Hu (vessel)
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Hu (vessel)
A ''hu'' is a type of wine vessel that has a pear-shaped cross-section. Its body swells and flares into a narrow neck, creating S-shaped profile. While it is similar to ''you'' vessel, ''hu'' usually has a longer body and neck. The shape of ''hu'' probably derives from its ceramic prototype prior to the Shang dynasty (1600-1045 BC). They usually have handles on the top or rings attached to each side of neck. Many extant hu lack lids while those excavated in such tombs as Fu Hao's indicate that this type of vessel might be originally made with lids. Although it is more often to see ''hu'' having a circular body, there also appears ''hu'' in square and flat rectangular forms, called ''fang hu'' and ''bian hu'in Chinese. In addition, ''hu'' often came to be found in a pair or in a set together with other types of vessels. As wine had played an important part in the Shang ritual, the hu vessel might be placed in the grave of an ancestor as part of ritual in order to ensure a goo ...
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Hu Wine Vessel Of Song, Late Western Zhou Period (Late 9th Century B
HU or Hu may refer to: Arts and entertainment * Hu Sanniang, a fictional character in the ''Water Margin'', one of the Four Great Classical Novels of Chinese literature * Tian Hu, one of the antagonists in the ''Water Margin'' * Hollywood Undead, an American rap rock band * The Hu, a Mongolian heavy metal band Language * Hu (digraph), used primarily in Classical Nahuatl * Fu (kana), also romanised as Hu, Japanese kana ふ and フ * Hu language, of Yunnan, China * Hungarian language (ISO 639 alpha-2 code 'hu') Mythology and religion * Hu (mythology), the deification of the first word in the Egyptian mythology of the Ennead * Huh (god), the deification of eternity in the Egyptian mythology of the Ogdoad * Hu (Sufism), a name for God * Hu (ritual baton), an early Chinese writing utensil later used in Daoist rituals * Hú, a kachina in Hopi mythology * Adir Hu, a hymn sung at the Passover Seder * Hu Gadarn (or Hu the Mighty), a Welsh legendary figure * HU, a mantra popularized b ...
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Freer 011
Freer may refer to: People * Carl Freer (born 1970), Swedish businessman and technology entrepreneur *Charles Lang Freer (1854–1919), American industrialist and art collector *Dave Freer, Australian science fiction author * Fred Freer (1915–1998), Australian cricketer *Ian Freer (British Army officer) (born 1941), British Army general * Jacob S. Freer (1824–1892), New York politician * James Freer (1855–1933), Canadian film-maker *Mike Freer (born 1960), British politician * Randy Freer (born 1959/60), American television executive *Sir Robert Freer (1923–2012), Royal Air Force air chief marshal * Robert Elliott Freer (1896–1963), three-time Chairman of the United States Federal Trade Commission * Romeo H. Freer (1846–1913), Attorney General of West Virginia *Warren Freer (1920–2013), New Zealand politician * Walter Freer (born 1846), Scottish politician and temperance activist Places * Freer, Texas Freer is a city in Duval County, Texas, Duval County, Texas, ...
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You (vessel)
A ''you'' is a lidded vessel that was used for liquid offerings by the Chinese of the Zhou and Shang Dynasties. It sometimes lacks taotie in favor of smoother surfaces. Sometimes these vessels are zoomorphic The word ''zoomorphism'' derives from the Greek ζωον (''zōon''), meaning "animal", and μορφη (''morphē''), meaning "shape" or "form". In the context of art, zoomorphism could describe art that imagines humans as non-human animals. It c ..., especially in the form of two owls back to back. Usually the handle of the ''you'' is in the form of a loop that attaches on either side of the lid, but it is occasionally a knob in the center of the lid. They can be quadruped or have a single base. Gallery Notes References * External linksThe great bronze age of China: an exhibition from the People's Republic of China an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on ''You'' Chinese bronzew ...
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Shang Dynasty
The Shang dynasty (), also known as the Yin dynasty (), was a Chinese royal dynasty founded by Tang of Shang (Cheng Tang) that ruled in the Yellow River valley in the second millennium BC, traditionally succeeding the Xia dynasty and followed by the Western Zhou dynasty. The classic account of the Shang comes from texts such as the '' Book of Documents'', '' Bamboo Annals'' and '' Records of the Grand Historian''. According to the traditional chronology based on calculations made approximately 2,000 years ago by Liu Xin, the Shang ruled from 1766 to 1122 BC, but according to the chronology based upon the "current text" of ''Bamboo Annals'', they ruled from 1556 to 1046 BC. Comparing the same text with dates of five-planet conjunctions, David Pankenier, supported by David Nivison, proposed dates of the establishment of the dynasty to 1554 BC. The Xia–Shang–Zhou Chronology Project dated the establishment to c. 1600 BC based on the carbon-14 dates of th ...
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Zhou Dynasty
The Zhou dynasty ( ; Old Chinese ( B&S): *''tiw'') was a royal dynasty of China that followed the Shang dynasty. Having lasted 789 years, the Zhou dynasty was the longest dynastic regime in Chinese history. The military control of China by the royal house, surnamed Ji, lasted initially from 1046 until 771 BC for a period known as the Western Zhou, and the political sphere of influence it created continued well into the Eastern Zhou period for another 500 years. The establishment date of 1046 BC is supported by the Xia–Shang–Zhou Chronology Project and David Pankenier, but David Nivison and Edward L. Shaughnessy date the establishment to 1045 BC. During the Zhou dynasty, centralized power decreased throughout the Spring and Autumn period until the Warring States period in the last two centuries of the dynasty. In the latter period, the Zhou court had little control over its constituent states that were at war with each other until the Qin state consolidated power and forme ...
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Spring And Autumn Period
The Spring and Autumn period was a period in Chinese history from approximately 770 to 476 BC (or according to some authorities until 403 BC) which corresponds roughly to the first half of the Eastern Zhou period. The period's name derives from the ''Spring and Autumn Annals'', a chronicle of the state of Lu between 722 and 479 BCE, which tradition associates with Confucius (551–479 BCE). During this period, the Zhou royal authority over the various feudal states eroded as more and more dukes and marquesses obtained ''de facto'' regional autonomy, defying the king's court in Luoyi and waging wars amongst themselves. The gradual Partition of Jin, one of the most powerful states, marked the end of the Spring and Autumn period and the beginning of the Warring States period. Background In 771 BCE, a Quanrong invasion in coalition with the states of Zeng and Shen — the latter polity being the fief of the grandfather of the disinherited crown prince Yijiu — destroyed the ...
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Warring States Period
The Warring States period () was an era in History of China#Ancient China, ancient Chinese history characterized by warfare, as well as bureaucratic and military reforms and consolidation. It followed the Spring and Autumn period and concluded with the Qin's wars of unification, Qin wars of conquest that saw the annexation of all other contender states, which ultimately led to the Qin (state), Qin state's victory in 221 BC as the first unified History of China#Imperial China, Chinese empire, known as the Qin dynasty. Although different scholars point toward different dates ranging from 481 BC to 403 BC as the true beginning of the Warring States, Sima Qian's choice of 475 BC is the most often cited. The Warring States era also overlaps with the second half of the Eastern Zhou Period, Eastern Zhou dynasty, though the Chinese sovereign, known as the king of Zhou, ruled merely as a figurehead and served as a backdrop against the machinations of the warring states. The "Warring St ...
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Animal Style
Animal style art is an approach to decoration found from China to Northern Europe in the early Iron Age, and the barbarian art of the Migration Period, characterized by its emphasis on animal motifs. The zoomorphic style of decoration was used to decorate small objects by warrior-herdsmen, whose economy was based on breeding and herding animals, supplemented by trade and plunder. Animal art is a more general term for all art depicting animals. Eastern styles Scythian art makes great use of animal motifs, one component of the "Scythian triad" of weapons, horse-harness, and Scythian-style wild animal art. The cultures referred to as Scythian-style included the Cimmerian and Sarmatian cultures in European Sarmatia and stretched across the Eurasian steppe north of the Near East to the Ordos culture of China. These cultures were extremely influential in spreading many local versions of the style. Steppe jewellery features various animals including stags, cats, birds, horses, bea ...
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Han Dynasty
The Han dynasty (, ; ) was an imperial dynasty of China (202 BC – 9 AD, 25–220 AD), established by Liu Bang (Emperor Gao) and ruled by the House of Liu. The dynasty was preceded by the short-lived Qin dynasty (221–207 BC) and a warring interregnum known as the ChuHan contention (206–202 BC), and it was succeeded by the Three Kingdoms period (220–280 AD). The dynasty was briefly interrupted by the Xin dynasty (9–23 AD) established by usurping regent Wang Mang, and is thus separated into two periods—the Western Han (202 BC – 9 AD) and the Eastern Han (25–220 AD). Spanning over four centuries, the Han dynasty is considered a golden age in Chinese history, and it has influenced the identity of the Chinese civilization ever since. Modern China's majority ethnic group refers to themselves as the "Han people", the Sinitic language is known as "Han language", and the written Chinese is referred to as "Han characters". The emperor was at the pinnacle of ...
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Chinese Ritual Bronze
Sets and individual examples of ritual bronzes survive from when they were made mainly during the Chinese Bronze Age. Ritual bronzes create quite an impression both due to their sophistication of design and manufacturing process, but also because of their remarkable durability. From around 1650 BCE, these elaborately decorated vessels were deposited as grave goods in the tombs of royalty and the nobility, and were evidently produced in very large numbers, with documented excavations finding over 200 pieces in a single royal tomb. They were produced for an individual or social group to use in making ritual offerings of food and drink to his or their ancestors and other deities or spirits. Such ceremonies generally took place in family temples or ceremonial halls over tombs. These ceremonies can be seen as ritual banquets in which both living and dead members of a family were supposed to participate. Details of these ritual ceremonies are preserved through early literary records ...
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