|
Harmonic Seventh
The harmonic seventh interval, also known as the septimal minor seventh, or subminor seventh, is one with an exact 7:4 ratio (about 969 cents). This is somewhat narrower than and is, "particularly sweet", "sweeter in quality" than an "ordinary" just minor seventh, which has an intonation ratio of 9:5 (about 1018 cents). The harmonic seventh arises from the harmonic series as the interval between the fourth harmonic (second octave of the fundamental) and the seventh harmonic; in that octave, harmonics 4, 5, 6, and 7 constitute a purely consonant major chord with added seventh (root position). When played on the natural horn, as a compromise the note is often adjusted to 16:9 of the root (for C maj7, the substituted note is B, 996.09 cents), but some pieces call for the pure harmonic seventh, including Britten's ''Serenade for Tenor, Horn and Strings''. Composer Ben Johnston uses a small "7" as an accidental to indicate a note is lowered 49 cents ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Septimal Major Second
In music, the septimal whole tone, septimal major second, or supermajor second is the musical interval exactly or approximately equal to an 8/7 ratio of frequencies.Andrew Horner, Lydia Ayres (2002). ''Cooking with Csound: Woodwind and Brass Recipes'', p.131. . "Super-Major Second". It is about 231 cents wide in just intonation.Leta E. Miller, Fredric Lieberman (2006). ''Lou Harrison'', p.72. . 24 equal temperament does not match this interval particularly well, its nearest representation being at 250 cents, approximately 19 cents sharp. The septimal whole tone may be derived from the harmonic series as the interval between the seventh and eighth harmonics and the term ''septimal'' refers to the fact that it utilizes the seventh harmonic. It can also be thought of as the octave inversion of the 7/4 interval, the harmonic seventh. No close approximation to this interval exists in the standard 12 equal temperament used in most modern western music. The very simple 5 equal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raymond Flood (mathematician)
Raymond Flood is Emeritus Fellow and a member of the Continuing Education Department at Kellogg College, Oxford, and has been a Professor of Geometry at Gresham College. Education Flood achieved a Bachelor of Science degree at Queens University, Belfast and a master's degree at Linacre College, Oxford. He obtained his PhD from University College, Dublin. Flood obtained his doctorate through part-time study, as he had already acquired a family and a job. Career In 1990, Flood was made a Founding Fellow of Kellogg College, Oxford, formally Rewley House. Kellogg College, Oxford was created to look after the interests of mature and part-time students. Flood primarily teaches those students who are either mature, or who study part-time. He has held numerous positions at the College and the University of Oxford, including Curator of the University Libraries and as a University lecturer at the University of Oxford. Flood has dedicated much of his academic career promoting mathematic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Origin Of Seconds And Thirds In Harmonic Series
Origin(s) or The Origin may refer to: Arts, entertainment, and media Comics and manga * ''Origin'' (comics), a Wolverine comic book mini-series published by Marvel Comics in 2002 * ''The Origin'' (Buffy comic), a 1999 ''Buffy the Vampire Slayer'' comic book series * Origins (''Judge Dredd'' story), a major ''Judge Dredd'' storyline running from 2006 through 2007 * ''Origin'' (manga), a 2016 manga by Boichi * '' Mobile Suit Gundam: The Origin'', a 2002 manga by Yoshikazu Yasuhiko * '' Wolverine: Origins'', a Marvel Comics series Films and television * ''Origin'' (TV series), 2018 science-fiction TV series * "Origin" (''Angel''), a fifth-season episode of ''Angel'' * '' Origin: Spirits of the Past'', a 2006 anime movie also known as ''Gin-iro no Kami no Agito'' * Origin (''Stargate''), the religion of the Ori * "Origin" (''Stargate SG-1''), a ninth-season episode of ''Stargate SG-1'' * '' X-Men Origins: Wolverine'', a 2009 superhero film, prequel to the ''X-Men'' film tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Seventh Chord
The harmonic seventh chord is a major triad plus the harmonic seventh interval (ratio of 7:4, about 968.826 centsBosanquet, Robert Holford Macdowall (1876). ''An elementary treatise on musical intervals and temperament'', pp. 41-42. Diapason Press; Houten, The Netherlands. .). This interval is somewhat narrower (about 48.77 cents flatter, a septimal quarter tone) and is "sweeter in quality" than an "ordinary""On Certain Novel Aspects of Harmony", p.119. Eustace J. Breakspeare. ''Proceedings of the Musical Association'', 13th Sess., (1886–1887), pp. 113–131. Published by: Oxford University Press on behalf of the Royal Musical Association. minor seventh, which has a just intonation ratio of 9:5 (1017.596 cents), or an equal-temperament ratio of 1000 cents (2:1). Uses Since barbershop music tends to be sung in just intonation, the barbershop seventh chord may be accurately termed a harmonic seventh chord. As guitars, pianos, and other equal-temperament instruments cannot pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominant Seventh Chord
In music theory, a dominant seventh chord, or major minor seventh chord, is a seventh chord, usually built on the fifth degree of the major scale, and composed of a root, major third, perfect fifth, and minor seventh. Thus it is a major triad together with a minor seventh, denoted by the letter name of the chord root and a superscript "7". An example is the dominant seventh chord built on G, written as G7, having pitches G–B–D–F: : Dominant seventh chords contain a strong dissonance – a tritone between the chord's third and seventh. Dominant seventh chords are often built on the fifth scale degree (or dominant) of a key. For instance, in the C major scale, G is the fifth note of the scale, and the seventh chord built on G is the dominant seventh chord, G7 (shown above). In this chord, F is a minor seventh above G. In Roman numeral analysis, G7 would be represented as V7 in the key of C major. Similarly, this chord also occurs on the seventh degree of any natural ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbershop Music
Barbershop vocal harmony, as codified during the barbershop revival era (1930s–present), is a style of a cappella close harmony, or unaccompanied vocal music, characterized by consonant four-part chords for every melody note in a primarily homorhythmic texture. Each of the four parts has its own role: generally, the lead sings the melody, the tenor harmonizes above the melody, the bass sings the lowest harmonizing notes, and the baritone completes the chord, usually below the lead. The melody is not usually sung by the tenor or baritone, except for an infrequent note or two to avoid awkward voice leading, in tags or codas, or when some appropriate embellishment can be created. One characteristic feature of barbershop harmony is the use of what is known as "snakes" and "swipes". This is when a chord is altered by a change in one or more non-melodic voices. Occasional passages may be sung by fewer than four voice parts. Barbershop music is generally performed by either a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Septimal Major Second On B7b
Septimal may refer to: *Septimal chromatic semitone, the interval 21:20, about 84.47 cents *Septimal comma, a small musical interval in just intonation divisible by 7 *Septimal diatonic semitone, the interval 15:14, about 119.44 cents *Septimal diesis, an interval with the ratio of 49:48, about 38.71 cents *Septimal kleisma, an interval of approximately 7.7 cents *Septimal major third, the musical interval with a 9:7 ratio of frequencies *Septimal meantone temperament, the tempering of 7-limit musical intervals by a meantone temperament tuning *Septimal minor third, the musical interval exactly or approximately equal to a 7/6 ratio of frequencies *Septimal quarter tone, an interval with the ratio of 36:35, about 48.77 cents *Septimal semicomma, an interval with the ratio 126/125, about 13.79 cents *Septimal sixth-tone (or jubilisma), an interval with the ratio of 50:49, about 34.98 cents *Septimal tritone, the interval 7:5, about 582.51 cents ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspectives Of New Music
''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). ''Perspectives'' was first published by the Princeton University Press, initially supported by the Fromm Music Foundation.David Carson Berry, "''Journal of Music Theory'' under Allen Forte's Editorship," ''Journal of Music Theory'' 50/1 (2006), 21, n49. The first issue was favorably reviewed in the ''Journal of Music Theory'', which observed that Berger and Boretz had produced "a first issue which sustains such a high quality of interest and cogency among its articles that one suspects the long delay preceding the yet-unborn Spring 1963 issue may reflect a scarcity of material up to their standard". However, as the journal's editorial "perspective" coalesced, Fromm became—in the words of David Gable—disenchanted with the "exclusive viewpoint hatcame to dominate" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joel Mandelbaum
Mayer Joel Mandelbaum (born October 12, 1932) is an American music composer and teacher, best known for his use of microtonal tuning (notably just intonation and 19 equal temperament and the 31 equal temperament). He wrote the first Ph.D. dissertation on microtonality in 1961. He is married to stained glass artist Ellen Mandelbaum, and is the nephew of Abraham Edel. Career Born in New York City, Mandelbaum received his Ph.D. from Indiana University in music theory in 1961. He also studied at the Harvard and Brandeis universities, as well as the Berkshire Music Center and the Berlin Hochschule für Musik. His composition teachers included Boris Blacher, Luigi Dallapiccola, Irving Fine, Walter Piston, and Harold Shapero. His thesis was focused on the 19 equal temperament. He was a teacher and chairman of the music department at Queens College, City University of New York, from 1961 to 1999. Mandelbaum became interested in microtonality after listening to a lecture by Paul Hindemith ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lou Harrison
Lou Silver Harrison (May 14, 1917 – February 2, 2003) was an American composer, music critic, music theorist, painter, and creator of unique musical instruments. Harrison initially wrote in a dissonant, ultramodernist style similar to his former teacher and contemporary, Henry Cowell, but later moved toward incorporating elements of non-Western cultures into his work. Notable examples include a number of pieces written for Javanese style gamelan instruments, inspired after studying with noted gamelan musician Kanjeng Notoprojo in Indonesia. Harrison would create his own musical ensembles and instruments with his partner, William Colvig, who are now both considered founders of the American gamelan movement and world music; along with composers Harry Partch and Claude Vivier, and ethnomusicologist Colin McPhee. The majority of Harrison's works and custom instruments are written for just intonation rather than the more widespread equal temperament, making him one of the most p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Eaton (composer)
John Charles Eaton (March 30, 1935 – December 2, 2015) was an American composer. Born in Bryn Mawr, Pennsylvania, Eaton attended Princeton University, where he graduated in 1957. He later lived in Rome (1957–68), returning to Princeton to earn a PhD in 1970. He subsequently held faculty appointments at Indiana University (1970–92) and the University of Chicago (1989–99). Eaton was a prominent composer of microtonal music, and worked with Paul Ketoff and Robert Moog during the 1960s in developing several types of synthesizer. Notably, he was involved in the development, use, and ultimately unsuccessful commercialization of the SynKet. He devised a compositional genre called ''pocket opera'', operas scored for a small cast of vocalists and a chamber group, and composed such pocket opera works as ''Peer Gynt'', ''Let's Get This Show on the Road'', and ''The Curious Case of Benjamin Button''. His operas include '' The Cry of Clytaemnestra'' (1980), a re-telling of some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Easley Blackwood Jr
Easley may refer to: Places in the United States * Easley, Alabama, in Blount County, Alabama * Easley, Iowa * Easley, Missouri, in Boone County, Missouri * Easley, South Carolina, in Pickens Counties Persons *Easley (name) Other uses *Easley McCain Recording Easley McCain Recording is an American recording studio, based in Memphis, Tennessee, notable for recording musicians such as Tav Falco's Panther Burns, Oblivians, Grifters, Pavement, Sonic Youth, Come, White Stripes, Townes Van Zandt, Pezz, Je ... * Justice Easley (other) {{Disambiguation, geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Barbershop Music")
