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Güiro
The güiro () is a Puerto Rican percussion instrument consisting of an open-ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines (see photo) along the notches to produce a ratchet sound. The güiro is commonly used in Puerto Rican, Cuban and other forms of Latin American music, and plays a key role in the typical rhythm section of important genres like son, trova and salsa. Playing the güiro usually requires both long and short sounds, made by scraping up and down in long or short strokes. The güiro, like the maracas, is often played by a singer. It is closely related to the Cuban guayo, Dominican güira, and Haitian graj which are made of metal. Other instruments similar to the güiro are the Colombian guacharaca, the Brazilian reco-reco, the quijada (cow jawbone) and the frottoir (French) or fwotwa (French Creole) ( washboard). Etymology In the Arawakan language, a language of the indigenous people of Latin America and sprea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Instrument Museum (Phoenix)
The Musical Instrument Museum (MIM) is located in Phoenix, Arizona. Opened in April 2010, it is the largest museum of its type in the world. The collection of over 15,000 musical instruments and associated objects includes examples from nearly 200 countries and territories, representing every inhabited continent. Some larger countries such as the United States, Mexico, India, China, and Brazil have multiple displays with subsections for different types of ethnic, folk, and tribal music. Overview The Museum was founded by Robert J. Ulrich, former CEO and chairman of Target Corporation. A collector of African art and a world museum enthusiast, Ulrich and his friend Marc Felix originated the idea after a visit to the Musical Instrument Museum in Brussels, Belgium. The design of the museum benefited as well from the consultation of the Musée de la Musique in Paris modernised in 1997. The contemporary building covers approximately 200,000 square-feet, with two floors of gallerie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guayo
The guayo or ralladera is a metal scraper used as a percussion instrument in traditional styles of Cuban music such as changüí, predecessor of son cubano. Largely replaced by the güiro (gourd scraper) during the 20th century, the guayo is now rare. In the Dominican Republic, the güira, a similar metal scraper used in merengue, is sometimes called guayo. In contrast to Cuba, güiras replaced güiros in the early 20th century. In changüí The guayo survives in Cuba almost exclusively as part of changüí performances in the eastern regions of the country (formerly known as the Oriente Province). It is one of the five instruments played in the genre together with the maracas, botija or marímbula, bongo, and tres. Guayos consist of a cylindrical metal sheet with a cheese grater surface which is scraped with a metal rod or bone. Notable guayo players include Santiago Reyes "Chago Guayo", Carlos Borromeo Planche "Cambrón" and José Andrés Rodríguez Ramírez, all of which we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jawbone (instrument)
The quijada, charrasca, or jawbone (in English), is an idiophone percussion instrument made from the jawbone of a donkey, horse or mule cattle, producing a powerful buzzing sound. The jawbone is cleaned of tissue and dried to make the teeth loose and act as a rattle. It is used in music in most of Latin America, including Mexico, Peru, El Salvador, Ecuador, and Cuba. It was also historically used in the early American minstrel show. Technique To play it, a musician holds one end in one hand and strikes the other with either a stick or their hand; this causes the teeth to rattle against the bone creating a loud, untuned sound, specific to this instrument. The stick can also be pulled along the teeth which act as a rasp. These ingredients provide the basis for a wide variety of combinations and rhythms. Historical and cultural content While it is used in most of Latin America, the quijada originated from the Africans that were brought to the Americas during the colonial era. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Güira
The güira () is a percussion instrument from the Dominican Republic used as a percussion instrument in merengue, bachata, and to a lesser extent, other genres such as cumbia. It is made of a metal sheet (commonly steel) and played with a stiff brush, thus being similar to the Haitian graj (a perforated metal cylinder scraped with a stick) and the Cuban guayo (metal scraper) and Puerto Rican güiro (gourd scraper). Güira, guayo and güiro all have a function akin to that of the indigenous native maracas or the trap-kit's hi-hat, namely providing a complementary beat. Performers on the güira are referred to as ''güireros'' and in merengue típico ensembles they often co-lead percussion sections along with tambora-playing ''tamboreros'', due to the significance of their African-derived interlocking rhythms in providing a basic musical foundation for dance. Usage The güira is most often found in merengue típico where it serves as one of multiple percussion instruments, mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Güira
The güira () is a percussion instrument from the Dominican Republic used as a percussion instrument in merengue, bachata, and to a lesser extent, other genres such as cumbia. It is made of a metal sheet (commonly steel) and played with a stiff brush, thus being similar to the Haitian graj (a perforated metal cylinder scraped with a stick) and the Cuban guayo (metal scraper) and Puerto Rican güiro (gourd scraper). Güira, guayo and güiro all have a function akin to that of the indigenous native maracas or the trap-kit's hi-hat, namely providing a complementary beat. Performers on the güira are referred to as ''güireros'' and in merengue típico ensembles they often co-lead percussion sections along with tambora-playing ''tamboreros'', due to the significance of their African-derived interlocking rhythms in providing a basic musical foundation for dance. Usage The güira is most often found in merengue típico where it serves as one of multiple percussion instruments, mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idiophone
An idiophone is any musical instrument that creates sound primarily by the vibration of the instrument itself, without the use of air flow (as with aerophones), strings (chordophones), membranes (membranophones) or electricity ( electrophones). It is the first of the four main divisions in the original Hornbostel–Sachs system of musical instrument classification (see List of idiophones by Hornbostel–Sachs number). The early classification of Victor-Charles Mahillon called this group of instruments ''autophones''. The most common are struck idiophones, or concussion idiophones, which are made to vibrate by being struck, either directly with a stick or hand (like the wood block, singing bowl, steel tongue drum, triangle or marimba) or indirectly, with scraping or shaking motions (like maracas or flexatone). Various types of bells fall into both categories. A common plucked idiophone is the Jew's harp. According to Sachs, idiophones Etymology The word is from Ancient G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berom People
The Berom (sometimes also spelt as Birom) is the largest autochthonous ethnic group in Plateau State, central Nigeria. Covering about four local government areas, which include Jos North, Jos South, Barkin Ladi (Gwol) and Riyom, Berom are also found in some southern Kaduna State local government areas like Fadan Karshe with Berom settlers tracing their origins to Za'ang (Zawan) a Berom district on the Jos Plateau. They emigrated during the British Colonial Government of Nigeria. The Berom speak the Berom language, which belongs to the Plateau branch of Benue–Congo, a subfamily of the large Niger–Congo language family. It is not related to the Hausa language (which belongs to the Afro-Asiatic family) or other Afro-Asiatic languages of Plateau State, which are Chadic languages. Culture The Berom people have a rich cultural heritage. They celebrate the Nzem Berom festival annually in March or April. Other festivals include Nzem Tou Chun (worongchun) and Wusal Berom. Its o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kay Williamson
Kay Williamson (January 26, 1935, Hereford, United Kingdom – January 3, 2005, Brazil), born Ruth Margaret Williamson, was a linguist who specialised in the study of African languages, particularly those of the Niger Delta in Nigeria, where she lived for nearly fifty years. She has been called "The Mother of Nigerian Linguistics" and is also notable for proposing the Pan-Nigerian alphabet. Early life Professor Kay Williamson was born in Hereford, England, where she lived for the first 18 years of her life. She was the eldest of six children. Her father, Alfred Henry Williamson, also known as Harry, was the founder of Wyevale Nurseries. Her father and mother, Harriett Eileen Williamson, turned the Wyevale nurseries into one of the largest garden center chains in Europe. Williamson was educated at Hereford girls' high school and St Hilda's College, Oxford, where she took a BA in English in 1956, followed by an MA in 1960. Career Her many publications include a grammar an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taíno
The Taíno were a historic Indigenous peoples of the Caribbean, indigenous people of the Caribbean whose culture has been continued today by Taíno descendant communities and Taíno revivalist communities. At the time of European contact in the late 15th century, they were the principal inhabitants of most of what is now Cuba, Dominican Republic, Jamaica, Haiti, Puerto Rico, the Bahamas, and the northern Lesser Antilles. The Lucayan people, Lucayan branch of the Taíno were the first New World peoples encountered by Christopher Columbus, in the Lucayan Archipelago, Bahama Archipelago on October 12, 1492. The Taíno spoke a dialect of the Arawakan languages, Arawakan language group. They lived in agricultural societies ruled by Cacique, caciques with fixed settlements and a matrilineal system of kinship and inheritance. Taíno religion centered on the worship of zemis. Some anthropologists and historians have claimed that the Taíno were exterminated centuries ago or they gradual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cameroon
Cameroon (; french: Cameroun, ff, Kamerun), officially the Republic of Cameroon (french: République du Cameroun, links=no), is a country in west-central Africa. It is bordered by Nigeria to the west and north; Chad to the northeast; the Central African Republic to the east; and Equatorial Guinea, Gabon and the Republic of the Congo to the south. Its coastline lies on the Bight of Biafra, part of the Gulf of Guinea and the Atlantic Ocean. Due to its strategic position at the crossroads between West Africa and Central Africa, it has been categorized as being in both camps. Its nearly 27 million people speak 250 native languages. Early inhabitants of the territory included the Sao civilisation around Lake Chad, and the Baka hunter-gatherers in the southeastern rainforest. Portuguese explorers reached the coast in the 15th century and named the area ''Rio dos Camarões'' (''Shrimp River''), which became ''Cameroon'' in English. Fulani soldiers founded the Adamawa Emirate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
