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Gandharvas
A gandharva () is a member of a class of celestial beings in Dharmic religions, such as Hinduism, Buddhism, and Jainism, whose males are divine performers such as musicians and singers, and the females are divine dancers. In Hinduism, they are regarded to be the celestial demigods who serve as the musicians of the devas. It is also a term for skilled singers in Indian classical music. Gandharvas have been associated with the historical Gandhara region. In Buddhism, this term also refers to a being in the intermediate state (between death and rebirth). Hinduism In Hinduism, the gandharvas (, , , , , , ; , ) are a class of minor deities who serve as divine musicians in Hindu mythology. The term gandharva is present in Vedic sources (including in the Rigveda) as a singular deity. According to Oberlies, "In mandala I, IX and X the gandharva is presented as a celestial being (dwelling near the sun / in the heavenly waters) which watches over the Soma (apparently) for the benefit o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandharva Kingdom
A gandharva () is a member of a class of celestial beings in Dharmic religions, such as Hinduism, Buddhism, and Jainism, whose males are divine performers such as musicians and singers, and the females are divine dancers. In Hinduism, they are regarded to be the celestial demigods who serve as the musicians of the devas. It is also a term for skilled singers in Indian classical music. Gandharvas have been associated with the historical Gandhara region. In Buddhism, this term also refers to a being in the intermediate state (between death and rebirth). Hinduism In Hinduism, the gandharvas (, , , , , , ; , ) are a class of minor deities who serve as divine musicians in Hindu mythology. The term gandharva is present in Vedic sources (including in the Rigveda) as a singular deity. According to Oberlies, "In mandala I, IX and X the gandharva is presented as a celestial being (dwelling near the sun / in the heavenly waters) which watches over the Soma (apparently) for the benefit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Classical Music
Indian classical music is the classical music of the Indian subcontinent. It has two major traditions: the North Indian classical music known as '' Hindustani'' and the South Indian expression known as '' Carnatic''. These traditions were not distinct until about the 15th century. During the period of Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. The roots of the classical music of India are found in the Vedic literature of Hinduism and the ancient ''Natyashastra'', the classic Sanskrit text on performing arts by Bharata Muni., Quote: "The tradition of Indian classical music and dance known as ''Sangeeta'' is fundamentally rooted in the sonic and musical dimensions of the Vedas (Sama veda), Upanishad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tumburu
Tumburu ( sa, तुम्बुरु, translit=Tuṃburu) is the foremost among the gandharvas, the celestial musicians of Hindu mythology. He is described to perform in the courts of the deities Kubera and Indra, as well as sing the praises of Vishnu. He is said to lead the gandharvas in their singing. Legend Origin Tumburu is described as the son of Sage Kashyapa, and his wife, Pradha. Along with the other three gandharva sons of Kashayapa, Bahu, Haha, and Huhu, he is renowned for his sweet and pleasant speech. Tumburu is often described as the best among the gandharvas in his musical talent. A "mighty singer and musician", he sings in presence of the Deva (Hinduism), devas. Besides Narada and Gopa, he is also regarded as the king of songs. Rivalry with Narada The ''Bhagavata Purana'' considers Narada to be the teacher of Tumburu. The scripture mentions that Tumburu accompanied him on a visit to the court of Yudhishthira. Narada and Tumburu are said to sing the glorie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apsaras
An apsaras or apsara ( sa, अप्सरा ' lso ' pi, अक्चरा, translit=accharā) is a type of female spirit of the clouds and waters in Hinduism and Buddhist culture. They figure prominently in the sculpture, dance, literature and painting of many Indian and Southeast Asian cultures. There are two types of apsaras: ''laukika'' (worldly) and ''daivika'' (divine). Urvasi, Menaka, Rambha, Tilottama and Ghritachi are the most famous among them. They are most often depicted in the court and discretion of Indra. Apsaras are widely known as ''Apsara'' ( ) in Khmer, and also called as ''Accharā'' in Pāli, or ''Bidadari'' ( Malay, Maranao), ''Biraddali'' ( Tausug, Sinama), ''Hapsari/Apsari'' or ''Widadari/Widyadari'' ( Javanese), ''Helloi'' ( Meitei) and ''Apsorn'' ( th , อัปสร). English translations of the word "Apsara" include "nymph", "fairy", "celestial nymph", and "celestial maiden". In Hinduism, apsaras are beautiful, supernatural female b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deva (Hinduism)
''Deva'' (; Sanskrit: , ) means "shiny", "exalted", "heavenly being", "divine being", "anything of excellence", and is also one of the Sanskrit terms used to indicate a deity in Hinduism.Monier Monier-Williams, A Sanskrit-English Dictionary” Etymologically and Philologically Arranged to cognate Indo-European Languages, Motilal Banarsidass, page 492 ''Deva'' is a masculine term; the feminine equivalent is '' Devi''. In the earliest Vedic literature, all supernatural beings are called ''Devas''George Williams (2008), A Handbook of Hindu Mythology, Oxford University Press, , pages 90, 112 and '' Asuras''. The concepts and legends evolved in ancient Indian literature, and by the late Vedic period, benevolent supernatural beings are referred to as ''Deva-Asuras''. In post-Vedic Hindu texts, such as the Puranas and the Itihasas of Hinduism, the ''Devas'' represent the good, and the ''Asuras'' the bad. In some medieval works of Indian literature, ''Devas'' are also referred ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tumbara
Tumburu ( sa, तुम्बुरु, translit=Tuṃburu) is the foremost among the gandharvas, the celestial musicians of Hindu mythology. He is described to perform in the courts of the deities Kubera and Indra, as well as sing the praises of Vishnu. He is said to lead the gandharvas in their singing. Legend Origin Tumburu is described as the son of Sage Kashyapa, and his wife, Pradha. Along with the other three gandharva sons of Kashayapa, Bahu, Haha, and Huhu, he is renowned for his sweet and pleasant speech. Tumburu is often described as the best among the gandharvas in his musical talent. A "mighty singer and musician", he sings in presence of the devas. Besides Narada and Gopa, he is also regarded as the king of songs. Rivalry with Narada The ''Bhagavata Purana'' considers Narada to be the teacher of Tumburu. The scripture mentions that Tumburu accompanied him on a visit to the court of Yudhishthira. Narada and Tumburu are said to sing the glories of Vishnu. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandharva Marriage
A Gandharva marriage (Sanskrit: गान्धर्व विवाह, ''pronounced gənd̪ʱərvə vɪvaːhə'') (also known as love marriage) is one of the eight classical types of Hindu marriage. This ancient marriage tradition from the Indian subcontinent was based on consensual acceptance between two people, with no rituals, witnesses or family participation. The marriage of Dushyanta and Shakuntala was a historically celebrated example of this class of marriage. Etymology In Hinduism and Buddhism, '' Gandharvas'' are male nature spirits and the masculine counterparts of the Apsaras. They are passionate lovers of women and arouse erotic and romantic passion in women. History The Smritis of Hinduism recognize eight types of marriage, one of them being Gandharva marriage. The other seven are: ''Brahma'', ''Daiva'', ''Arya'', ''Prajapatya'', ''Asura'', ''Raksasa'' and ''Paisacha''.The Illustrated Encyclopedia of Hinduism: A-M, James G. Lochtefeld (2001), , Page 427Hindu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
016 Celestial Musician (9213070982)
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * '' Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band * Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yaksha
The yakshas ( sa, यक्ष ; pi, yakkha, i=yes) are a broad class of nature-spirits, usually benevolent, but sometimes mischievous or capricious, connected with water, fertility, trees, the forest, treasure and wilderness. They appear in Hindu, Jain and Buddhist texts, as well as ancient and medieval era temples of South Asia and Southeast Asia as guardian deities. The feminine form of the word is or ''yakshini'' ( sa, यक्षिणी ; Pali:Yakkhini). In Hindu, Jain and Buddhist texts, the has a dual personality. On the one hand, a may be an inoffensive nature- fairy, associated with woods and mountains; but there is also a darker version of the , which is a kind of ghost ( bhuta) that haunts the wilderness and waylays and devours travellers, similar to the . Early yakshas Several monumental yakshas are known from the time of the Maurya Empire period. They are variously dated from around the 3rd century BCE to the 1st century BCE. These statues are monumenta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamsa
Kamsa ( sa, कंस, Kaṃsa, translit-std=IAST) was the tyrant ruler of the Vrishni kingdom, with its capital at Mathura. He is variously described in Hindu literature as either a human or an asura; The Puranas describe him as an asura, while the Harivamśa describes him as an asura reborn in the body of a man. His royal house was called Bhoja; thus, another of his names was Bhojapati. He was the cousin of Devaki, the mother of the deity Krishna; Krishna ultimately fulfilled a prophecy by slaying Kamsa. Kamsa was born to King Ugrasena and Queen Padmavati. However, out of ambition, and upon the advice of his personal confidantes, Banasura and Narakasura, Kamsa decided to overthrow his father, and install himself as the King of Mathura. Therefore, upon the guidance of another advisor, Chanura, Kamsa decided to marry Asti and Prapti, the daughters of Jarasandha, King of Magadha. After a heavenly voice prophesied that Devaki's eighth son would slay him, Kamsa imprisoned Dev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santanu
Shantanu (Sanskrit: शंतनु) is a character in the Mahabharata, described as the ruler of the Kuru Kingdom with his capital at Hastinapura. He was a descendant of the Bharata race, a forebear of the lineage of the Lunar dynasty, and the great-grandfather of the Pandavas and the Kauravas. The ruler was the youngest son of King Pratipa of Hastinapura and had been born during the latter's latter years. His eldest brother, Devapi, had leprosy, and had given up his inheritance to become a hermit. The middle son, Bahlika, (or Vahlika) abandoned his paternal kingdom, and had started living with his maternal uncle in Balkh, subsequently inheriting his kingdom. Shantanu, thus, ascended the throne of Hastinapura. He is best known for being the father of Bhishma (also known as Devavrata), among the mightiest warriors of the epic. Etymology The meaning of the name can be explained by nirukti available in Adi Parva, through which Sri Nityānanda Miśra elaborates its mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyavati
Satyavati ( sa, सत्यवती, ; also spelled Satyawati) was the queen of the Kuru. She is the wife of king Shantanu of Hastinapura, and the great-grandmother of the Pandava and Kaurava princes (The principal characters of the Hindu epic ''Mahabharata''). She is also the mother of the seer Vyasa, author of the epic. Her story appears in the ''Mahabharata'', the '' Harivamsa,'' and the '' Devi Bhagavata Purana''. Satyavati is the daughter of a fisherman chieftain, Dasharaja and was brought up as a commoner on the banks of the river Yamuna. Another legend says that she is the biological daughter of the Chedi king Uparichara Vasu (Vasu) and a cursed '' apsara'' (celestial nymph), who was turned into a fish called Adrika. Due to the smell emanating from her body, she was known as ''Matsyagandha'' ("She who smells like fish"), and helped her father, Dasharaja, in his job as ferryman and fisherman. As a young woman, Satyavati met the wandering rishi (sage) Parasha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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