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Gymel
In medieval and early Renaissance English polyphonic music, gymel (also gimel or gemell) is the technique of temporarily dividing up one voice part, usually an upper one, into two parts of equal range, but singing different music. Often the two voices sing a passage of intricate polyphony, beginning and finally converging on a unison, and often, but not always, the other voices drop out for a time. While the earliest use of gymel seems to have been around the mid-14th century, the earliest notated gymels survive from approximately 1430. It is probable that some earlier notated examples have been lost, since the vast majority of English manuscript sources from before the 1530s were destroyed during the Dissolution of the Monasteries by Henry VIII. Indeed, the earliest surviving notated examples are from continental sources. The significance of the development of gymel is three-fold. First, that a single voice part could be split into two indicates that the music of the time w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gimell Records
The Tallis Scholars is a British professional early music vocal ensemble normally consisting of two singers per part, with a core group of ten singers. They specialise in performing ''a cappella'' sacred vocal music. History The group was formed in 1973 by Peter Phillips, who in 1972-1975 was an organ scholar at St John's College, Oxford and studied music with David Wulstan and Denis Arnold. Phillips invited the members of chapel choirs from Oxford and Cambridge to form an amateur Renaissance vocal music ensemble, which turned professional after ten years of concert-giving. From the first performance in the Church of St. Mary Magdalen, Oxford on November 3, 1973, Phillips aimed to produce a distinctive sound, influenced by choirs he admired, in particular the renowned Clerkes of Oxenford, directed by David Wulstan. Since winning a Gramophone Award in 1987, the Tallis Scholars have been recognised as one of the world's leading ensembles in Renaissance polyphony.Libbey, Theodore. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gimel
Gimel is the third letter of the Semitic abjads, including Phoenician Gīml , Hebrew Gimel , Aramaic Gāmal , Syriac Gāmal , and Arabic (in alphabetical order; fifth in spelling order). Its sound value in the original Phoenician and in all derived alphabets, except Arabic, is a voiced velar plosive ; in Modern Standard Arabic, it represents either a or for most Arabic speakers except in Northern Egypt, the southern parts of Yemen and some parts of Oman where it is pronounced as the voiced velar plosive ( see below). In its Proto-Canaanite form, the letter may have been named after a weapon that was either a staff sling or a throwing stick (spear thrower), ultimately deriving from a Proto-Sinaitic glyph based on the hieroglyph below: T14 The Phoenician letter gave rise to the Greek gamma (Γ), the Latin C, G, Ɣ and yogh , and the Cyrillic Г and Ґ. Hebrew gimel Variations Hebrew spelling: Bertrand Russell posits that the letter's form is a conventionali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Browne (composer)
John Browne (1453–) was an English composer of the Tudor period. Despite the high level of skill displayed in Browne's compositions, few of his works survive; Browne's extant music is found in the Eton Choirbook, in which he is the best-represented contributor, and the Fayrfax Manuscript. His choral music is distinguished by innovative scoring, false relations, and unusually long melodic lines, and has been called by early music scholar Peter Phillips "subtle, almost mystical" and "extreme in ways which apparently have no parallel, either in England or abroad." Life Little is known of Browne's life. A John Browne from Coventry, believed to be the composer, was elected scholar of Eton in July 1467; he is described as having been 14 years of age at the time of his appointment, making him a slightly younger contemporary of Walter Lambe, who was likely at Eton during Browne's tenure. Nothing is known of his later career or death. Music All of Browne's surviving works are found in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manfred Bukofzer
Manfred Fritz Bukofzer (27 March 1910 – 7 December 1955) was a German-born American musicologist. Life and career He studied at Heidelberg University and the Stern conservatory in Berlin, but left Germany in 1933 for Switzerland, where he obtained a doctorate from the University of Basel in 1936. In 1939 he moved to the United States where he remained, becoming a U.S. citizen. He taught at the University of California, Berkeley from 1941 until his premature death from multiple myeloma. Bukofzer is best known as a historian of early music, particularly of the Baroque era. His book ''Music in the Baroque Era'' is still one of the standard reference works on the topic, although some modern historians assert that it has a Germanic bias – for example, in minimizing the importance of opera (Italian by origin) during the development of musical style in the 17th century. In addition to Baroque music, he was a specialist in English music and music theory of the 14th through 16th cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Reese
Gustave Reese ( ; 29 November 1899 – 7 September 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on 29 November 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest H
Ernest is a given name derived from Germanic word ''ernst'', meaning "serious". Notable people and fictional characters with the name include: People *Archduke Ernest of Austria (1553–1595), son of Maximilian II, Holy Roman Emperor * Ernest, Margrave of Austria (1027–1075) *Ernest, Duke of Bavaria (1373–1438) * Ernest, Duke of Opava (c. 1415–1464) *Ernest, Margrave of Baden-Durlach (1482–1553) *Ernest, Landgrave of Hesse-Rheinfels (1623–1693) *Ernest Augustus, Elector of Brunswick-Lüneburg (1629–1698) *Ernest, Count of Stolberg-Ilsenburg (1650–1710) * Ernest Augustus, King of Hanover (1771–1851), son of King George III of Great Britain *Ernest II, Duke of Saxe-Coburg and Gotha (1818–1893), sovereign duke of the Duchy of Saxe-Coburg and Gotha *Ernest Augustus, Crown Prince of Hanover (1845–1923) *Ernest, Landgrave of Hesse-Philippsthal (1846–1925) *Ernest Augustus, Prince of Hanover (1914–1987) *Prince Ernst August of Hanover (born 1954) * Prince Ernst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fauxbourdon
Fauxbourdon (also fauxbordon, and also commonly two words: faux bourdon or faulx bourdon, and in Italian falso bordone) – French for ''false drone'' – is a technique of musical harmonisation used in the late Middle Ages and early Renaissance, particularly by composers of the Burgundian School. Guillaume Dufay was a prominent practitioner of the form (as was John Dunstaple), and may have been its inventor. The homophony and mostly parallel harmony allows the text of the mostly liturgical lyrics to be understood clearly. Description In its simplest form, fauxbourdon consists of the cantus firmus and two other parts a sixth and a perfect fourth below. To prevent monotony, or create a cadence, the lowest voice sometimes jumps down to the octave, and any of the accompanying voices may have minor embellishments. Usually just a small part of a composition employs the fauxbourdon technique. Hymn singing In a ''hymn'', the term is sometimes used when the congregation sings in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caius Choirbook
The Caius Choirbook is an illuminated choirbook dating to the early sixteenth century and containing music by Tudor-period composers. The book appears to originate from Arundel in Sussex, and to have been created sometime in the late 1520s; the then Master of Arundel College, Edward Higgons, seems to have presented it to the collegiate chapel of Saint Stephen's in Westminster, where he was a canon beginning in 1518. The choirbook is now housed at Gonville and Caius College, Cambridge. The major contributors to the Caius Choirbook are Robert Fayrfax and Nicholas Ludford; between them they contributed at least eleven of its fifteen pieces. Music by older composers, such as Edmund Stourton and Walter Lambe, may be found in the Lambeth and Eton Choirbooks, but not in the Caius Choirbook. Other composers represented in the Caius Choirbook include William Cornysh, Edmund Turges, and Henry Prentes. There is in addition a Mass by William Pasche, based upon ''Christus resurgens'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eton Choirbook
The Eton Choirbook (Eton College MS. 178) is a richly illuminated manuscript collection of England, English sacred music composed during the late 15th century. It was one of very few collections of Latin liturgical music to survive the English Reformation, Reformation, and hence is an important source. It originally contained music by 24 different composers; however, many of the pieces are damaged or incomplete. It is one of three large choirbooks surviving from early-Tudor England (the others are the Lambeth Choirbook and the Caius Choirbook). The Choirbook was compiled between approximately 1500 and 1505 for use at Eton College; its present binding dates from the mid 16th century. 126 folios remain of the original 224, including the index. In the original, there were a total of 93 separate compositions; however only 64 remain either complete or in part. Some of the 24 composers are known only because of their inclusion in the Eton Choirbook. John Browne (composer), John Br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Parsons (composer)
Robert Parsons (ca. 1535 – January 1571/2) was an English composer of the Tudor period who was active during the reigns of King Edward VI, Queen Mary I and Queen Elizabeth I. He is noted for his compositions of church music. Early life Parsons was born around 1530–35, but no details of his birth survive and there is no evidence connecting him with either Robert Parsons (1596-1676), a vicar choral at Exeter Cathedral, or his contemporary, the composer William Parsons of Wells. Although little is known about his life, it is likely that in his youth he was a choir boy, as until 1561 he was an assistant to Richard Bower, Master of the Children of the Chapel Royal. Career and influence Parsons was composing during a period of major religious upheaval in England. After the death of Henry VIII in 1547, the new king, Edward VI, advanced the Reformation in England, introducing major changes to the liturgy of the Church of England. In 1549, Thomas Cranmer's new Book of Common ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Tallis
Thomas Tallis (23 November 1585; also Tallys or Talles) was an English composer of High Renaissance music. His compositions are primarily vocal, and he occupies a primary place in anthologies of English choral music. Tallis is considered one of England's greatest composers, and is honoured for his original voice in English musicianship. Life Youth As no records about the birth, family origins or childhood of Thomas Tallis exist, almost nothing is known about his early life or origins. Historians have calculated that he was born in the early part of the 16th century, towards the end of the reign of Henry VII of England, and estimates for the year of his birth range from 1500 to 1520. His only known relative was a cousin called John Sayer. As the surnames ''Sayer'' and ''Tallis'' both have strong connections with Kent, Thomas Tallis is usually thought to have been born somewhere in the county. There are suggestions that Tallis sang as a child of the chapel in the Chapel Royal, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Davy
Richard Davy (c. 1465–1507) was a Renaissance composer, organist and choirmaster, one of the most represented in the Eton Choirbook. Biography Little is known about the life of Richard Davy. His name was a common one in Devon and he may have been born there. He was a scholar of Magdalen College, Oxford, and acted as choir master and organist at least in the period 1490-2.J. Caldwell, ''The Oxford History of English Music'' (Oxford: Oxford University Press, 1998), pp. 196-201. Churchwardens' accounts for Ashburton, Devon, mention a 'Dom. Richardus Dave:' from 1493-5, where he may have been acting as a chaplain or as master of the nearby school at St. Lawrence Chapel. He may then have moved to Exeter Cathedral to be vicar choral in the period 1497-1506. Work and influence Davy is the second most represented composer in the Eton choirbook, with nine compositions including his most celebrated work, the ''Passio Domini in ramis palmarum'' or ''Passion according to St Matthew''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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