Garba (dance)
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Garba (dance)
Garba (Gujarati: ગરબા) is a form of Gujarati dance which originates from the state of Gujarat in India. The name is derived from the Sanskrit term ''Garbha'' . Many traditional garbas are performed around a centrally lit lamp or a picture or statue of the Goddess Shakti. Traditionally, it is performed during the nine-day Indian festival Navarātrī (Gujarati: નવરાત્રી, where નવ means 9, and રાત્રી means nights). Either the lamp (the ''Garba Deep'') or an image of the Goddess, Durga (also called ''Amba'') is placed in middle of concentric rings as an object of veneration. Etymology The word ''garba'' comes from the Sanskrit word for womb and so implies gestation or pregnancy — life. Traditionally, the dance is performed around a clay lantern with a light inside, called a ''Garbha Deep'' ("womb lamp"). This lantern represents life, and the fetus in the womb in particular. The dancers thus honor Durga, the feminine form of divinity. Garb ...
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Vadodara
Vadodara (), also known as Baroda, is the second largest city in the Indian state of Gujarat. It serves as the administrative headquarters of the Vadodara district and is situated on the banks of the Vishwamitri River, from the state capital of Gandhinagar. The railway line and National Highway 8, which connect Delhi with Mumbai, pass through Vadodara. The city is named for its abundance of the Banyan (''Vad'') tree. Vadodara is also locally referred to as the ''Sanskari Nagari'' () and ''Kala Nagari'' () of India. The city is prominent for landmarks such as the Laxmi Vilas Palace, which served as the residence of the Maratha royal Gaekwad dynasty that ruled over Baroda State. It is also the home of the Maharaja Sayajirao University of Baroda. Etymology The city in one period was called Chandanavati after the rule of Chanda of the Dodiya Rajputs. The capital was also known as Virakshetra or Viravati (Land of Warriors). Later on, it was known as Vadpatraka or Vadodará, and ...
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Dandiya Raas
Raas or Dandiya Raas is the socio-religious folk dance originating from Indian state of Gujarat and popularly performed in the festival of Navaratri. The dance is performed in the Marwar region of Rajasthan too. The etymology of Dandiya-Raas is in Sanskrit. Dandiya-raas exists in the different forms, including the collegiate competitive form. The dance style is now in a competitive format and a traditional format. Etymology The word "Raas" comes from the Sanskrit word " Rasa", an aesthetic Indian concept related to emotions and feelings. Kapila Vatsyayan argued that the aesthetic theory of the Rasa gives the underlying unity to the Indian arts. Forms of Raas Dandiya Raas, Gopgunthan Solanga Raas and Mer Dandiya Raas are the popular forms of Raas. In Saurashtra, Raas is performed by the men and the dance performed by women is called as Raasda. Element of dance is more prominent in the Raas while music is more prominent in Raasda. Collegiate Garba-Raas Garba-Raas, more co ...
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Shisha (embroidery)
Shisheh or abhla bharat embroidery (Persian شيشه, ''abhala bharat''; Hindi: आभला भरत, ''abhla bharat''; Gujarati: આભલા ભરત), or mirror-work, is a type of embroidery which attaches small pieces of mirrors or reflective metal to fabric. Mirror embroidery is common throughout Asia, and today can be found in the traditional embroidery of the Indian subcontinent, Afghanistan, China, and Indonesia. History Shisha embroidery originated in the 17th century in India. People in lower classes mimicked the jeweled garments of the wealthy by decorating fabric with silver beetles' wings and chips of mica. When a process for manufacturing tiny mirror discs was developed during the Mughal Empire, these tiny mirrors or ''shisha'' were swiftly adopted for fabric embellishment. Contemporary shisha work typically makes use of mass-produced, machine-cut glass shisha with a silvered backing. Today most craft stores in the South Asia carry small mirrors purchasable for ...
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Tie-dye
Tie-dye is a term used to describe a number of resist dyeing techniques and the resulting dyed products of these processes. The process of tie-dye typically consists of folding, twisting, pleating, or crumpling fabric or a garment, before binding with string or rubber bands, followed by the application of dye or dyes. The manipulations of the fabric before the application of dye are called resists, as they partially or completely prevent ('resist') the applied dye from coloring the fabric. More sophisticated tie-dye may involve additional steps, including an initial application of dye before the resist, multiple sequential dyeing and resist steps, and the use of other types of resists (stitching, stencils) and discharge. Unlike regular resist-dyeing techniques, modern tie-dye is characterized by the use of bright, saturated primary colors and bold patterns. These patterns, including the spiral, mandala, and peace sign, and the use of multiple bold colors, have become clichéd sinc ...
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Bandhani
Bandhani ( hi, बांधणी, gu, બાંધણી) is a type of tie-dye textile decorated by plucking the cloth with the fingernails into many tiny bindings that form a figurative design. The term ''bandhani'' is derived from the Sanskrit verbal root ''bandh'' ("to bind, to tie"). Today, most Bandhani making centers are situated in Gujarat, Rajasthan, Sindh, Punjab region and in Tamil Nadu where it is known as ''Sungudi''. It is known as ''chunri'' in Pakistan. Earliest evidence of Bandhani dates back to Indus Valley civilization where dyeing was done as early as 4000 B.C. The earliest example of the most pervasive type of ''Bandhani dots'' can be seen in the 6th century paintings depicting the life of Buddha found on the wall of Cave 1 at Ajanta. Bandhani is also known as Bandhej Saree, Bandhni, Piliya, and Chungidi in Tamil and regional dialects. Other tying techniques include Mothra, Ekdali and Shikari depending on the manner in which the cloth is tied. The final pr ...
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Kurta
A ''kurta'' is a loose collarless shirt or tunic worn in many regions of South Asia, (subscription required) Quote: "A loose shirt or tunic worn by men and women." Quote: "Kurta: a loose shirt without a collar, worn by women and men from South Asia" and now also worn around the world. Quote: "The kurta—the tunic—is likewise variable in its cut. It might be wide or tight, there is variety in the length and width of the sleeves, the height of the slits on either side, and especially the shape of the neck. The length of the tunic varies as well, ranging from upper-thigh to well below the knee. Like most garments of this type, worn by people in many countries in South Asia, the Middle East, and North Africa, the tunic always covers the crotch area of both genders." Tracing its roots to Central Asian nomadic tunics, or upper body garments, of the late-ancient- or early-medieval era, the kurta has evolved stylistically over the centuries, especially in South Asia, as a garment for ...
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Bindi (decoration)
A bindi (Hindi: बिंदी, from Sanskrit बिन्दु '' bindú'' meaning "point, drop, dot or small particle") or pottu ( ta, பொட்டு) is a coloured dot or, in modern times, a sticker worn on the center of the forehead, originally by Hindus, Sikhs, Buddhists and Jains from the Indian subcontinent. A bindi is a bright dot of some colour applied in the centre of the forehead close to the eyebrows or in the middle of the forehead, worn in the Indian subcontinent (particularly amongst Hindus in India, Pakistan, Bangladesh, Nepal, Bhutan and Sri Lanka)Khanna 1979: p. 171 and Southeast Asia among Balinese, Filipino, Javanese, Sundanese, Malaysian, Singaporean, Vietnamese and Burmese Hindus. A similar marking is also worn by babies and children in China and, as in the Indian subcontinent and Southeast Asia, represents the opening of the third eye. Bindi in Hinduism, Buddhism, and Jainism is associated with ajna chakra, and BinduMercier (2007). p. 267. is ...
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Dupatta
The dupattā is a Hindu shawl traditionally worn by women in Indian subcontinent to cover the head and shoulders. The dupatta is currently used most commonly as part of the women's shalwar kameez outfit, and worn over the kurta and the gharara. Etymology The Hindi-Urdu word ''dupattā'' (दुपट्टा, دوپٹہ), meaning "shawl of doubled cloth," derived from Middle Indic elements stemming from Sanskrit, is a combination of ''du-'' (meaning "two", from Sanskrit ''dvau'', "two" and ''dvi-'', combining form of dvau) and ''paṭṭā'' (meaning "strip of cloth," from ''paṭṭaḥ''), i. e., scarf usually doubled over the head. History Early evidence of the dupatta can be traced to the Indus valley civilization, where the sculpture of a priest-king whose left shoulder is covered with some kind of a chaddar suggests that the use of the dupatta dates back to this early Indic culture. Early Sanskrit literature has a wide vocabulary of terms for the veils and scarfs ...
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Chaniya
Ghagra choli (also known as lehenga choli and locally as chaniya choli) is a type of ethnic clothing for women from the Indian Subcontinent, notably in the Indian states of Rajasthan, Gujarat, Madhya Pradesh, Uttar Pradesh, Bihar, Haryana, Punjab, Himachal Pradesh, Uttarakhand, Jammu and Kashmir, as well as in the Pakistani provinces of Punjab and Sindh. In Punjab, the ''lehenga'' is traditionally worn with a kurti. It is a combination of the ''gagra'' or ''lehenga'' (long skirt) and the ''choli'' (blouse), however in contemporary and modern usage ''lehenga choli'' is the more popular and widely accepted term by fashion designers, trend setters, and boutiques in South Asia, since ''ghagra'' is synonymous with the half-slip worn as an undergarment below the sari. Terms and history Historically, the gagra choli evolved from the three-piece attire worn by women in Indus Valley ancient India. The attire consisted of the ''antriya'' lower garment, the ''uttariya'' veil worn over ...
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Choli
A choli (Hindi: चोली, Urdu: چولی, gu, ચોળી, mr, चोळी, Nepali: चोलो ''cholo'') (known in South India as ''ravike'' (Kannada: ರವಿಕೆ, Telugu: రవికె, Tamil: ரவிக்கை)) is a blouse or a bodice-like upper garment that is commonly cut short leaving the midriff bare, it is worn along with a sari in the Indian subcontinent. The choli is also part of the ghagra choli costume in the Indian subcontinent. In Northern Gujarat bordering Rajasthan, Palanpur in particular (Banaskantha), Polku, gu, પોલકું word was used. Evolution The choli evolved from the ancient ''stanapatta'', also known as ''kurpsika'' or '' kanchuki'', which was one of the forms of three-piece attire worn by women during the ancient period. This consisted of the ''antriya'' lower garment; the ''uttariya'' veil worn over shoulder or head; and the ''stanapatta,'' a chestband, which is mentioned in Sanskrit literature and Buddhist Pali li ...
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Chaniya Choli
Ghagra choli (also known as lehenga choli and locally as chaniya choli) is a type of ethnic clothing for women from the Indian Subcontinent, notably in the Indian states of Rajasthan, Gujarat, Madhya Pradesh, Uttar Pradesh, Bihar, Haryana, Punjab, Himachal Pradesh, Uttarakhand, Jammu and Kashmir, as well as in the Pakistani provinces of Punjab and Sindh. In Punjab, the ''lehenga'' is traditionally worn with a kurti. It is a combination of the ''gagra'' or ''lehenga'' (long skirt) and the ''choli'' (blouse), however in contemporary and modern usage ''lehenga choli'' is the more popular and widely accepted term by fashion designers, trend setters, and boutiques in South Asia, since ''ghagra'' is synonymous with the half-slip worn as an undergarment below the sari. Terms and history Historically, the gagra choli evolved from the three-piece attire worn by women in Indus Valley ancient India. The attire consisted of the ''antriya'' lower garment, the ''uttariya'' veil worn over ...
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