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Gamelan Jegog
Jegog is a form of gamelan music indigenous to Bali, Indonesia, played on instruments made of bamboo. The tradition of jegog is centered in Jembrana, a region in Western Bali. In recent years jegog has started to become popular in other regions of Bali with a few groups being established in central Bali to entertain tourists. International interest has been spread by tourists visiting Bali and by recordings. There are virtually no ensembles outside of Bali with the exception of at least two groups in Japan (Sekar Sakura and Geinoh Yamashirogumi, the latter's having been used in 4 of the tracks in their score for the film '' Akira'' as well as on the final track of ''Ecophony Rinne'' ), one in the United States (Sekar Jaya) and one in Germany. Jegog music is very fast, loud, rhythmic and precise. Pieces last from a few minutes to as long as thirty minutes. Instruments Jegog instruments have a four-note scale that roughly corresponds to the four pitches of a dominant 7th chord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balinese People
The Balinese people ( id, suku Bali; ban, ᬳᬦᬓ᭄ᬩᬮᬶ, anak Bali) are an Austronesian ethnic group native to the Indonesian island of Bali. The Balinese population of 4.2 million (1.7% of Indonesia's population) live mostly on the island of Bali, making up 89% of the island's population. There are also significant populations on the island of Lombok and in the easternmost regions of Java (e.g. the regency of Banyuwangi). Origins The Balinese originated from three periods of migration. The first waves of immigrants came from Java and Kalimantan in prehistoric times and were of Proto-Malay stock. The second wave of Balinese came slowly over the years from Java during the Hindu period. The third and final wave came from Java, between the 15th and 16th centuries, about the same time as the conversion to Islam in Java, causing aristocrats and peasants to flee to Bali after the collapse of the Javanese Hindu Majapahit Empire in order to escape Mataram's Islamic conv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hertz
The hertz (symbol: Hz) is the unit of frequency in the International System of Units (SI), equivalent to one event (or cycle) per second. The hertz is an SI derived unit whose expression in terms of SI base units is s−1, meaning that one hertz is the reciprocal of one second. It is named after Heinrich Rudolf Hertz (1857–1894), the first person to provide conclusive proof of the existence of electromagnetic waves. Hertz are commonly expressed in multiples: kilohertz (kHz), megahertz (MHz), gigahertz (GHz), terahertz (THz). Some of the unit's most common uses are in the description of periodic waveforms and musical tones, particularly those used in radio- and audio-related applications. It is also used to describe the clock speeds at which computers and other electronics are driven. The units are sometimes also used as a representation of the energy of a photon, via the Planck relation ''E'' = ''hν'', where ''E'' is the photon's energy, ''ν'' is its freq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan Sekar Jaya
Gamelan Sekar Jaya is a Balinese gamelan ensemble located in the San Francisco Bay Area. It has been called "the finest Balinese gamelan ensemble outside of Indonesia" by Indonesia's Tempo Magazine. It performs the music and dance of Bali in many different genres of Balinese gamelan, mainly gamelan gong kebyar, gamelan angklung, gender wayang, and gamelan jegog. Past performances have also featured ensembles playing in other styles as well, including gamelan joged bumbung, kecak, gender batel, gamelan gambuh, genggong, and beleganjur. GSJ has also performed contemporary pieces featuring instruments from the Western tradition. History Founded in 1979 by I Wayan Suweca, Rachel Ann Cooper and Michael Tenzer, Gamelan Sekar Jaya (GSJ) was the first community-based Balinese gamelan in the United States. Most of its performers are American volunteers, taught and led in performance by visiting Balinese master artists. Popular both in the States and abroad, the group has performed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Tenzer
Michael Tenzer (born 1957) is a composer, performer, and music educator and scholar. Tenzer was born in New York City and studied music at Yale University (BA. 1978) and University of California, Berkeley (Ph.D. 1986). After teaching at Yale from 1986–96, he moved to University of British Columbia where he teaches ethnomusicology, composition, music theory and gamelan performance, co-directs the doctoral program in ethnomusicology. Tenzer's compositions for chamber, solo and orchestral media have been performed in North America, Europe, and Asia, featuring performers such as Pandit Swapan Chaudhuri (tabla), Alex Klein (oboe) and Evan Ziporyn (clarinet). His publications have been recognized with the Society for Ethnomusicology's Alan P. Merriam Prize (best book of 2000) and the 34th annual ASCAP-Deems Taylor award, and his research has been supported with grants from the National Endowment for the Humanities and Fulbright. Among his composition prizes are a Library of Congress/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joged Bumbung
Joged bumbung is a style of gamelan music from Bali, Indonesia on instruments made primarily out of bamboo. The ensemble gets its name from joged, a flirtatious dance often performed at festivals and parties. This style of Gamelan is especially popular in Northern and Western Bali, but is easily found all over the island. Unlike many styles of Balinese Gamelan which have sacred roles in religious festivals, Joged music is much more secular, and in many ways has become the folk music of Bali. With the rapid rise of tourism in recent decades, Joged music is now often found being performed at hotels and restaurants. The bamboo instruments of the Joged, called Grantang (or commonly Tingklik in central Bali), are marimba-like instruments made out of bamboo. 11 to 14 bamboo canes, split halfway down their length, are then carved so that a closed tube resonator remains on the un-split half. The completed keys are mounted to a wooden or bamboo frame with string or rubber strips. Str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gender Wayang
''Gamelan gender wayang'' is a style of gamelan music played in Bali, Indonesia. It is required for ''wayang'' (shadow puppet theatre) and most sacred Balinese Hindu rituals. The smallest of gamelan ensembles, it requires only two players and is complete at four, the additional instruments doubling an octave above. Like other gamelan genres, it incorporates delicate interlocking melodies and active contrapuntal movement, yet poses unique challenges in technique and composition. Religious and cultural context I Wayan Loceng reports that "''Gender wayang'', one of the most ancient musical ensembles existing in Bali, accompanies shadow theatre as well as tooth filings, cremations, and other religious ceremonies." He describes repertoire from Sukawati, noting that the area is famous for shadow play and the development and maintenance of the ''gender wayang'' tradition. The ensemble is ubiquitous in Bali, however, due to its ritual importance, and distinct regional styles feature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gambang
A gambang, properly called a gambang kayu ('wooden gambang') is a xylophone-like instrument used among people of Indonesia in gamelan and kulintang, with wooden bars as opposed to the metallic ones of the more typical metallophones in a gamelan. A largely obsolete instrument, the gambang gangsa, is a similar instrument made with metal bars. Gambang kayu The bars of the instrument are made of a se wood, generally teak. It also found in ironwood (kayu besi). The bars mounted in a deep wooden case that serves as a resonator. Instruments typically have 17-21 keys that are easily removed, and are kept in place by having a hole through which a nail is placed. Generally a full gamelan has two sets, one gambang pelog and the other one gambang slendro. A pair of long thin mallets (''tabuh''), made of flexible water buffalo horn tipped with felt, are used to play the instrument. Gambangs are generally played in parallel octaves (gembyang). Occasionally, other styles of playing are employed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tawa-tawa
''Euphorbia hirta'' (sometimes called asthma-plant) is a pantropical weed, originating from the tropical regions of the Americas. It is a hairy herb that grows in open grasslands, roadsides and pathways. It is widely used in traditional herbal medicine across many cultures, particularly for asthma, skin ailments, and hypertension. It is also consumed in herbal tea form as folk medicine for fevers in the Philippines (where it is known as tawa-tawa), particularly for dengue fever and malaria. Botany This erect or prostrate annual herb can grow up to long with a solid, hairy stem that produces an abundant white latex. There are stipules present. The leaves are simple, elliptical, hairy (on both upper and lower surfaces but particularly on the veins on the lower leaf surface), with a finely dentate margin. Leaves occur in opposite pairs on the stem. The flowers are unisexual and found in axillary cymes at each leaf node. They lack petals and are generally on a stalk. The fruit is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kendang
Kendang or Gendang ( jv, ꦏꦼꦤ꧀ꦝꦁ, translit=Kendhang, su, ᮊᮨᮔ᮪ᮓᮀ, translit=Kendang, ban, ᬓᬾᬦ᭄ᬤᬂ, translit=Kendang, Tausug/Bajau Maranao: ''Gandang'', Bugis: ''Gendrang'' and Makassar: ''Gandrang'' or ''Ganrang'' ) is a two-headed drum used by people from the Indonesian Archipelago. Kendang is one of the primary instruments used in the Gamelan ensembles of Javanese, Sundanese, and Balinese, the Kendang ensemble as well as various Kulintang ensembles in Indonesia, Brunei, Malaysia, Singapore, and the Philippines. It is constructed in a variety of ways by different ethnic groups. It is a relation to the Indian mridangam double-headed drum. Overview The typical double-sided membrane drums are known throughout Maritime Southeast Asia and India. One of the oldest image of kendang can be found in ancient temples in Indonesia, especially the ninth century Borobudur and Prambanan temple. Among the Javanese, Sundanese, and Balinese, the has one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kotekan
''Kotekan'' is a style of playing fast interlocking parts in most varieties of Balinese Gamelan music, including Gamelan gong kebyar, Gamelan angklung, Gamelan jegog and others. Kotekan are "sophisticated interlocking parts," "characteristic of gong kebyar and several other Balinese gamelan styles, that combine to create the illusion of a single melodic line that often sounds faster than any single human could possibly play." According to Colin McPhee: "Composed of two rhythmically opposing parts which...interlock to create a perpetual flow of sound, the ''kotekan'' adds sheen and intensity to the music, ...calls for the utmost rhythmic precision... ndlies in the top register of the gamelan."McPhee, Colin (1966). Music in Bali', p.162. New Haven, CT: Yale. . In ''kotekan'' there are two independent parts called ''polos'' and '','' each of which fills in the gaps of the other to form a complete rhythmic texture. In Gamelan gong kebyar, Kotekan is usually played on the higher- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
