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Guitar Tablature
Tablature (or tabulature, or tab for short) is a form of musical notation indicating instrument fingering rather than musical pitches. Tablature is common for fretted stringed instruments such as the guitar, lute or vihuela, as well as many free reed aerophones such as the harmonica. Tablature was common during the Renaissance and Baroque eras, and is commonly used today in notating many forms of music. Three types of organ tablature were used in Europe: German, Spanish and Italian. To distinguish standard musical notation from tablature, the former is usually called "staff notation" or just "notation". Etymology The word ''tablature'' originates from the Latin word ''tabulatura''. ''Tabula'' is a table or slate, in Latin. To tabulate something means to put it into a table or chart. Origin The first known occurrence in Europe is around 1300, and was first used for notating music for the organ. Concepts While standard notation represents the rhythm and duration of each ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conrad Paumann
Conrad Paumann (c. 1410January 24, 1473) was a German organist, lutenist and composer of the early Renaissance. A blind musician, he was one of the most talented musicians of the 15th century, and his performances created a sensation wherever he went. He is grouped among the composers known as the Colorists. Life He was born in Nuremberg to a family of craftsmen. His musical ability must have become apparent early, for he received an excellent training with the support of aristocratic patrons. In 1447 he became the official town organist of Nuremberg, and the councilors even issued orders for him not to leave without their permission. As rebellious as he was talented, Paumann left what was probably a stifling environment, traveling secretly to Munich in 1450 where he was immediately employed by Duke Albrecht III as court organist, who also gave him a house. Munich was officially his home for the remainder of his life, although he began to travel extensively. While exact reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pull-off
A pull-off is a stringed instrument playing and articulation technique performed by plucking or "pulling" the finger that is grasping the sounding part of a string off the fingerboard of either a fretted or unfretted instrument. This intermediate- to advanced playing technique is done using the tip of a finger or fingernail on the fretting hand. Pull-offs are done to facilitate the playing of embellishments and ornaments such as grace notes. Pull-offs may be notated in sheet music or improvised by the performer, depending on the musical style and context. Performance and effect A pull-off is performed on a string which is already vibrating; when the fretting finger is pulled off (exposing the string either as open or as stopped by another fretting finger "lower" on the same string, with "lower" meaning in a position that is lower in pitch) the note playing on the string changes to the new, longer vibrating length of the string. Pull-offs are performed on both fretted instruments ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trill (music)
The trill (or shake, as it was known from the 16th until the early 20th century) is a musical ornament consisting of a rapid alternation between two adjacent notes, usually a semitone or tone apart, which can be identified with the context of the trillTaylor, Eric. ''The AB Guide to Music Theory: Part I'', p. 92. (compare mordent and tremolo). It is sometimes referred to by the German Triller, the Italian trillo, the French trille or the Spanish trino. A cadential trill is a trill associated with each cadence. A trill provides rhythmic interest, melodic interest, and—through dissonance—harmonic interest. Sometimes it is expected that the trill will end with a turn (by sounding the note below rather than the note above the principal note, immediately before the last sounding of the principal note), or some other variation. Such variations are often marked with a few appoggiaturas following the note bearing the trill indication. Notation In most modern musical notat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hammer-on
A hammer-on is a playing technique performed on a stringed instrument (especially on a fretted string instrument, such as a guitar) by sharply bringing a fretting-hand finger down on to the fingerboard behind a fret, causing a note to sound. This technique is the opposite of the pull-off. Passages in which a large proportion of the notes are performed as hammer-ons and pull-offs instead of being plucked or picked in the usual fashion are known in classical terminology as '' legato'' phrases. The sound is smoother and more connected than in a normally picked phrase, due to the absence of the necessity to synchronize the plucking of one hand with the fingering on the fingerboard with the other hand; however, the resulting sounds are not as brightly audible, precisely due to the absence of the plucking of the string, the vibration of the string from an earlier plucking dying off. The technique also facilitates very fast playing because the picking hand does not have to move at suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Finger Vibrato
Finger vibrato is vibrato produced on a string instrument by cyclic hand movements. Despite the name, normally the entire hand moves, and sometimes the entire upper arm. It can also refer to vibrato on some woodwind instruments, achieved by lowering one or more fingers over one of the uncovered holes in a trill-like manner. This flattens the note periodically creating the vibrato. Violin and viola There are three types of violin vibrato: finger, arm and wrisvibrato In finger vibrato, more or less the performer only moves his or her fingers, finger joints. In wrist vibrato, the performer will move the wrist back and forth while keeping the arm in a resting position. In the arm vibrato, the performer opens and closes the arm. Along with using different bodily movements to create vibrato, there are different methods in regards to forward or backward vibrato movements. Vibrato can be achieved by altering the tone of the note being played. Varying the pitch however, is the most cruci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legato
In music performance and notation, legato (; Italian for "tied together"; French ''lié''; German ''gebunden'') indicates that musical notes are played or sung smoothly and connected. That is, the player makes a transition from note to note with no intervening silence. Legato technique is required for slurred performance, but unlike slurring (as that term is interpreted for some instruments), legato does not forbid re- articulation. Standard notation indicates legato either with the word ''legato'', or by a slur (a curved line) under notes that form one legato group. Legato, like staccato, is a kind of articulation. There is an intermediate articulation called either ''mezzo staccato'' or ''non-legato'' (sometimes referred to as '' portato''). Classical string instruments In music for Classical string instruments, legato is an articulation that often refers to notes played with a full bow, and played with the shortest silence, often barely perceptible, between notes. The p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Tablature Sample
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Root (chord)
In music theory, the concept of root is the idea that a chord can be represented and named by one of its notes. It is linked to harmonic thinking—the idea that vertical aggregates of notes can form a single unit, a chord. It is in this sense that one speaks of a "C chord" or a "chord on C"—a chord built from C and of which the note (or pitch) C is the root. When a chord is referred to in Classical music or popular music without a reference to what type of chord it is (either major or minor, in most cases), it is assumed a major triad, which for C contains the notes C, E and G. The root need not be the bass note, the lowest note of the chord: the concept of root is linked to that of the inversion of chords, which is derived from the notion of invertible counterpoint. In this concept, chords can be inverted while still retaining their root. In tertian harmonic theory, wherein chords can be considered stacks of third intervals (e.g. in common practice tonality), the root ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord (music)
A chord, in music, is any harmonic set of pitches/frequencies consisting of multiple notes (also called "pitches") that are heard as if sounding simultaneously. For many practical and theoretical purposes, arpeggios and broken chords (in which the notes of the chord are sounded one after the other, rather than simultaneously), or sequences of chord tones, may also be considered as chords in the right musical context. In tonal Western classical music (music with a tonic key or "home key"), the most frequently encountered chords are triads, so called because they consist of three distinct notes: the root note, and intervals of a third and a fifth above the root note. Chords with more than three notes include added tone chords, extended chords and tone clusters, which are used in contemporary classical music, jazz and almost any other genre. A series of chords is called a chord progression. One example of a widely used chord progression in Western traditional music an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transposition (music)
In music, transposition refers to the process or operation of moving a collection of notes ( pitches or pitch classes) up or down in pitch by a constant interval. For example, one might transpose an entire piece of music into another key. Similarly, one might transpose a tone row or an unordered collection of pitches such as a chord so that it begins on another pitch. The transposition of a set ''A'' by ''n'' semitones is designated by ''T''''n''(''A''), representing the addition ( mod 12) of an integer ''n'' to each of the pitch class integers of the set ''A''. Thus the set (''A'') consisting of 0–1–2 transposed by 5 semitones is 5–6–7 (''T''5(''A'')) since , , and . Scalar transpositions In scalar transposition, every pitch in a collection is shifted up or down a fixed number of scale steps within some scale. The pitches remain in the same scale before and after the shift. This term covers both chromatic and diatonic transpositions as follows. Chromatic tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capo (musical Device)
A capo (short for ''capodastro'', ''capo tasto'' or ''capotasto'' , Italian language, Italian for "head of fretboard") , ''capo'' or ''capodastro''; french: capodastre; german: Kapodaster; pt, capotraste; sh, kapodaster; el, καποτάστο, kapotásto. is a device a musician uses on the neck of a String (music), stringed (typically fret, fretted) instrument to Transposition_(music), transpose and shorten the playable length of the strings—hence raising the pitch. It is a common tool for players of guitars, mandolins, mandolas, banjos, ukuleles and bouzoukis. The word derives from the Italian ''capotasto'', which means the nut (string instrument), nut of a stringed instrument. The earliest known use of ''capotasto'' is by Giovanni Battista Doni who, in his ''Annotazioni'' of 1640, uses it to describe the nut of a viola da gamba. The first patented capo was designed by James Ashborn of Wolcottville, Connecticut year 1850. Musicians commonly use a capo to raise the pitc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
