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Glaze (ceramics)
Ceramic glaze is an impervious layer or coating of a vitreous substance which has been fused to a pottery body through firing. Glaze can serve to color, decorate or waterproof an item. Glazing renders earthenware vessels suitable for holding liquids, sealing the inherent porosity of unglazed biscuit earthenware. It also gives a tougher surface. Glaze is also used on stoneware and porcelain. In addition to their functionality, glazes can form a variety of surface finishes, including degrees of glossy or matte finish and color. Glazes may also enhance the underlying design or texture either unmodified or inscribed, carved or painted. Most pottery produced in recent centuries has been glazed, other than pieces in unglazed biscuit porcelain, terracotta, or some other types. Tiles are almost always glazed on the surface face, and modern architectural terracotta is very often glazed. Glazed brick is also common. Domestic sanitary ware is invariably glazed, as are many ceramics u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bottle Iran 16
A bottle is a narrow-necked container made of an impermeable material (such as glass, plastic or aluminium) in various shapes and sizes that stores and transports liquids. Its mouth, at the bottling line, can be sealed with an internal stopper, an external bottle cap, a closure, or induction sealing. Etymology First attested in 14th century. From the English word ''bottle'' derives from an Old French word ''boteille'', from vulgar Latin ''butticula'', from late Latin ''buttis'' ("cask"), a latinisation of the Greek βοῦττις (''bouttis'') ("vessel"). Types Glass Wine The glass bottle represented an important development in the history of wine, because, when combined with a high-quality stopper such as a cork, it allowed long-term aging of wine. Glass has all the qualities required for long-term storage. It eventually gave rise to "château bottling", the practice where an estate's wine is put in a bottle at the source, rather than by a merchant. Prior to this, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Potash
Potash () includes various mined and manufactured salts that contain potassium in water-soluble form.Potash USGS 2008 Minerals Yearbook The name derives from ''pot ash'', plant ashes or soaked in water in a pot, the primary means of manufacturing potash before the . The word '''' is derived from ''potash''. Potash is produced worldwide in amounts exceeding 90 million |
Faience
Faience or faïence (; ) is the general English language term for fine tin-glazed pottery. The invention of a white pottery glaze suitable for painted decoration, by the addition of an oxide of tin to the slip of a lead glaze, was a major advance in the history of pottery. The invention seems to have been made in Iran or the Middle East before the ninth century. A kiln capable of producing temperatures exceeding was required to achieve this result, the result of millennia of refined pottery-making traditions. The term is now used for a wide variety of pottery from several parts of the world, including many types of European painted wares, often produced as cheaper versions of porcelain styles. English generally uses various other terms for well-known sub-types of faience. Italian tin-glazed earthenware, at least the early forms, is called maiolica in English, Dutch wares are called Delftware, and their English equivalents English delftware, leaving "faience" as the normal te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Majolica
In different periods of time and in different countries, the term ''majolica'' has been used for two distinct types of pottery. Firstly, from the mid-15th century onwards, was ''maiolica'', a type of pottery reaching Italy from Spain, Majorca and beyond. This was made by a tin-glaze process (dip, dry, paint, fire), resulting in an opaque white glazed surface decorated with brush-painting in metal oxide enamel colour(s). During the 17th century, the English added the letter '' j'' to their alphabet. ''Maiolica'' was commonly anglicized to ''majolica'' thereafter. The second style of pottery known as ''majolica'' is the mid- to late-19th century Victorian style made by a simpler process (painting and then firing) whereby coloured lead silicate glazes were applied directly to an unfired clay mould, typically relief-moulded, resulting in brightly coloured, hard-wearing, inexpensive wares that were both useful and decorative, typically in naturalistic style. This type of majolica wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maiolica
Maiolica is tin-glazed pottery decorated in colours on a white background. Italian maiolica dating from the Renaissance period is the most renowned. When depicting historical and mythical scenes, these works were known as ''istoriato'' wares ("painted with stories"). By the late 15th century, multiple locations,L. Arnoux, 1877, British Manufacturing Industries – Pottery "Most of the Italian towns had their manufactory, each of them possessing a style of its own. Beginning at Caffagiolo and Deruta, they extended rapidly to Gubbio, Ferrara, and Ravenna, to be continued to Casteldurante, Rimini, Urbino, Florence, Venice, and many other places." mainly in northern and central Italy, were producing sophisticated pieces for a luxury market in Italy and beyond. In France maiolica developed as faience, in the Netherlands and England as delftware, and in Spain as talavera. In English the spelling was anglicised to ''majolica'' but the pronunciation usually preserved the vowel with an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hispano-Moresque Ware
Hispano-Moresque ware is a style of initially Islamic pottery created in Al-Andalus, which continued to be produced under Christian rule in styles blending Islamic and European elements. It was the most elaborate and luxurious pottery being produced in Europe until the Italian maiolica industry developed sophisticated styles in the 15th century, and was exported over most of Europe. The industry's most successful period was the 14th and 15th centuries. Around 711, the Moors conquered part of Spain. Over the following centuries, they introduced two Pottery, ceramic techniques to Europe: Ceramic glaze, glazing with an Opacity (optics), opaque white tin-glazing, tin-glaze, and lustreware, which imitates Metallic color, metallic finishes with iridescent effects. Hispano-Moresque wares use both processes, applying the paint as an overglaze which is then fired again. Lustreware was a speciality of Islamic pottery, at least partly because the use of drinking and eating vessels in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islamic Pottery
Medieval Islamic pottery occupied a geographical position between Chinese ceramics, the unchallenged leaders of Eurasian production, and the pottery of the Byzantine Empire and Europe. For most of the period it can fairly be said to have been between the two in terms of aesthetic achievement and influence as well, borrowing from China and exporting to and influencing Byzantium and Europe. The use of drinking and eating vessels in gold and silver, the ideal in ancient Rome and Persia as well as medieval Christian societies, is prohibited by the Hadiths, with the result that pottery and glass were used for tableware by Muslim elites, as pottery (but less often glass) also was in China but was much rarer in Europe and Byzantium. In the same way, Islamic restrictions greatly discouraged figurative wall-painting, encouraging the architectural use of schemes of decorative and often geometrically-patterned titles, which are the most distinctive and original specialty of Islamic cerami ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Near East
The ancient Near East was the home of early civilizations within a region roughly corresponding to the modern Middle East: Mesopotamia (modern Iraq, southeast Turkey, southwest Iran and northeastern Syria), ancient Egypt, ancient Iran ( Elam, Media, Parthia and Persis), Anatolia/Asia Minor and the Armenian highlands (Turkey's Eastern Anatolia Region, Armenia, northwestern Iran, southern Georgia, and western Azerbaijan), the Levant (modern Syria, Lebanon, Israel, Palestine, and Jordan), Cyprus and the Arabian Peninsula. The ancient Near East is studied in the fields of Ancient Near East studies, Near Eastern archaeology and ancient history. The history of the ancient Near East begins with the rise of Sumer in the 4th millennium BC, though the date it ends varies. The term covers the Bronze Age and the Iron Age in the region, until either the conquest by the Achaemenid Empire in the 6th century BC, that by the Macedonian Empire in the 4th century BC, or the Muslim conquest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tin-glazed Pottery
Tin-glazed pottery is earthenware covered in lead glaze with added tin oxide which is white, shiny and opaque (see tin-glazing for the chemistry); usually this provides a background for brightly painted decoration. It has been important in Islamic and European pottery, but very little used in East Asia. The pottery body is usually made of red or buff-colored earthenware and the white glaze imitated Chinese porcelain. The decoration on tin-glazed pottery is usually applied to the unfired glaze surface by brush with metallic oxides, commonly cobalt oxide, copper oxide, iron oxide, manganese dioxide and antimony oxide. The makers of Italian tin-glazed pottery from the late Renaissance blended oxides to produce detailed and realistic polychrome paintings. The earliest tin-glazed pottery appears to have been made in Iraq in the 9th century, the oldest fragments having been excavated during the First World War from the palace of Samarra about fifty miles north of Baghdad.Caiger-Sm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salt Glaze Pottery
Salt-glaze or salt glaze pottery is pottery, usually stoneware, with a glaze of glossy, translucent and slightly orange-peel-like texture which was formed by throwing common salt into the kiln during the higher temperature part of the firing process. Sodium from the salt reacts with silica in the clay body to form a glassy coating of sodium silicate. The glaze may be colourless or may be coloured various shades of brown (from iron oxide), blue (from cobalt oxide), or purple (from manganese oxide).''Dictionary Of Ceramics''. Arthur Dodd & David Murfin. 3rd edition. The Institute Of Minerals. 1994. History The earliest known production of salt glazed stoneware was in the Rhineland of Germany around 1400; it was effectively the only significant innovation in pottery of the European Middle Ages. Initially, the process was used on earthenware. By the 15th century, small pottery towns of the Westerwald, including Höhr-Grenzhausen, Siegburg, Köln, and Raeren in Flanders, were produ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorian Majolica
Victorian majolica properly refers to two types of majolica made in the second half of the 19th century in Europe and America. Firstly, and best known, there is the mass-produced majolica decorated with coloured lead glazes, made in Britain, Europe and the US; typically hard-wearing, surfaces moulded in relief, vibrant translucent glazes, in occasionally classical but mostly naturalistic styles, often with an element of High Victorian whimsy. Secondly, there is the much less common tin-glazed majolica made primarily by Mintons from 1848 to circa 1880, typically with flat surfaces, opaque white glaze with fine brush painted decoration in imitation of the Italian Renaissance maiolica process and styles. Glazes Glaze is a vitreous coating on a ceramic. There are four types of glazing: feldspathic or alkali-glazed, salt-glazed, lead-glazed, and tin-glazed. It is important to understand that lead oxide is the main ingredient of both lead ''and'' tin glazes. Lead oxide is a flux ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sancai
''Sancai'' ()Vainker, 75 is a versatile type of decoration on Chinese pottery using glazes or slip, predominantly in the three colours of brown (or amber), green, and a creamy off-white. It is particularly associated with the Tang Dynasty (618–907) and its tomb figures, appearing around 700. Therefore, it is commonly referred to as Tang Sancai in Chinese. Tang sancai wares were sometimes referred in China and the West as ''egg-and-spinach'' by dealers, for their use of green, yellow, and white, especially when combined with a streaked effect. The Tang Dynasty three-color glazed pottery is the treasure of ancient Chinese ceramic firing techniques. It is a kind of low-temperature glazed pottery popular in the Tang Dynasty. The glaze has yellow, green, white, brown, blue, black and other colours. The yellow, green, and white colour-based are most predominant, so people call it "Tang Sancai." Because the Tang Sancai is unearthed in Luoyang earliest and is found the most in Luoya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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