Genre-busting
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Genre-busting
"Genre-busting" is a term used occasionally in reviews of written work, music and visual art and refers to the author or artist's ability to cross over two or more established styles. For instance, in writing, to combine the horror genre with a western or hard-boiled detective story with science fiction. In music, the term may refer to a song combining styles or defying classification. The sound of the term calls to mind other uses of "buster" such as "crime buster", "Gangbusters", "Ghostbusters", " Dambusters", etc. Creative people don't always feel comfortable working within an established category. So genre-busting within the publishing world has become a type of literary fiction. The publisher Atticus Books has gone so far as to declare, on their website: ''"We specialize in genre-busting literary fiction—i.e., titles that fall between the cracks of genre fiction and compelling narratives that feature memorable main characters."'' The ''Video Movie Guide 1998'' stated in it ...
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Cross-genre
A hybrid genre is a literary genre that blends themes and elements from two or more different genres. Works in hybrid genres are often referred to as cross-genre, multi-genre, mixed genre, or fusion genre. Hybrid genres are a longstanding element in the fictional process. An early example is William Blake's ''Marriage of Heaven and Hell'', with its blend of poetry, prose, and engravings. Examples In contemporary literature, Dimitris Lyacos's trilogy ''Poena Damni'' combines fictional prose with drama and poetry in a multilayered narrative developing through the different characters of the work. Many contemporary women of color have published cross-genre works, including Theresa Hak Kyung Cha, Giannina Braschi, Guadalupe Nettel, and Bhanu Kapil. Giannina Braschi creates linguistic and structural hybrids of comic fantasy and tragic comedy in Spanish, Spanglish, and English prose and poetry. Carmen Maria Machado mixes psychological realism and science fiction with both humor and e ...
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Bones And All
''Bones and All'' is a 2022 romantic horror film directed by Luca Guadagnino from a screenplay by David Kajganich, based on the 2015 novel ''Bones & All'' by Camille DeAngelis. The film stars Taylor Russell and Timothée Chalamet as a pair of young cannibals who flee together on a road trip across the country and develop feelings for each other. Michael Stuhlbarg, André Holland, Chloë Sevigny, David Gordon Green, Jessica Harper, Jake Horowitz, and Mark Rylance appear in supporting roles. ''Bones and All'' had its world premiere at the 79th Venice International Film Festival on September 2, 2022, where it won the Silver Lion for best direction and the Marcello Mastroianni for Russell. The film was released theatrically in the United States on November 18, by United Artists Releasing, and elsewhere by Warner Bros. Pictures, with the exception of Italy, where it was distributed by Vision Distribution. The film received positive reviews, with critics praising the performances of ...
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Genre
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ...
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Romance Film
Romance films or movies involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion, emotion, and the affectionate romantic involvement of the main characters. Typically their journey through dating, courtship or marriage is featured. These films make the search for romantic love the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints or family resistance. As in all quite strong, deep and close romantic relationships, the tensions of day-to-day life, temptations (of infidelity), and differences in compatibility enter into the plots of romantic films. Romantic films often explore the essential themes of love at first sight young and mature love, unrequited love, obsession, sentimental love, spiritual love, forbidden love, platonic love, sexual and passionate love, sacrificial love, explosive and destructive love, a ...
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Culture
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typica ...
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Genres
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ...
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Weird Fiction
Weird fiction is a subgenre of speculative fiction originating in the late 19th and early 20th centuries. Weird fiction either eschews or radically reinterprets ghosts, vampires, werewolves, and other traditional antagonists of supernatural horror fiction. Writers on the subject of weird fiction, such as China Miéville, sometimes use "the tentacle" to represent this type of writing. The tentacle is a limb-type absent from most of the monsters of European folklore and gothic fiction, but often attached to the monstrous creatures created by weird fiction writers, such as William Hope Hodgson, M. R. James, Clark Ashton Smith, and H. P. Lovecraft. Weird fiction often attempts to inspire awe as well as fear in response to its fictional creations, causing commentators like Miéville to paraphrase Goethe in saying that weird fiction evokes a sense of the numinous. Although "weird fiction" has been chiefly used as a historical description for works through the 1930s, it experienced a re ...
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Art Genres
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ...
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Musical Genre
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from ''musical form'' and musical style, although in practice these terms are sometimes used interchangeably. Music can be divided into genres in varying ways, such as popular music and art music, or religious music and secular music. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. Definitions In 1965, Douglass M. Green distinguishes between genre and form in his book ''Form in Tonal Music''. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of ''genre'', Green writes "Beethoven's Op. 61" and "Mendelssohn's Op. 64 ". He explains that both are identical in genre and are violin concertos that have different form. However, Mozart's Rondo for Piano, K. 511 ...
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Literary Fiction
Literary fiction, mainstream fiction, non-genre fiction or serious fiction is a label that, in the book trade, refers to market novels that do not fit neatly into an established genre (see genre fiction); or, otherwise, refers to novels that are character-driven rather than plot-driven, examine the human condition, use language in an experimental or poetic fashion, or are simply considered serious art. ''Literary fiction'' is often used as a synonym for literature, in the exclusive sense of writings specifically considered to have considerable Art, artistic merit. While literary fiction is commonly regarded as artistically superior to genre fiction, the two are not mutually exclusive, and major literary figures have employed the genres of science fiction, crime fiction, Romance novel, romance, etc., to create works of literature. Furthermore, the study of genre fiction has developed within academia in recent decades. Slipstream genre is sometimes located in between the genre and no ...
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Genre Fiction
Genre fiction, also known as popular fiction, is a term used in the book-trade for fictional works written with the intent of fitting into a specific literary genre, in order to appeal to readers and fans already familiar with that genre. A number of major literary figures have written genre fiction. John Banville publishes crime novels as Benjamin Black, and both Doris Lessing and Margaret Atwood have written science fiction. Georges Simenon, the creator of the Maigret detective novels, has been described by André Gide as "the most novelistic of novelists in French literature". The main genres are crime, fantasy, romance, science fiction and horror—as well as perhaps Western, inspirational and historical fiction. The opposite of genre fiction is mainstream fiction. Slipstream genre is sometimes located in between the genre and non-genre fictions. Genre and the marketing of fiction In the publishing industry the term "category fiction" is often used as a synonym fo ...
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Luca Guadagnino
Luca Guadagnino (; born 10 August 1971) is an Italian film director, producer, and screenwriter. His films are often characterized by their emotional complexities, sensuality and sumptuous visuals. He is also known for his frequent collaborations with actors Tilda Swinton, Timothée Chalamet and Michael Stuhlbarg, editor Walter Fasano and screenwriter David Kajganich. Born in Palermo, Guadagnino spent part of his childhood in Ethiopia, but emigrated back to Italy with his family to escape the Ethiopian Civil War. He began his career directing short films and documentaries. He made his feature-film debut with '' The Protagonists'' (1999), the first of his many collaborations with Swinton. His follow-up '' Melissa P.'' (2005), based on the book of Melissa Panarello, was a commercial success in Italy but was met with mixed critical reception. Guadagnino gained further acclaim with his Desire Trilogy which consists of the films: '' I Am Love'' (2009), '' A Bigger Splash'' (2015) ...
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