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Graphomania
Graphomania (from grc, γρᾰ́φειν, , ; and , , ), also known as scribomania, is an obsessive impulse to write. When used in a specific psychiatric context, it labels a morbid mental condition which results in writing rambling and confused statements, often degenerating into a meaningless succession of words or even nonsense then called graphorrhea (see hypergraphia). The term "graphomania" was used in the early 19th century by Esquirol and later by Eugen Bleuler, becoming more or less common. Graphomania is related to typomania, which is obsessiveness with seeing one's name in publication or with writing for being published, excessive symbolism or typology. Outside the psychiatric definitions of graphomania and related conditions, the word is used more broadly to label the urge and need to write excessively, professionally or not. Max Nordau, in his attack of what he saw as degenerate art, frequently used the term "graphomania" to label the production of the artists he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of Leaves
''House of Leaves'' is the debut novel by American author Mark Z. Danielewski, published in March 2000 by Pantheon Books. A bestseller, it has been translated into a number of languages, and is followed by a companion piece, '' The Whalestoe Letters''. The plot is centered on a fictional documentary about a family whose house contains a seemingly endless labyrinth. The format and structure of ''House of Leaves'' is unconventional, with unusual page layout and style, making it a prime example of ergodic literature. It contains copious footnotes, many of which contain footnotes themselves, including references to fictional books, films or articles. In contrast, some pages contain only a few words or lines of text, arranged in strange ways to mirror the events in the story, often creating both an agoraphobic and a claustrophobic effect. At points, the book must be rotated to be read. The novel is also distinctive for its multiple narrators, who interact with each other in elaborate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Z
Mark may refer to: Currency * Bosnia and Herzegovina convertible mark, the currency of Bosnia and Herzegovina * East German mark, the currency of the German Democratic Republic * Estonian mark, the currency of Estonia between 1918 and 1927 * Finnish markka ( sv, finsk mark, links=no), the currency of Finland from 1860 until 28 February 2002 * Mark (currency), a currency or unit of account in many nations * Polish mark ( pl, marka polska, links=no), the currency of the Kingdom of Poland and of the Republic of Poland between 1917 and 1924 German * Deutsche Mark, the official currency of West Germany from 1948 until 1990 and later the unified Germany from 1990 until 2002 * German gold mark, the currency used in the German Empire from 1873 to 1914 * German Papiermark, the German currency from 4 August 1914 * German rentenmark, a currency issued on 15 November 1923 to stop the hyperinflation of 1922 and 1923 in Weimar Germany * Lodz Ghetto mark, a special currency for Lodz Ghetto. * R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eastern Bloc
The Eastern Bloc, also known as the Communist Bloc and the Soviet Bloc, was the group of socialist states of Central and Eastern Europe, East Asia, Southeast Asia, Africa, and Latin America under the influence of the Soviet Union that existed during the Cold War (1947–1991). These states followed the ideology of Marxism–Leninism, in opposition to the Capitalism, capitalist Western Bloc. The Eastern Bloc was often called the Second World, whereas the term "First World" referred to the Western Bloc and "Third World" referred to the Non-Aligned Movement, non-aligned countries that were mainly in Africa, Asia, and Latin America but notably also included former Tito–Stalin split, pre-1948 Soviet ally SFR Yugoslavia, which was located in Europe. In Western Europe, the term Eastern Bloc generally referred to the USSR and Central and Eastern European countries in the Comecon (East Germany, Polish People's Republic, Poland, Czechoslovak Socialist Republic, Czechoslovakia, Hungarian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Captive Mind
''The Captive Mind'' (Polish: ''Zniewolony umysł'') is a 1953 work of nonfiction by Polish writer, poet, academic and Nobel laureate Czesław Miłosz. It was first published in English in a translation by Jane Zielonko in 1953. Overview ''The Captive Mind'' was written soon after the author's defection from Stalinist Poland in 1951. In it, Miłosz drew upon his experiences as an illegal author during the Nazi Occupation and of being a member of the ruling class of the postwar People's Republic of Poland. The book attempts to explain the allure of Stalinism to intellectuals, its adherents' thought processes, and the existence of both dissent and collaboration within the postwar Soviet Bloc. Miłosz described that he wrote the book "under great inner conflict". Chapter I: The Pill of Murti-Bing The book begins with a discussion of the dystopian novel ''Insatiability'' by Stanisław Ignacy Witkiewicz. In the novel, a new Mongol Empire conquers Poland and introduces Murti-Bing pill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Czesław Miłosz
Czesław Miłosz (, also , ; 30 June 1911 – 14 August 2004) was a Polish-American poet, prose writer, translator, and diplomat. Regarded as one of the great poets of the 20th century, he won the 1980 Nobel Prize in Literature. In its citation, the Swedish Academy called Miłosz a writer who "voices man's exposed condition in a world of severe conflicts". Miłosz survived the German occupation of Warsaw during World War II and became a cultural attaché for the Polish government during the postwar period. When communist authorities threatened his safety, he defected to France and ultimately chose exile in the United States, where he became a professor at the University of California, Berkeley. His poetry—particularly about his wartime experience—and his appraisal of Stalinism in a prose book, ''The Captive Mind'', brought him renown as a leading ''émigré'' artist and intellectual. Throughout his life and work, Miłosz tackled questions of morality, politics, history, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Book Of Laughter And Forgetting
''The Book of Laughter and Forgetting'' ( cs, Kniha smíchu a zapomnění, Kniha smíchu a zapomnění) is a novel by Milan Kundera, published in France in 1979. It is composed of seven separate narratives united by some common themes. The book considers the nature of forgetting as it occurs in history, politics, and life in general. The stories also contain elements found in the genre of magic realism. Publication history The original title is '' Kniha smíchu a zapomnění''. It was finished in 1978 and was then published in France under the title ''Le Livre du rire et de l'oubli'' in 1979. The English translation was first published in the United States by Alfred A. Knopf in 1980, and it is credited to Michael Henry Heim. Several sections of the book were printed in ''The New Yorker''. The book was published in Czech by the exile publishing house 68 Publishers Toronto in April 1981. Plot summary Part One: Lost Letters The first section occurs in 1971 and is the story of Mire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milan Kundera
Milan Kundera (, ; born 1 April 1929) is a Czech writer who went into exile in France in 1975, becoming a naturalised French citizen in 1981. Kundera's Czechoslovak citizenship was revoked in 1979, then conferred again in 2019. He "sees himself as a French writer and insists his work should be studied as French literature and classified as such in book stores". Kundera's best-known work is ''The Unbearable Lightness of Being''. Prior to the Velvet Revolution of 1989, the communist régime in Czechoslovakia banned his books. He leads a low-profile life and rarely speaks to the media. He was thought to be a contender for the Nobel Prize in Literature, and was also a nominee for other awards. He was awarded the 1985 Jerusalem Prize, in 1987 the Austrian State Prize for European Literature, and the 2000 Herder Prize. In 2021, he received the Golden Order of Merit from the president of Slovenia, Borut Pahor. Biography Kundera was born in 1929 at Purkyňova 6 (6 Purkyně Street) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symbolist Poets
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's ''Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related Decadents of literature and of art. Etymology The term ''symbolism'' is derived from the word "symbol" which derives from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Degeneration (Max Nordau)
''Degeneration'' (''Entartung'', 1892–1893) is a book by Max Nordau which was published in two volumes. Within this work he attacks what he believed to be degenerate art and comments on the effects of a range of social phenomena of the period, such as rapid urbanization and its perceived effects on the human body. Nordau believed degeneration should be diagnosed as a mental illness because those who were deviant were sick and required therapy. These comments stemmed from his background as a trained physician, taught by the Parisian neurologist Jean-Martin Charcot. Summary Nordau begins his work with a "medical" and social interpretation of what has created this Degeneration in society. Nordau divides his study into five books. In the first book, Nordau identifies the phenomenon of fin de siècle in Europe. He sees this as first being recognised, though not originating, in France, describing this phenomenon as "a contempt for the traditional views of custom and morality". He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Degenerate Art
Degenerate art (german: Entartete Kunst was a term adopted in the 1920s by the Nazi Party in Germany to describe modern art. During the dictatorship of Adolf Hitler, German modernist art, including many works of internationally renowned artists, was removed from state-owned museums and banned in Nazi Germany on the grounds that such art was an "insult to German feeling", un-German, Freemasonic, Jewish, or Communist in nature. Those identified as degenerate artists were subjected to sanctions that included being dismissed from teaching positions, being forbidden to exhibit or to sell their art, and in some cases being forbidden to produce art. ''Degenerate Art'' also was the title of an exhibition, held by the Nazis in Munich in 1937, consisting of 650 modernist artworks chaotically hung and accompanied by text labels deriding the art. Designed to inflame public opinion against modernism, the exhibition subsequently traveled to several other cities in Germany and Austria. While m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
