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Glass Painter
Painted glass refers to two different techniques of decorating glass, both more precisely known by other terms. Firstly, and more correctly, it means enamelled glass, normally relatively small vessels which have been painted with preparations of vitreous enamel, and then fixed by a light firing to melt them and fuse them to the glass surface. Secondly it refers to stained glass, used for windows. Here the design is made up using sheets of coloured glass, cut to shape and held in place by lead. The painting is the final stage, typically only in black. The paint is usually not fused to the flat glass by firing, but if it is, it is still called "stained glass". Glass painting or glass painter might refer to either technique, but more usually enamelled glass. It may also refer to the cinematic technique of matte painting. Notes References *Osborne, Harold (ed), ''The Oxford Companion to the Decorative Arts'', 1975, OUP, {{ISBN, 0198661134 Glass production History of glas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilded And Enamelled Mosque Lamp - Detail
Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal (most common), wood, porcelain, or stone. A gilded object is also described as "gilt". Where metal is gilded, the metal below was traditionally silver in the West, to make silver-gilt (or ''vermeil'') objects, but gilt-bronze is commonly used in China, and also called ormolu if it is Western. Methods of gilding include hand application and gluing, typically of gold leaf, chemical gilding, and electroplating, the last also called gold plating. Parcel-gilt (partial gilt) objects are only gilded over part of their surfaces. This may mean that all of the inside, and none of the outside, of a chalice or similar vessel is gilded, or that patterns or images are made up by using a combination of gilt and ungilted areas. Gilding gives an object a gold appearance at a fraction of the cost of creating a solid gold object. In addition, a solid gold piece would often be too soft or t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enamelled Glass
Enamelled glass or painted glass is glass which has been decorated with vitreous enamel (powdered glass, usually mixed with a binder) and then fired to fuse the glasses. It can produce brilliant and long-lasting colours, and be translucent or opaque. Unlike most methods of decorating glass, it allows painting using several colours, and along with glass engraving, has historically been the main technique used to create the full range of image types on glass. All proper uses of the term "enamel" refer to glass made into some flexible form, put into place on an object in another material, and then melted by heat to fuse them with the object. It is called vitreous enamel or just "enamel" when used on metal surfaces, and "enamelled" overglaze decoration when on pottery, especially on porcelain. Here the supporting surface is glass. All three versions of the technique have been used to make brush-painted images, which on glass and pottery are the normal use of the technique. Enam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vitreous Enamel
Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between . The powder melts, flows, and then hardens to a smooth, durable vitreous coating. The word comes from the Latin , meaning "glass". Enamel can be used on metal, glass, ceramics, stone, or any material that will withstand the fusing temperature. In technical terms fired enamelware is an integrated layered composite of glass and another material (or more glass). The term "enamel" is most often restricted to work on metal, which is the subject of this article. Essentially the same technique used with other bases is known by different terms: on glass as ''enamelled glass'', or "painted glass", and on pottery it is called ''overglaze decoration'', "overglaze enamels" or "enamelling". The craft is called "enamelling", the artists "enamellers" and the objects produced can be called "enamels". Enamelling is an old and widely adopted technology, for mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stained Glass
Stained glass is coloured glass as a material or works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and ''objets d'art'' created from foil glasswork exemplified in the famous lamps of Louis Comfort Tiffany. As a material ''stained glass'' is glass that has been coloured by adding metallic salts during its manufacture, and usually then further decorating it in various ways. The coloured glass is crafted into ''stained glass windows'' in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead and supported by a rigid frame. Painte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matte Painting
A matte painting is a painting, painted representation of a landscape, set (film and TV scenery), set, or distant location that allows filmmaking, filmmakers to create the illusion of an environment that is not present at the filming location. Historically, matte painters and film technicians have used various techniques to combine a matte-painted image with live-action footage (compositing). At its best, depending on the skill levels of the artists and technicians, the effect is "seamless" and creates environments that would otherwise be impossible or expensive to film. In the scenes, the painting part is static while movements are integrated on it. Background Traditionally, matte paintings were made by artists using paints or pastels on large sheets of glass for integrating with the live-action footage. The first known matte painting shot was made in 1907 by Norman Dawn American Society of Cinematographers, (ASC), who improvised the crumbling California Missions by painting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glass Production
Glass production involves two main methods – the float glass process that produces sheet glass, and glassblowing that produces bottles and other containers. It has been done in a variety of ways during the history of glass. Glass container production Broadly, modern glass container factories are three-part operations: the "batch house", the "hot end", and the "cold end". The batch house handles the raw materials; the hot end handles the manufacture proper—the forehearth, forming machines, and annealing ovens; and the cold end handles the product-inspection and packaging equipment. Batch processing system (batch house) Batch processing is one of the initial steps of the glass-making process. The batch house simply houses the raw materials in large silos (fed by truck or railcar), and holds anywhere from 1–5 days of material. Some batch systems include material processing such as raw material screening/sieve, drying, or pre-heating (i.e. cullet). Whether automated or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Glass
The history of glass-making dates back to at least 3,600 years ago in Mesopotamia. However, some writers claim that they may have been producing copies of glass objects from ancient Egypt, Egypt. Other archaeological evidence suggests that the first true glass was made in coastal north Syria, Mesopotamia or Egypt. The earliest known glass objects, of the mid 2,000 BCE, were beads, perhaps initially created as the accidental by-products of Metalworking, metal-working (slags) or during the production of Egyptian faience, faience, a pre-glass Lustre (mineralogy)#Vitreous lustre, vitreous material made by a process similar to Ceramic glaze, glazing. Glass products remained a luxury until the Late Bronze Age collapse, disasters that overtook the late Bronze Age civilizations seemingly brought glass-making to a halt. Development of glass technology in India may have begun in 1,730 BCE. In Ancient Chinese glass, Ancient China, glass-making had a later start compared to ceramics and meta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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