like stereo ones, typically use multiple microphones fed into multiple channels on a recording console, but each channel is " panned" to the center. In the final stage, the various center-panned signal paths are usually mixed d ...
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Polyphonic
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to "su ...
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Diatonic
Diatonic and chromatic are terms in music theory that are most often used to characterize Scale (music), scales, and are also applied to musical instruments, Interval (music), intervals, Chord (music), chords, Musical note, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the Common practice period, common practice music of the period 1600–1900. These terms may mean different things in different contexts. Very often, ''diatonic'' refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor). ''Chromatic'' most often refers to structures derived from the twelve-note chromatic scale, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to ...
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Calliope (music)
A calliope (see below for pronunciation) is an American and Canadian musical instrument that produces sound by sending a gas, originally steam or, more recently, compressed air, through large whistles—originally locomotive whistles. A calliope is typically very loud. Even some small calliopes are audible for miles. There is no way to vary tone or loudness. Musically, the only expression possible is the pitch, rhythm, and duration of the notes. The steam calliope is also known as a steam organ (''orgue à vapeur'' in Quebec) or steam piano (''piano à vapeur'' in Quebec). The air-driven calliope is sometimes called a calliaphone, the name given to it by Norman Baker, but the "Calliaphone" name is registered by the Miner Company for instruments produced under the Tangley name. In the age of steam, the steam calliope was particularly used on riverboats and in circuses. In both cases, a steam supply was readily available for other purposes. Riverboats supplied steam from thei ...
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