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Hand-stopping
Hand-stopping is a List of horn techniques, technique by which a natural horn can be made to produce notes outside of its normal Harmonic series (music), harmonic series. By inserting the hand, cupped, into the bell, the player can reduce the pitch of a note by a semitone or more. This, combined with the use of Crook (music), crooks changing the key of the instrument, allowed composers to write fully chromatic music for the horn before the invention of piston and valve horns in the early 19th Century. A stopped note is called ''gestopft'' in German and ''bouché'' in French.Don Randel, ed., ''The New Harvard Dictionary of Music''. Belknap/Harvard, 1999, pp. 103, 339. The technique was invented in Europe in the mid 18th Century, and its first celebrated exponent was Giovanni Punto, who learned the technique from A. J. Hampel and subsequently taught it to the Court orchestra of George III. In addition to the change in pitch, the timbre is changed, sounding somewhat muted. Some pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Punto
Jan Václav Stich, better known as Giovanni Punto (28 September 1746 in Žehušice, Bohemia – 16 February 1803 in Prague, Bohemia) was a Czech horn player and a pioneer of the hand-stopping technique which allows natural horns to play a greater number of notes. Early life Stich was born in Žehušice in Bohemia. His father was a serf bonded to the estate of Count Joseph Johann von Thun, but Stich was taught singing, violin and finally the horn. The Count sent him to study horn under Joseph Matiegka in Prague, Jan Schindelarz in Munich, and finally with A. J. Hampel in Dresden (from 1763 to 1764). Hampel first taught Stich the hand-stopping technique which he later improved and extended. Stich then returned to the service of the Count, where he remained for the next four years. At the age of 20 Stich and four friends ran away from the estate. The Count, who had invested heavily in Stich's education, dispatched soldiers with orders to knock out Stich's front teeth to pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natural Horn
The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth century the natural horn evolved as a separation from the trumpet by widening the bell and lengthening the tubes. It consists of a mouthpiece, long coiled tubing, and a large flared bell. This instrument was used extensively until the emergence of the valved horn in the early 19th century. Hand stopping technique The natural horn has several gaps in its harmonic range. To play chromatically, in addition to crooking the instrument into the right key, two additional techniques are required: ''bending'' and ''hand-stopping''. Bending a note is achieved by modifying the embouchure to raise or lower the pitch fractionally, and compensates for the slightly out-of-pitch " wolf tones" which all brass instruments have. Hand-stopping is a technique whereby the player can modify the pitch of a note by up to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crook (music)
A crook, also sometimes called a shank, is an exchangeable segment of tubing in a natural horn (or other brass instrument, such as a natural trumpet) which is used to change the length of the pipe, altering the fundamental pitch and harmonic series which the instrument can sound, and thus the key in which it plays.Apel, pp. 392, 926. Master crook and coupler system Early horns had unalterable lengths and permanently attached mouthpieces. This presented problems in concert situations. A different horn was required for different keys, and the instrument could not be tuned. Around 1700 the Leichnamschneider brothers in Vienna developed a horn with a removable mouthpiece that could be connected to a short piece of tubing, called a master crook. Additional pieces, couplers, of different lengths were inserted between the master crook and the body of the horn to change the horn's length, and thus the pitch. Fine-tuning was done with even shorter segments called tuning bits. This simple a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Horn Techniques
Some of these horn techniques are not unique to the French horn, horn, but are applicable to most or all wind instruments.'' Stopped horn This is the act of fully closing off the bell of the instrument with either the right hand or a special Mute (music)#Stopping, stopping mute. This results in producing a somewhat nasal sound. When required, in the sheet music the usual notation is a '+' above the note followed by a 'o' above notes that are to be played open. For longer stopped passages, the word indicating a stopped horn is written out. The pitch lowers gradually when the hand is placed in the bell and slowly moved inward. When the bell is completely covered (stopped), the pitch falls to a half-step above the next lower Harmonic series (music), partial (harmonic). For example, playing a middle C (F-horn, open) and gradually covering the bell into stopped horn, the pitch will lower a major 3rd to A (or 1/2 step above G, the next lower partial). However, playing a 3rd space C (F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Series (music)
A harmonic series (also overtone series) is the sequence of harmonics, musical tones, or pure tones whose frequency is an integer multiple of a ''fundamental frequency''. Pitched musical instruments are often based on an acoustic resonator such as a string or a column of air, which oscillates at numerous modes simultaneously. At the frequencies of each vibrating mode, waves travel in both directions along the string or air column, reinforcing and canceling each other to form standing waves. Interaction with the surrounding air causes audible sound waves, which travel away from the instrument. Because of the typical spacing of the resonances, these frequencies are mostly limited to integer multiples, or harmonics, of the lowest frequency, and such multiples form the harmonic series. The musical pitch of a note is usually perceived as the lowest partial present (the fundamental frequency), which may be the one created by vibration over the full length of the string or air co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George III
George III (George William Frederick; 4 June 173829 January 1820) was King of Great Britain and of Ireland from 25 October 1760 until the union of the two kingdoms on 1 January 1801, after which he was King of the United Kingdom of Great Britain and Ireland until his death in 1820. He was the longest-lived and longest-reigning king in British history. He was concurrently Duke and Prince-elector of Brunswick-Lüneburg ("Hanover") in the Holy Roman Empire before becoming King of Hanover on 12 October 1814. He was a monarch of the House of Hanover but, unlike his two predecessors, he was born in Great Britain, spoke English as his first language and never visited Hanover. George's life and reign were marked by a series of military conflicts involving his kingdoms, much of the rest of Europe, and places farther afield in Africa, the Americas and Asia. Early in his reign, Great Britain defeated France in the Seven Years' War, becoming the dominant European power in North America ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weber Concertino For Horn
The Concertino for Horn and Orchestra in E minor, J188 ( Op. 45), was composed in 1806 for the Karlsruhe player Dautrevaux, and revised for the Munich virtuoso Rauch in 1815 (completed on 31 August) by Carl Maria von Weber . It is an extremely taxing work, whether played on the natural horn for which it was written, or on the modern valve horn. The soloist is accompanied by a small orchestra. It requires, among other feats, that the player produce what is in effect a four-note chord using the interplay between humming and the sound from the instrument, a technique known as multiphonics. The work is widely recorded and performed, appearing in the repertoire of well-known horn players including Hermann Baumann, Barry Tuckwell and David Pyatt. It was originally written for the natural horn, and the authentic performance movement still sees it played on this instrument; for example, by Anthony Halstead with the Hanover Band. Instrumentation The Concertino is scored for a small orc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Halstead
Anthony Halstead (born 18 June 1945 in Manchester, England) is a leading figure in the period-instruments movement. First known as a virtuoso on the natural horn, he has gradually moved into the role of conductor and has directed the Academy of Ancient Music, the Orchestra of the Age of Enlightenment, and most notably Hanover Band. Biography Halstead attended Chetham's School and the Royal Manchester College of Music, studying piano at first, as well as horn, organ, and composition. At the suggestion of his horn teacher Sydney Coulston, Halstead began to specialise in the horn. He was first horn with the English Chamber Orchestra from 1972 to 1986, and has also been a member of other noted orchestras such as the London Symphony Orchestra. He has also been a professor at the Guildhall School of Music. During the 1980s and early 1990s, Halstead served as both a member of the horn section and as horn soloist for several period-instruments groups and recorded widely. His many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanover Band
The Hanover Band is a British orchestra specialised in historically informed performance, founded by its artistic director, Caroline Brown. The group's website explains the name thus: '' 'Hanover' signifies the Hanoverian period 1714-1830 and 'Band' is the 18th century term for orchestra.'' Its principal and guest conductors and directors have included Monica Huggett, Sir Charles Mackerras, Roy Goodman, Anthony Halstead, Nicholas McGegan, Graham Lea-Cox, Richard Egarr, Nicholas Kraemer, Paul Brough, Andrew Arthur and Benjamin Bayl. The Hanover Band has appeared at the Carnegie Hall, Amsterdam Concertgebouw, Bridgewater Hall (Manchester), South Bank Centre, Royal Albert Hall and Wigmore Hall, among many other venues. They have toured the UK many times, made ten tours of the United States and performed in Canada, Mexico, Austria, Germany, Switzerland, France, Portugal, Spain, Belgium, Netherlands, Norway, Greece & Turkey. The orchestra made its debut in China, in the Beijing Fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brass Instruments
A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones or labrophones, from Latin and Greek elements meaning 'lip' and 'sound'. There are several factors involved in producing different pitches on a brass instrument. Slides, valves, crooks (though they are rarely used today), or keys are used to change vibratory length of tubing, thus changing the available harmonic series, while the player's embouchure, lip tension and air flow serve to select the specific harmonic produced from the available series. The view of most scholars (see organology) is that the term "brass instrument" should be defined by the way the sound is made, as above, and not by whether the instrument is actually made of brass. Thus one finds brass instruments made of wood, like the alphorn, the cornett, the serpent and the didgeridoo, while som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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