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Hand-repique
The hand-repique is a percussion instrument originated in Brazil. It’s a small drum of cylindrical form, that can be made of wood, aluminum or acrylic. It’s played with the hands, both on the skin and its body. The hand-repique has a sharp sound and is used mainly to play Samba and its variants, such as Pagode. Its common role inside these genres is to increase the percussion section, filling up the spaces and playing the off-beats. It was invented by musician Ubirany, founder and percussionist with the band "Fundo de Quintal". The hand-repique is derived from another percussion instrument, the "Repinique". Ubirany started to use the repinique in its band but felt it was too uncomfortable to play, since this instrument is made to be originally played with a drumstick. So he adapted it, adding a few mufflers on the inside, lowering the hoop and taking the bottom skin off it. It became so popular that it began to be produced by several manufactures (such as Gope, Contemporânea an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ring-repique
The ring-repique is a percussion instrument originated in Brazil. It's a small drum commonly made of aluminum, and unlike the Hand-repique, has two drumheads (top and bottom, commonly made out of animal skin), and a different, much deeper timbre. In Brazil this instrument is used mainly to play Samba and its variants, such as Pagode. The ring-repique has this name because traditionally, the musician wears one or more rings to play it, striking the body of the instrument with his fingers and using his thumb to play on the bottom or top skins. Normally the free hand hits the top skin, and this technique allows the player to perform more than one rhythm. The ring-repique was invented in the 1970s by musician "Doutor". See also *Repinique *Hand-repique Brazilian percussion Hand drums {{Membranophone-instrument-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hand-repique
The hand-repique is a percussion instrument originated in Brazil. It’s a small drum of cylindrical form, that can be made of wood, aluminum or acrylic. It’s played with the hands, both on the skin and its body. The hand-repique has a sharp sound and is used mainly to play Samba and its variants, such as Pagode. Its common role inside these genres is to increase the percussion section, filling up the spaces and playing the off-beats. It was invented by musician Ubirany, founder and percussionist with the band "Fundo de Quintal". The hand-repique is derived from another percussion instrument, the "Repinique". Ubirany started to use the repinique in its band but felt it was too uncomfortable to play, since this instrument is made to be originally played with a drumstick. So he adapted it, adding a few mufflers on the inside, lowering the hoop and taking the bottom skin off it. It became so popular that it began to be produced by several manufactures (such as Gope, Contemporânea an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Repinique
A repinique is a two-headed German drum used in samba '' baterias'' (percussion ensembles). It is used in the Rio de Janeiro and São Paulo Carnival baterias and in the baterias of Bahia, where it is known as ''repique''. It is equivalent to the tik-tik in the non-Brazilian drum kit or to the tenor drum in marching bands. It is tuned very high to produce a tone that cuts through the sound of the rest of the bateria and it is a lead and solo instrument. Typically its body is made of metal. The heads, made of nylon, are tightened through the use of metal tuning rods. The instrument is usually smaller in diameter than the Brazilian caixa (snare drum) but several inches longer in height and lacking a snare. It is carried using a shoulder strap attached to one of the tuning rods. In Rio-style samba it is played with one wooden stick and one hand. In Bahia it is played with two wooden sticks usually but in some cases also like the Rio-style (the ''bloco afro'' Ilê Aiyê for example ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pagode
Pagode () is a Brazilian style of music that originated in Rio de Janeiro, Brazil, as a subgenre of Samba. Pagode originally meant a celebration with food, music, dance, and party. In 1978, singer Beth Carvalho was introduced to this music, liked it from the beginning, and recorded tracks by Zeca Pagodinho and others. Over time, pagode has been used by many commercial groups, which have included a version of the music filled with clichés, and there is now a sentiment that the term is a pejorative for "very commercial pop music" (see Pagode Romântico). Original pagode developed at the beginning of the 1980s, with the advent of the band |
Fundo De Quintal
Grupo Fundo de Quintal or simply Fundo de Quintal (''Backyard Group'', roughly) is a Brazilian Samba band formed in Rio de Janeiro at the end of the 1970s. History The founding members of Fundo de Quintal, Almir Guineto (banjo/cavaco), Bira Presidente (pandeiro), Jorge Aragão (acoustic guitar), Neoci (tan-tan), Sereno (tan-tan), Sombrinha (acoustic guitar/chip) and Ubirany (hand-repique), used to perform on Wednesdays in the sambas at the headquarters of the carnival block Cacique de Ramos in the mid-1970s. With the introduction of instruments – such as tan-tan, hand-repique and banjo—the group created a completely innovative style in samba (which, later on, the Brazilian music industry called pagode). Patronized by the famous Samba singer Beth Carvalho, Fundo de Quintal recorded its first album "Samba É No Fundo de Quintal" in 1980. Shortly thereafter, Almir Guineto and Jorge Aragão left the group to pursue a solo career, in addition to Neoci, who soon died.. Arlindo Cruz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brazilian Percussion
Brazilian commonly refers to: * Something of, from or relating to Brazil * Brazilian Portuguese, the dialect of the Portuguese language used mostly in Brazil * Brazilians, the people (citizens) of Brazil, or of Brazilian descent Brazilian may also refer to: Sports * Brazilian football, see football in Brazil * Brazilian jiu-jitsu, a martial art and combat sport system *''The Brazilians'', a nickname for South African football association club Mamelodi Sundowns F.C. due to their soccer kits which resembles that of the Brazilian national team Other uses * Brazilian waxing, a style of Bikini waxing * Brazilian culture, describing the Culture of Brazil * "The Brazilian "The Brazilian" is an instrumental piece by the English band Genesis that concludes their 1986 album '' Invisible Touch''. The song features experimental sounds and effects. The band wrote two instrumental pieces for the album, this and "Do the N ...", a 1986 instrumental by Genesis * Brazilian barbecue, known a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
