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Harmonic Table
The Harmonic Table note-layout, or tonal array, is a key layout for musical instruments that offers interesting advantages over the traditional keyboard layout. Its symmetrical, hexagonal pattern of interval sequences places the notes of the major and minor triads together. It is sometimes called the ''Melodic Table'' note-layout, and more rarely the ''Triad'' note-layout. It is related to the Wicki-Hayden based keyboards and other isomorphic keyboards, both of which can be utilized on the jammer keyboard musical interface. History The structure and properties of the Harmonic Table have been well known since at least the 18th century. Indeed, as a pitch space, the Harmonic Table is topologically equivalent to Euler's Tonnetz, discovered by the Swiss mathematician Leonhard Euler in 1739. The two pitch arrays are trivially obtained from each other by direct shear mapping. This note layout created by Euler is utilised in Neo-Riemannian theory to geometrically model its musical i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Third
In classical music, a third is a musical interval encompassing three staff positions (see Interval number for more details), and the major third () is a third spanning four semitones. Forte, Allen (1979). ''Tonal Harmony in Concept and Practice'', p.8. Holt, Rinehart, and Winston. Third edition . "A large 3rd, or ''major 3rd'' (M3) encompassing four half steps." Along with the minor third, the major third is one of two commonly occurring thirds. It is qualified as ''major'' because it is the larger of the two: the major third spans four semitones, the minor third three. For example, the interval from C to E is a major third, as the note E lies four semitones above C, and there are three staff positions from C to E. Diminished and augmented thirds span the same number of staff positions, but consist of a different number of semitones (two and five). The major third may be derived from the harmonic series as the interval between the fourth and fifth harmonics. The maj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concertina
A concertina is a free-reed musical instrument, like the various accordions and the harmonica. It consists of expanding and contracting bellows, with buttons (or keys) usually on both ends, unlike accordion buttons, which are on the front. The concertina was developed independently in both England and Germany. The English version was invented in 1829 by Sir Charles Wheatstone, while Carl Friedrich Uhlig introduced the German version five years later, in 1834. Various forms of concertini are used for classical music, for the traditional musics of Ireland, England, and South Africa, and for tango and polka music. Systems The word ''concertina'' refers to a family of hand-held bellows-driven free reed instruments constructed according to various ''systems'', which differ in terms of keyboard layout, and whether individual buttons (keys) produce the same ( unisonoric) or different ( bisonoric) notes with changes in the direction of air pressure. Because the concertina was deve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Boulanger
Richard Charles Boulanger (born November 10, 1956) is a composer, author, and electronic musician. He is a key figure in the development of the audio programming language Csound, and is associated with computer music pioneers Max Mathews and Barry Vercoe. Biography Education After graduating from Somerset High School in 1974, Boulanger attended New England Conservatory of Music as an undergraduate, where his thesis was a commission by Alan R. Pearlman for the Newton Symphony titled "Three Soundscapes for Two Arp 2600 Synthesizers and Orchestra". After pursuing a Master's in composition from Virginia Commonwealth University, where Allan Blank was amongst his professors, he obtained a PhD in computer music from the University of California, San Diego where he worked at the Center for Music Experiment and Related Research. Boulanger continued his computer music research at Bell Labs, the Center for Computer Research in Music and Acoustics at Stanford University, the Massachusetts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elaine Walker (composer)
Elaine Walker is a composer, electronic musician and author born in 1969. She wrote a physics/philosophy book, “Matter Over Mind: Cosmos, Chaos, and Curiosity” (2016). She specializes in microtonal music, including founding ZIA, an all electronic band, and performing with D.D.T. She has performed with Number Sine.Homepage , ''ZIASpace.com''. She describes: "I compose microtonal music strictly by ear and leave it to others to analyze, so you won't find ratios or mathematics here." Life Raised in southern New Mexico "by two loving mathematicians, Elaine grew to love the desert in all of its glory and wide openness". Her father was . Walker has a Music[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Serafini
Carlo is a given name. It is an Italian form of Charles. It can refer to: *Carlo (name) *Monte Carlo *Carlingford, New South Wales, a suburb in north-west Sydney, New South Wales, Australia *A satirical song written by Dafydd Iwan about Prince Charles. *A former member of Dion and the Belmonts best known for his 1964 song, Ring A Ling. *Carlo (submachine gun), an improvised West Bank gun. * Carlo, a fictional character from Animal Crossing: Pocket Camp * It can be confused with Carlos * Carlo means “man” (from Germanic “karal”), “free man” (from Middle Low German “kerle”) and “warrior”, “army” (from Germanic “hari”). See also *Carl (name) *Carle (other) *Carlos (given name) Carlos is a masculine given name, and is the Portuguese and Spanish variant of the English name ''Charles'', from the Germanic ''Carl''. Notable people with the name include: Royalty *Carlos I of Portugal (1863–1908), second to last King of P ... {{disambig Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bohlen–Pierce Scale
The Bohlen–Pierce scale (BP scale) is a musical tuning and scale, first described in the 1970s, that offers an alternative to the octave-repeating scales typical in Western and other musics, specifically the equal-tempered diatonic scale. The interval 3:1 (often called by a new name, ''tritave'') serves as the fundamental harmonic ratio, replacing the diatonic scale's 2:1 (the octave) with a perfect twelfth (an octave higher than a perfect fifth). For any pitch that is part of the BP scale, all pitches one or more tritaves higher or lower are part of the system as well, and are considered equivalent. The BP scale divides the tritave into 13 steps, either equal tempered (the most popular form), or in a justly tuned version. Compared with octave-repeating scales, the BP scale's intervals are more consonant with certain types of acoustic spectra. The scale was independently described by Heinz Bohlen, Kees van Prooijen and John R. Pierce. Pierce, who, with Max Mathews and oth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jordan Rudess
Jordan Rudess (born Jordan Charles Rudes; November 4, 1956) is an American musician, software developer and composer best known as a member of the progressive metal band Dream Theater and the progressive metal supergroup Liquid Tension Experiment. Biography Jordan Rudess was born in 1956 in Long Island, New York. He was recognized by his 2nd grade teacher for his piano playing and was immediately given professional instruction. At nine, he entered the Juilliard School of Music Pre-College Division for classical piano training, but by his late teens he had grown increasingly interested in synthesizers and progressive rock music, citing his very first experience in the genre as the Hammond playing and distorted stylistic expression of Jon Lord. Against the counsel of his parents and tutors, he turned away from classical piano and tried his hand as a solo progressive rock keyboardist. When Bleu Ocean was assembling a team of fellow drummers to perform on the song "Bring the Boys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian May
Brian Harold May (born 19 July 1947) is an English guitarist, singer, songwriter, and astrophysicist, who achieved worldwide fame as the lead guitarist of the rock band Queen (band), Queen. May was a co-founder of Queen with lead singer Freddie Mercury and drummer Roger Taylor (Queen drummer), Roger Taylor. His songwriting contributions helped Queen become among the most successful acts in music history. May previously performed with Taylor in the blues rock band Smile (band), Smile, which he had joined while he was at university. After Queen's formation in 1970, bass guitarist John Deacon joined to complete the line-up in 1971. They became one of the biggest rock bands in the world with the success of the album ''A Night at the Opera (Queen album), A Night at the Opera'' and its single "Bohemian Rhapsody". From the mid-1970s until the early 1990s, Queen played at some of the biggest venues in the world, including at Live Aid in 1985. As a member of Queen, May became regarded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minor Triad
In music theory, a minor chord is a chord that has a root, a minor third, and a perfect fifth. When a chord comprises only these three notes, it is called a minor triad. For example, the minor triad built on C, called a C minor triad, has pitches C–E–G: In harmonic analysis and on lead sheets, a C minor chord can be notated as Cm, C−, Cmin, or simply the lowercase "c". A minor triad is represented by the integer notation . A minor triad can also be described by its intervals: the interval between the bottom and middle notes is a minor third, and the interval between the middle and top notes is a major third. By contrast, a major triad has a major third on the bottom and minor third on top. They both contain fifths, because a minor third (three semitones) plus a major third (four semitones) equals a perfect fifth (seven semitones). Chords that are constructed of consecutive (or "stacked") thirds are called ''tertian.'' In Western classical music from 1600 to 1820 a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Triad
In music theory, a major chord is a chord that has a root, a major third, and a perfect fifth. When a chord comprises only these three notes, it is called a major triad. For example, the major triad built on C, called a C major triad, has pitches C–E–G: In harmonic analysis and on lead sheets, a C major chord can be notated as C, CM, CΔ, or Cmaj. A major triad is represented by the integer notation . A major triad can also be described by its intervals: the interval between the bottom and middle notes is a major third, and the interval between the middle and top notes is a minor third. By contrast, a minor triad has a minor third interval on the bottom and major third interval on top. They both contain fifths, because a major third (four semitones) plus a minor third (three semitones) equals a perfect fifth (seven semitones). Chords that are constructed of consecutive (or "stacked") thirds are called ''tertian.'' In Western classical music from 1600 to 1820 and in W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augmented Second
In classical music from Western culture, an augmented second is an interval that, in equal temperament, is sonically equivalent to a minor third, spanning three semitones, and is created by widening a major second by a chromatic semitone.Benward & Saker (2003). ''Music: In Theory and Practice, Vol. I'', p.54. . Specific example of an A2 not given but general example of major intervals described. For instance, the interval from C to D is a major second, two semitones wide, and the interval from C to D is an augmented second, spanning three semitones. Usage Augmented seconds occur in many scales, most importantly the harmonic minor and its various modes. They also occur in the various Gypsy scales (which consist almost entirely of augmented and minor seconds). In harmonic minor scales, the augmented second occurs between the sixth and seventh scale degrees. For example, in the scale of A harmonic minor, the notes F and G form the interval of an augmented second. This distinguish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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