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Huapango
is a family of Mexican music styles. The word likely derives from the Nahuatl word that literally means 'on top of the wood', alluding to a wooden platform on which dancers perform dance steps. It is interpreted in different forms, the most common being the classic interpreted by a trio of musicians (); the interpreted by a group (); and the , which can be performed by a large group of musicians. () The classical brings together a violin, a and a . The classical is characterized by a complex rhythmic structure mixing duple and triple metres which reflect the intricate steps of the dance. When the players sing (in a duet, in a falsetto tone), the violin stops, and the (the rhythm provided by heels hitting the floor) softens. The is danced by men and women as couples. A very popular is , in which two singers alternate pert and funny repartées. Huapango arribeño or son arribeño is a style of music played in the "zona media" region (part of San Luis Potosi, Qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Pablo Moncayo
José Pablo Moncayo García (June 29, 1912 – June 16, 1958) was a Mexican pianist, percussionist, music teacher, composer and conductor. "As composer, José Pablo Moncayo represents one of the most important legacies of the Mexican nationalism in art music, after Silvestre Revueltas and Carlos Chávez." He produced some of the masterworks that best symbolize the essence of the national aspirations and contradictions of Mexico in the 20th century. Biography Born in Guadalajara, Jalisco, José Pablo Moncayo was introduced to music by his elder brother Francisco. Eduardo Hernández Moncada is reported as the first teacher of José Pablo Moncayo in 1926, when the teenager was fourteen years old. According to Aurelio Tello, Hernández Moncada suggested his pupil Moncayo study at the National Conservatory.Torres-Chibras 2002, 86. Tello reports that Moncayo was admitted to the conservatory in 1929; meanwhile, in order to finance his studies, he worked as a jazz pianist. According ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regional Styles Of Mexican Music
Regional styles of Mexican music vary greatly from state to state. Norteño, banda, duranguense, Son mexicano and other Mexican country music genres are often known as regional Mexican music because each state produces different musical sounds and lyrics. Baja California : Baja California has a characteristic style derived from the huapango norteño, known as calabaceado. Calabaceado is a type dance that was created in the 1940s based in the fact that "norteño music" and typical cowboy cultures were being mixed and this dance shows the mixture of both styles. Other norteño forms are also popular, such as Vals Norteño, Chotis, Mazurka and mariachi. Chiapas : Chiapas has produced many marimba bands and artists, such as Marimbas de Chiapas. Chiapas has its own "son" tradition (son chiapaneco), often played on the marimba. Mexican waltzes are also particularly popular here. Chihuahua : Chihuahua norteño is unique in that it uses the saxophone in addition to the tradit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Dance Of Mexico
Folk dance of Mexico, commonly known as baile folklorico or Mexican ballet folk dance, is a term used to collectively describe traditional Mexican folk dances. Ballet folklórico is not just one type of dance, it encompasses each region's traditional dance that has been influenced by their local folklore and has been entwined with ballet characteristics to be made into a theatrical production. Each dance represents a different region in Mexico illustrated through their different zapateado, footwork, having differing stomps or heel toe points, and choreography that imitates animals from their region such as horses, iguanas, and vultures. History Mexico's modern folk dance tradition is a blending of elements from its Indigenous, African, and European heritage. Before the arrival of the Spanish, indigenous dance developed with strong ties to the religious practices. For the Aztecs, there were two levels of dance, one for the common people, often related to the agricultural cycle and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malagueña Salerosa
— also known as — is a well-known Son Huasteco or Huapango song from Mexico, which has been cover version, covered more than 200 times by recording artists. The song is that of a man telling a woman (from Málaga, Spain) how beautiful she is, and how he would love to be her man, but that he understands her rejecting him for being too poor. is attributed to Elpidio Ramírez and Pedro Galindo, Music publisher (popular music), published by Ralph Peer, Peer International in 1947 in music, 1947 (monitored by Broadcast Music Incorporated, BMI), although Mexican composer Nicandro Castillo questions the validity of that authorship. As he mentions: : The issue is controversial because ... [ composer] don Nicandro Castillo wrote that several tunes from la Huasteca which in decades past were known as , composed by Elpidio Ramírez, Roque Ramírez and Pedro Galindo, were actually anonymous songs, as was the case of and , which like or , were in the public domain, written "long befo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zapateado (Mexico)
The zapateado is a group of dance styles of Mexico, characterized by a lively rhythm punctuated by the striking of the dancer's shoes, akin to tap dance. The name derives from the Spanish word '' zapato'' for "shoe": ''zapatear'' means to strike with a shoe. It is widely used in sones, huapangos and chilenas. The term is also used to refer to percussive footwork in some Spanish/Latin dances that involve elaborate shoe clicking and tapping and to the percussion music produced by shoe striking. See also * Zapateado (Spain) Zapateado is a style of dance and traditional music of Andalusian origins in metre , with lively movement, marked on two beats, the second being very stressed. The dance shows a gracious tapping. Humanists of 16th century affirmed that zapateado de ... References *David Ewen, ''Encyclopedia of Concert Music''. New York: Hill and Wang, 1959. Dance in Mexico Uses of shoes {{dance-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariachi
Mariachi (, , ) is a genre of regional Mexican music that dates back to at least the 18th century, evolving over time in the countryside of various regions of western Mexico. The usual mariachi group today consists of as many as eight violins, two trumpets and at least one guitar, including a high-pitched vihuela and an acoustic bass guitar called a guitarrón, and all players taking turns singing lead and doing backup vocals. From the 19th to 20th century, migrations from rural areas into Guadalajara, along with the Mexican government's cultural promotion gradually re-labeled it as ''son'' style, with its alternative name of ''mariachi'' becoming used for the 'urban' form. Modifications of the music include influences from other music such as polkas and waltzes, the addition of trumpets and the use of charro outfits by mariachi musicians. The musical style began to take on national prominence in the first half of the 20th century, with its promotion at presidential i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huapanguera
The huapanguera, guitarra quinta huapanguera or guitarra huapanguera is a Mexican guitar-like instrument that usually forms part of a conjunto huasteco ensemble, along with the jarana huasteca and violin. Because of its large body and deeper structure, the huapanguera is able provide a much deeper sound compared to a regular acoustic guitar. Here it takes on the role of the bass instrument using a rhythmical strumming technique. Its physical construction features a large resonating body with a short neck. It normally has around 10 frets which stop at the point where the fingerboard meets the top. The stringing and tuning arrangement consists of 8 nylon strings in 5 courses. Standard tuning is G2+G2 – D3+D3 – G3+G3 – B3+ – E4 (GG – dd – gg – b – e in Helmholtz pitch notation), although there are many other string arrangements and tunings. Son Huasteco The quinta huapanguera is an instrument distinct of the Huasteca region of Mexico. It is used when playing the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jarana Huasteca
The jarana huasteca, jarana de son huasteco or jaranita is a string instrument. It is most often called simply jarana. It is a guitar-like chordophone with 5 strings, tuned in thirds (low to high): G, B, D, F# and A. It has a range similar to the mandolin, and a scale length of around 40 cm. The instrument usually forms part of the '' trío huasteco'' ensemble, along with the ''quinta huapanguera'' and violin, taking on the role of the rhythmic accompaniment. Compared to the ''guitarra huapanguera The huapanguera, guitarra quinta huapanguera or guitarra huapanguera is a Mexican guitar-like instrument that usually forms part of a conjunto huasteco ensemble, along with the jarana huasteca and violin. Because of its large body and deeper s ...'', the instrument is smaller and higher-pitched. References * {{DEFAULTSORT:Jarana Huasteca Mexican musical instruments Guitar family instruments ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Jarocho
Son jarocho ("Veracruz Sound") is a regional folk musical style of Mexican Son from Veracruz, a Mexican state along the Gulf of Mexico. It evolved over the last two and a half centuries along the coastal portions of southern Tamaulipas state and Veracruz state, hence the term ''jarocho'', a colloquial term for people or things from the port city of Veracruz. Characteristics It represents a fusion of indigenous (primarily Huastecan), Spanish, and African musical elements, reflecting the population which evolved in the region from Spanish colonial times. Lyrics include humorous verses and subjects such as love, nature, sailors, and cattle breeding that still reflect life in colonial and 19th century Mexico. Verses are often shared with the wider Mexican and Hispanic Caribbean repertoire and some have even been borrowed from famous works by writers of the Spanish "Siglo de Oro". It is usually performed by an ensemble of musicians and instruments which collectively are termed a "co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cucurrucucú Paloma
"Cucurrucucú paloma" (Spanish for ''Coo-coo dove'') is a Mexican huapango-style song written by Tomás Méndez in 1954. The title is an onomatopeic reference to the characteristic call of the mourning dove, which is evoked in the refrain. The lyrics allude to love sickness. Over the years the song has been used in the soundtrack of several films and has gained international popularity. It initially appeared in the classic Mexican comedy ''Escuela de vagabundos'' screened in 1955, where it was sung by the star of the film, Pedro Infante. The song also gave its name to the 1965 Mexican film '' Cucurrucucú Paloma'', directed by Miguel Delgado, in which it was performed by Lola Beltrán, who starred as "Paloma Méndez". In Pedro Almodovar's film '' Talk to Her'' (2002) the piece is rendered by the Brazilian singer Caetano Veloso in an art-song style quite different from the mariachi folk-kitsch of its original cinema presentation. Other films in which the song is used incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
