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Gambang
A gambang, properly called a gambang kayu ('wooden gambang') is a xylophone-like instrument used among people of Indonesia in gamelan and kulintang, with wooden bars as opposed to the metallic ones of the more typical metallophones in a gamelan. A largely obsolete instrument, the gambang gangsa, is a similar instrument made with metal bars. Gambang kayu The bars of the instrument are made of a se wood, generally teak. It also found in ironwood (kayu besi). The bars mounted in a deep wooden case that serves as a resonator. Instruments typically have 17-21 keys that are easily removed, and are kept in place by having a hole through which a nail is placed. Generally a full gamelan has two sets, one gambang pelog and the other one gambang slendro. A pair of long thin mallets (''tabuh''), made of flexible water buffalo horn tipped with felt, are used to play the instrument. Gambangs are generally played in parallel octaves (gembyang). Occasionally, other styles of playing are employed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kulintang
Kulintang ( id, kolintang, ms, kulintangan) is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums. As part of the larger gong-chime culture of Southeast Asia, kulintang music ensembles have been playing for many centuries in regions of the Eastern Indonesia, Southern Philippines, Eastern Malaysia, Brunei and Timor, Kulintang evolved from a simple native signaling tradition, and developed into its present form with the incorporation of knobbed gongs from Sundanese people in Java Island, Indonesia. Its importance stems from its association with the indigenous cultures that inhabited these islands prior to the influences of Hinduism, Buddhism, Islam, Christianity or the West, making Kulintang the most developed tradition of Southeast Asian archaic gong-chime ensembles. Technically, ''kulintang'' is the Ternate, Mollucas, Maguindanaon, Lumad a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cengkok
Céngkok ( jv, ꦕꦺꦁꦏꦺꦴꦏ꧀, translit=Céngkok) (old orthography: ''tjengkok'') are patterns played by the elaborating instruments used in Indonesian Javanese gamelan. They are melodic formula that lead to a '' sèlèh'',Brinner, Benjamin (2008). ''Music in Central Java'', p.157. . following the rules of the ''pathet'' of the piece. The most elaborate ''cengkok'' repertoire is that of the '' gendér barung''. The ''gambang'' and ''siter'', on the other hand, do not have such formalized sets of ''cengkok'', and therefore may vary more from performer to performer. Most ''cengkok'' derive from the vocal repertoire, and many have names that originally came from lyrics, like the well-known " Ayu kuning". They may incorporate pre-existent melodic patterns through a process of centonization. See also * Gamelan * Seleh * Sekaran * Pathet * Music of Indonesia * Music of Java The Music of Java embraces a wide variety of styles, both traditional and contemporary, reflectin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keyboard Percussion Instruments
{{disambiguation ...
Keyboard may refer to: Text input * Keyboard, part of a typewriter * Computer keyboard ** Keyboard layout, the software control of computer keyboards and their mapping ** Keyboard technology, computer keyboard hardware and firmware Music * Musical keyboard, a set of adjacent keys or levers used to play a musical instrument ** Manual (music), a keyboard played with hands, as opposed to; ** Pedalboard or pedal keyboard, played with feet ** Enharmonic keyboard, one of several layouts that incorporate more than 12 tones per octave * Keyboard instrument, a musical instrument played using a keyboard ** Synthesizer, an electronic keyboard ** Electronic keyboard, a synthesizer See also * Input method * Keypad A keypad is a block or pad of buttons set with an arrangement of digits, symbols, or alphabetical letters. Pads mostly containing numbers and used with computers are numeric keypads. Keypads are found on devices which require mainly numeric in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panerusan Instruments
The panerusan instruments or elaborating instruments are one of the divisions of instruments used in Indonesian gamelan. Instead of the rhythmic structure provided by the colotomic instruments, and the core melody of the balungan instruments, the panerusan instruments play variations on the balungan. They are usually the most difficult instruments to learn in the gamelan, but provide the most opportunity for improvisation and creativity in the performer. Hood, Mantle. ''The Nuclear Theme as a Determinant of Patet in Javanese Music''. New York: Da Capo, 1977. Pages 11–12. Panerusan instruments include the gendér, suling, rebab, siter/celempung, bonang, and gambang. The female singer, the pesindhen, is also often included, as she sings in a similar fashion to the instrumental techniques. As these include the only wind instruments, string instruments, and wooden percussion instruments found in the gamelan, they provide a timbre which stands out from most of the gamelan. The n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Northern Illinois University
Northern Illinois University (NIU) is a public research university in DeKalb, Illinois. It was founded as Northern Illinois State Normal School on May 22, 1895, by Illinois Governor John P. Altgeld as part of an expansion of the state's system for producing college-educated teachers. In addition to the main campus in DeKalb, it has satellite centers in Chicago, Naperville, Rockford, and Oregon, Illinois. The university is composed of seven degree-granting colleges and has a student body of approximately 16,000 with over 240,000 alumni. NIU is one of only two public universities in Illinois that compete in the National Collegiate Athletic Association at the highest levels of all sports, Division I. The university's athletic teams are known as the Huskies and compete in the Mid-American Conference (MAC). History Northern Illinois University was founded as part of the expansion of the normal school program established in 1857 in Normal, Illinois. In 1895, the state legisla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabbang
The gabbang, also known as bamboo xylophone, is a musical instrument made of bamboo widely used in southern Philippines. Among the Tausugs and Samas, it is commonly played to accompany songs and dances as a solo instrument or accompanied by the biola. Physical features A gabbang consists of a set of trapezoidal bamboo bars of increasing length resting on a resonator. The number of bars varies with the group that made them: Among Yakans, the number ranges from three to nine bamboo bars, but the common ''agung gabbang'' has five; among Tausugs, the number ranges from 14 to 22 bamboo bars, but the common ''gabbang'' has 12; and in Palawan, the common ''gabbang'' has five. Playing techniques A bamboo xylophone is played by direct striking using a wooden mallet. The gabbang is played by a pair of beaters while another taps a rhythmic pattern on the side of the box. See also * Bungkaka * Diwas * Kolitong * Paldong * Takumbo The takumbo is a parallel-stringed tube zither made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gangsa
A gangsa is a type of metallophone which is used mainly in Balinese and Javanese Gamelan music in Indonesia. In Balinese gong kebyar styles, there are two types of gangsa typically used: the smaller, higher pitched and the larger . Each instrument consists of several tuned metal bars (either iron or bronze) each placed over an individual resonator. The bars are hit with a wooden , each producing a different pitch. Duration of sound intensity and sound quality factors are generally accomplished by damping the vibration of the bar with the fingers of the free hand. Balinese gong , as with other metallophones in gong ensembles, are played in neighboring pairs with interlocking, rapid-tempo parts that elaborate on the melody of a piece of music (see Kotekan); these pairs are tuned to be dissonant and create certain wavelengths of sympathetic vibrations to create a shimmering tone (see Ombak) that travels long distances. The gangsa is very similar to the old and the . The same word ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pathet
Pathet ( jv, ꦥꦛꦼꦠ꧀, translit=Pathet, also patet) is an organizing concept in central Javanese gamelan music in Indonesia. It is a system of tonal hierarchies in which some notes are emphasized more than others. The word means '"to damp, or to restrain from" in Javanese. ''Pathet'' is "a limitation on the player's choice of variation, so that while in one ''pathet'' a certain note may be prominent, in another it must be avoided, or used only for special effect. Awareness of such limitations, and exploration of variation within them reflects a basic philosophical aim of gamelan music, and indeed all art in central Java, namely, the restraint and refinement of one's own behaviour." Javanese often give poetic explanations of pathet, such as "Pathet is the couch or bed of a melody." In essence, a pathet indicates which notes are stressed in the melody, especially at the end of phrases (seleh), as well as determines which elaborations (cengkok and sekaran) are appropriate. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence (music)
In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in determining where a cadence occurs. Cadences are strong indicators of the tonic or central pitch of a passage or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mantle Hood
Mantle Hood (June 24, 1918 – July 31, 2005) was an American ethnomusicologist. Among other areas, he specialized in studying gamelan music from Indonesia. Hood pioneered, in the 1950s and 1960s, a new approach to the study of music, and the creation of the first American university program devoted to ethnomusicology, at the University of California, Los Angeles (UCLA). He was known for a suggestion, somewhat novel at the time, that his students learn to play the music they were studying. Biography Born and raised in Springfield, Illinois, Hood studied piano as a child and played clarinet and tenor saxophone in regional jazz clubs in his teens. Despite his talent as a musician, he had no plans to make it his profession. He moved to Los Angeles in the 1930s and wrote pulp fiction while employed as a draftsman in the aeronautical industry. After Army service in Europe during World War II, he returned to Los Angeles. He enrolled in the School of Agriculture at the University o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
