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Gharanas
In Hindustani music (North Indian classical music), a ''gharānā'' is a system of social organisation in the Indian subcontinent, linking musicians or dancers by lineage or apprenticeship, and more importantly by adherence to a particular musical style. The word gharana comes from the Hindi word 'ghar' which is derived from the Sanskrit word ''Griha'', which means 'house'. It typically refers to the place where the musical ideology originated; for example, some of the gharanas well known for singing khyals are: Dilli(Delhi), Agra, Gwalior, Indore, Atrauli-Jaipur, Kirana and Patiala. Four famous kathak gharanas are: Lucknow, Atrauli-Jaipur, Benares and Raigarh. Vocal gharanas Khyal gharanas The gharana system in khyal was rooted in the ''guru–shishya tradition'' and was similar to the Dhrupad ''Bani'' system. The gharana system was greatly influenced by the gradual fall of the Mughal Empire, which forced musicians to move from Delhi to princely states such as Gwalior, Luc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qawwal Bacchon Gharana
The Qawwal Bacchon Ka Gharana or Delhi Gharana is the oldest khayal gharana of the Hindustani Classical music tradition. It was founded by Amir Khusrau and his students. History The members of this gharana have lived in Delhi for many generations. The gharana was founded by Amir Khusrau, pioneer of qawwali, tarana, and khayal. As a result, this gharana specializes in these genres. Style Members of this gharana approach raagdari with more freedom than the dhrupad-informed gharanas, like Gwalior, Jaipur, and Agra. Emphasis on bhav and exposition are the hallmarks of this style. Repertoire In addition to extensive khayal compositions, the gharana is known for its qawwals. Controversy Some orthodox members of the Indian subcontinental or South Asian music world don't regard the Delhi gharana as an "authentic" one because its members include a number of tabla and sarangi players. Some believe these members do not represent a truly unique musical style. Scholars note the individua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaipur-Atrauli Gharana
The Jaipur-Atrauli Gharana (also known as Jaipur Gharana, Atrauli-Jaipur Gharana, and Alladiyakhani Gayaki) is an Hindustani music apprenticeship fraternity (''gharana''), founded by Alladiya Khan in the late-19th century. Evolved from the dhrupad tradition, but known for khayal, this gharana is known for producing acclaimed musicians like Kesarbai Kerkar, Laxmibai Jadhav, Mogubai Kurdikar, Mallikarjun Mansur, Shruti Sadolikar, Dhondutai Kulkarni Consequently, this gharana developed a reputation for its distinctive vocal aesthetics, raga repertoire, and technical aptitude. History The Jaipur-Atrauli gharana emerged from Alladiya Khan's family which originated from Atrauli (near Aligarh) and migrated to Jaipur. This gharana mainly evolved from Dagar-bani of Dhrupad, however it also absorbed finer essence of Gauhar-bani and Khandar-bani. Etymology A subgroup of the broader Atrauli gharana, the Jaipur-Atrauli gharana includes "Jaipur" to account for the geographical history o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gwalior Gharana
The Gwalior Gharana (Gwalior school of classical music) is one of the oldest Khyal Gharana in Indian classical music. The rise of the Gwalior Gharana started with the reign of the Mughal emperor Akbar (1542–1605). The favourite singers of this patron of the arts, such as Miyan Tansen, who was the most famous vocalist at the court, came from the town of Gwalior. History The Gwalior Gharana evolved during the time of the Mughal Empire (1526CE 1857 CE). Among the early masters (''ustad'') were Naththan Khan, Naththan Pir Bakhsh and his grandsons Haddu, Hassu and Natthu Khan. The head musician in the imperial court was Bade Mohammad Khan, who was famous for his ''taan bazi'' style. Both Bade Mohammad Khan and Naththan Pir Bakhsh belonged to the same tradition of Shahi Sadarang (also known as Nemat Khan, dhrupad singer and veena player in the court of Mohammad Shah (1702 CE 1748 CE). Hassu Khan (died 1859 CE) and Haddu Khan (died 1875 CE) continued to develop the Gwalior style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathak
Kathak ( hi, कथक; ur, کتھک) is one of the eight major forms of Indian classical dance. It is the classical dance from of Uttar Pradesh. The origin of Kathak is traditionally attributed to the traveling bards in ancient northern India known as Kathakars or storytellers. The term Kathak is derived from the Vedic Sanskrit word which means "story", and ''Kathakar'' which means "the one who tells a story", or "to do with stories". Wandering Kathakars communicated stories from the great epics and ancient mythology through dance, songs and music. Kathak dancers tell various stories through their hand movements and extensive footwork, their body movements and flexibility but most importantly through their facial expressions. Kathak evolved during the Bhakti movement, particularly by incorporating the childhood and stories of the Hindu god Krishna, as well as independently in the courts of north Indian kingdoms. During the period of Mughal rule, the emperors were patrons of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhrupad
Dhrupad is a genre in Hindustani classical music from the Indian subcontinent. It is the oldest known style of major vocal styles associated with Hindustani classical music, Haveli Sangeet of Pushtimarg Sampraday and also related to the South Indian Carnatic tradition. It is a term of Sanskrit origin, derived from ''dhruva'' (ध्रुव, immovable, permanent) and ''pada'' (पद, verse). The roots of Dhrupad are ancient. It is discussed in the Hindu Sanskrit text ''Natyashastra'' (~200 BCE – 200 CE), and other ancient and medieval Sanskrit texts, such as chapter 33 of Book 10 in the ''Bhagavata Purana'' (~800–1000 CE), where the theories of music and devotional songs for Krishna are summarized. The term denotes both the verse form of the poetry and the style in which it is sung. It is spiritual, heroic, thoughtful, virtuous, embedding moral wisdom or solemn form of song-music combination. Thematic matter ranges from the religious and spiritual (mostly in praise of Hindu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hazrat Amir Khusrau
Abu'l Hasan Yamīn ud-Dīn Khusrau (1253–1325 AD), better known as Amīr Khusrau was an Indo-Persian culture, Indo-Persian Sufi singer, musician, poet and scholar who lived under the Delhi Sultanate. He is an iconic figure in the cultural history of the Indian subcontinent. He was a mysticism, mystic and a spiritual disciple of Nizamuddin Auliya of Delhi, India. He wrote poetry primarily in Persian language, Persian, but also in Hindustani language, Hindavi. A vocabulary in verse, the ''Ḳhāliq Bārī'', containing Arabic, Persian and Hindustani language, Hindavi terms is often attributed to him. Khusrau is sometimes referred to as the "voice of India" or "Parrot of India" (''Tuti-e-Hind''), and has been called the "father of Urdu literature." Khusrau is regarded as the "father of qawwali" (a devotional form of singing of the Sufis in the Indian subcontinent), and introduced the ghazal style of song into India, both of which still exist widely in India and Pakistan. Khusrau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miyan Samti
Miyan may refer to: * Miyan (title), a royal title of the Indian subcontinent * Miyan people The Miyan, or Mian, were an indigenous people of the state of Queensland. Name The ethnonym ''mian'' signifies 'man' in their language. Country The Miyan were a people of Central West Queensland, with, according to Norman Tindale, some of tri ..., an ethnic group of Australia * Miyan language, a language of Australia * Mian, Punjab, a village in India See also * * Mian (other) {{Disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadarang
Sadarang (1670–1748) was the pen name of the Hindustani musical composer and artist Naimat Khan, who was active in the eighteenth century. He and his nephew Adarang changed the Khayal style of Hindustani music into the form performed today. Naimat Khan composed Khyal for his disciples and he never performed Khyal. Sadarang served in the court of Mughal Emperor Muhammad Shah (ruled 1719-1748). Sadarang and Adarang remain influential in Hindustani classical music, mainly through their compositions. Salar Jung Nawwab Dargah Quli Khan, a young noble Deccani who lived in Delhi between 1738 and 1741, had the opportunity to hear Naimat Khan play the been. He wrote in ''Risala Salar Jung'' later translated as ''Muraqqa-i-Dehli'', "When he begins to play the Been, when the notes of the Been throw a spell on the world, the party enters a strange state: people begin to flutter like fish out of water (...).Na’mat Khan is acquainted with all aspects of music.Naimat Khan is considered u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adarang
Feroze Khan, who used the pen name Adarang, was a Hindustani musical composer and artist. Career Mughal Emperor Muhammad Shah patronized Adarang, who revolutionized Hindustani classical music through propagation of Khayal. In the context of Sitar the mention of Adarang deserves attention. Feroze Khan Adarang was one of the chief musicians in the royal court and is considered as the first musician who introduced sitar in the 18th century through the Delhi court. Nawab Dargha Quli Khan's description of his mehfils in Muraqqa-e-Dehli is taken as the earliest mention yet found of Sitar in Northern India. Later Sadullah Khan the son of Ali Mohammed Khan used to invite Adarang to Aonla for musical conferences.Tareekh-e-Rohilla by Nafees Siddiqui Personal life Adarang was the nephew and son-in-law of Sadarang. He was the son of Naubat Khan II. Adarang was the descendant of Naubat Khan and Hussaini (Tansen Tansen ( – 26 April 1589), also referred to and commonly known as Sange ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanras Khan
Qutub Baksh, more commonly known as Tanras Khan (c. 1801 – c. 1890), was an Indian musician of the Hindustani Classical tradition known for being a luminary of the Delhi Gharana.(House of Delhi classical musicians).Tanrus Khan - founder of the original Delhi gharana on 'The Life of Music in North India: The Organisation of an Artistic Tradition' by Daniel M. Neuman on GoogleBooks website Retrieved 14 January 2022 He was a court musician and music teacher to the last Mughal emperor |
Miyan Achpal
Miyan may refer to: * Miyan (title), a royal title of the Indian subcontinent * Miyan people The Miyan, or Mian, were an indigenous people of the state of Queensland. Name The ethnonym ''mian'' signifies 'man' in their language. Country The Miyan were a people of Central West Queensland, with, according to Norman Tindale, some of tri ..., an ethnic group of Australia * Miyan language, a language of Australia * Mian, Punjab, a village in India See also * * Mian (other) {{Disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qawwali
Qawwali ( Punjabi: (Shahmukhi), (Gurmukhi); Urdu: (Nasta'liq); Hindi: क़व्वाली (Devanagari); Bengali: কাওয়ালি (Bengali)) is a form of Sufi Islamic devotional singing, originating from the Indian subcontinent. It is popular mostly in the Punjab and Sindh regions of Pakistan; in Hyderabad, Delhi and other parts of India, especially North India; as well as the Dhaka and Chittagong Divisions of Bangladesh. Originally performed at Sufi shrines or dargahs throughout South Asia, it gained mainstream popularity and an international audience in late 20th century. Qawwali music received international exposure through the work of Nusrat Fateh Ali Khan, Aziz Mian and Sabri Brothers largely due to several releases on the Real World label, followed by live appearances at WOMAD festivals. Other famous Qawwali singers include Fareed Ayyaz & Abu Muhammad, Rahat Fateh Ali Khan, Badar Miandad, Rizwan & Moazzam Duo, Qutbi Brothers, the late Amjad Sabri, Wad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
