Gralla (instrument)
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Gralla (instrument)
The gralla (), also known as grall de pastor, xaramita or xirimita, is a traditional Catalan double reed instrument in the shawm family classified in the group 422.112 in the Hornbostel-Sachs system. Like the dolçaina from Valencia – a very similar instrument that many experts consider a variety of the gralla –. The gralla comes from the ancient xeremia a medieval instrument largely used until the Baroque. Probably, the name of the instrument comes from its strident sound similar to the sound of a Jackdaw native to Catalonia and northern Spain and also called 'Gralla' in Catalan. This traditional instrument is used during the construction and dismantling of human towers or castells and other traditional festivities. it is usually played with the timbal The timbau or Brazilian timbal is a membranophone instrument derived from the caxambu drum, usually played with both hands. Slightly conical and of varying sizes, it is usually light in weight and made of lacquered wood or ...
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Wind Instrument
A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound. Methods for obtaining different notes * Using different air columns for different tones, such as in the pan flute. These instruments can play several notes at once. * Changing the length of the vibrating air column by changing the length of the tube through engaging valves ''(see rotary valve, piston valve)'' which route the air through additional tubing ...
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Woodwind
Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and reed instruments (otherwise called reed pipes). The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed or a fipple. Despite the name, a woodwind may be made of any material, not just wood. Common examples include brass, silver, cane, as well as other metals such as gold and platinum. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Occasionally, woodwinds are made of earthen materials, especially ocarinas. Flutes Flutes produce sound by directing a focused stream of air below the edge of a hole in a cylindrical tube. T ...
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Double Reed
A double reed is a type of reed used to produce sound in various wind instruments. In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and creates a sound, a double reed features two pieces of cane vibrating against each other. This means, for instruments with the double reed fully exposed, that the air flow can be controlled by the embouchure from the top, bottom and sides of the reed. The term ''double reeds'' can also refer collectively to the class of instruments which use double reeds. Structure and dimensions The size and shape of the reed depend on the type of double-reed instrument which is of two groups, conical and cylindrical. Even within families of instruments, for example, the oboe family, the reed for the oboe is quite different from that for the cor anglais (English horn). Oboe reeds are usually 7 mm (0.3 in) in width, while bassoon reeds are wider, from 13. ...
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Aerophone
An aerophone () is a musical instrument that produces sound primarily by causing a body of air to vibrate, without the use of strings or membranes (which are respectively chordophones and membranophones), and without the vibration of the instrument itself adding considerably to the sound (or idiophones). According to Sachs, These may be lips, a mechanical reed, or a sharp edge. Also, an aerophone may be excited by percussive acts, such as the slapping of the keys of a flute or of any other woodwing. A free aerophone lacks the enclosed column of air yet, "cause a series of condensations and rarefications by various means." Overview Aerophones are one of the four main classes of instruments in the original Hornbostel–Sachs system of musical instrument classification, which further classifies aerophones by whether or not the vibrating air is contained within the instrument. The first class (41) includes instruments which, when played, do ''not'' contain the vibrating air. The ...
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Dolçaina
The dulzaina () or dolçaina (/) is a Spanish double reed instrument in the oboe family. It has a conical shape and is the equivalent of the Breton bombarde. It is often replaced by an oboe or a double reeded clarinet as seen in Armenian and Ukrainian folk music. Many varieties of the dulzaina exist in Spain. In the Valencian Community, it is known as a ''dolçaina'' or ''xirimita'' and is accompanied by a drum called the ''tabalet''. The Catalan variety of the dulzaina is called a '' gralla'', and the Basque variety is called a ''bolin-gozo''. The term ''dolçaina'' was introduced into Catalan in the 14th century from France (the ancient word was "douçaine"). In the region of Aragon, especially in the town of Huesca, the dulzaina is played along with ''gaitas de boto'', regional bagpipes, and sometimes drums. The instrument was first introduced in Spain through Arabic people.
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Xeremia
The ''xeremia'' (, plural ''xeremies'') is a type of bagpipe native to the island of Majorca (''Mallorca'').* It consists of a bag made of skin (or modern synthetic materials), known as a ''sac'' or ''sarró'' which retains the air, a blowpipe (''bufador''), a melody pipe or chanter (''grall''), and several, generally three, drones (''bordons''). The primary drone (''roncó'') sounds a tonic note, but the other drones are sometimes simply false drones for ornamentation. The ''xeremia'' has a distinctively bright and piercing sound, which has traditionally accompanied festivals and other activities in the islands throughout history. Name The name ''xeremia'' is of French origin. The Old French word ''chalemie'' over time became ''charemie''. This is related to the influence of Occitania during the Kingdom of Aragon, as Catalan was quite strong from the year 531 to approximately 1131, as the Occitan cultural centre expanded through the means of minstrels and bards, throughout the t ...
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Catalonia
Catalonia (; ca, Catalunya ; Aranese Occitan: ''Catalonha'' ; es, Cataluña ) is an autonomous community of Spain, designated as a ''nationality'' by its Statute of Autonomy. Most of the territory (except the Val d'Aran) lies on the northeast of the Iberian Peninsula, to the south of the Pyrenees mountain range. Catalonia is administratively divided into four provinces: Barcelona, Girona, Lleida, and Tarragona. The capital and largest city, Barcelona is the second-most populated municipality in Spain and the fifth-most populous urban area in the European Union.Demographia: World Urban Areas
– Demographia, April 2018
Current day Catalonia comprises most of the medieval and early modern Principality o ...
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Shawm
The shawm () is a Bore_(wind_instruments)#Conical_bore, conical bore, double-reed woodwind instrument made in Europe from the 12th century to the present day. It achieved its peak of popularity during the medieval and Renaissance periods, after which it was gradually eclipsed by the oboe family of descendant instruments in classical music. It is likely to have come to Western Europe from the Eastern Mediterranean around the time of the Crusades.The Shawm and Curtal
€”from the Diabolus in Musica Guide to Early Instruments
Double-reed instruments similar to the shawm were long present in Southern Europe and the East, for instance the Ancient Greek music, ancient Greek, and later Byzantine Empire#Music, Byzantine, aulos, the Persian sorna,Anthony C. Baines and Martin Kirnba ...
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Hornbostel–Sachs
Hornbostel–Sachs or Sachs–Hornbostel is a system of musical instrument classification devised by Erich Moritz von Hornbostel and Curt Sachs, and first published in the in 1914. An English translation was published in the '' Galpin Society Journal'' in 1961. It is the most widely used system for classifying musical instruments by ethnomusicologists and organologists (people who study musical instruments). The system was updated in 2011 as part of the work of the Musical Instrument Museums Online (MIMO) Project. Hornbostel and Sachs based their ideas on a system devised in the late 19th century by Victor-Charles Mahillon, the curator of musical instruments at Brussels Conservatory. Mahillon divided instruments into four broad categories according to the nature of the sound-producing material: an air column; string; membrane; and body of the instrument. From this basis, Hornbostel and Sachs expanded Mahillon's system to make it possible to classify any instrument from any cult ...
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Dolçaina
The dulzaina () or dolçaina (/) is a Spanish double reed instrument in the oboe family. It has a conical shape and is the equivalent of the Breton bombarde. It is often replaced by an oboe or a double reeded clarinet as seen in Armenian and Ukrainian folk music. Many varieties of the dulzaina exist in Spain. In the Valencian Community, it is known as a ''dolçaina'' or ''xirimita'' and is accompanied by a drum called the ''tabalet''. The Catalan variety of the dulzaina is called a '' gralla'', and the Basque variety is called a ''bolin-gozo''. The term ''dolçaina'' was introduced into Catalan in the 14th century from France (the ancient word was "douçaine"). In the region of Aragon, especially in the town of Huesca, the dulzaina is played along with ''gaitas de boto'', regional bagpipes, and sometimes drums. The instrument was first introduced in Spain through Arabic people.
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Western Jackdaw
The western jackdaw (''Coloeus monedula''), also known as the Eurasian jackdaw, the European jackdaw, or simply the jackdaw, is a passerine bird in the crow family. Found across Europe, western Asia and North Africa; it is mostly resident, although northern and eastern populations migrate south in the winter. Four subspecies are recognised, which differ mainly in the colouration of the plumage on the head and nape. Linnaeus first described it formally, giving it the name ''Corvus monedula''. The common name derives from the word ''jack'', denoting "small", and daw, a less common synonym for "jackdaw", and the native English name for the bird. Measuring in length, the western jackdaw is a black-plumaged bird with a grey nape and distinctive pale-grey irises. It is gregarious and vocal, living in small groups with a complex social structure in farmland, open woodland, on coastal cliffs, and in urban settings. Like its relatives, jackdaws are intelligent birds, and have been o ...
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Castell
A ''castell'' () is a human tower built traditionally at festivals in Catalonia, the Balearic islands and the Valencian Community. At these festivals, several ''colles castelleres'' (teams that build towers) attempt to build and dismantle a tower's structure. On 16 November 2010, ''castells'' were declared by UNESCO to be amongst the Masterpieces of the Oral and Intangible Heritage of Humanity. Origin Although based on the earlier traditional Muixeranga of Algemesí in Valencia, the tradition of ''castells'' within Catalonia originated in the ''Ball dels Valencians'' (Valencian Dance) in Valls, near the city of Tarragona, first documented in 1712. Over the course of the 18th century, they spread to other towns and cities in the area, including Vilafranca del Penedès and Tarragona, though it was not until the last 50 years that the practice of building ''castells'' began to spread to the rest of Catalonia. Interest in castells began to grow in the 1960s and 1970s. In the 1980s ...
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