Freelensing
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Freelensing
Freelensing is a photography technique used with interchangeable lens cameras in both film-based and digital photography. The lens is detached from the camera and held in front of the lens mount by hand during exposure. This allows the lens to be tilted or shifted creating a similar effect to a perspective control or "Tilt-Shift" lens, only with a lower degree of fidelity. The result is a combination of selective focus and light leakage which are used creatively to create surreal imagery. Because of the increase in flange focal distance, this technique is most successful with closeup or macro photography, where infinity focus is not essential. The lens used does not necessarily have to be native to the brand of camera, since it is not physically attached to it. In addition, the lens may also be reversed for macro photography. By shooting through a normal to wide-angle lens backwards, increased magnification can be achieved. One of the by-products of freelensing is the introduction o ...
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Lens Mount
A lens mount is an interface – mechanical and often also electrical – between a photographic camera body and a lens. It is a feature of camera systems where the body allows interchangeable lenses, most usually the rangefinder camera, single lens reflex type, single lens mirrorless type or any movie camera of 16 mm or higher gauge. Lens mounts are also used to connect optical components in instrumentation that may not involve a camera, such as the modular components used in optical laboratory prototyping which join via C-mount or T-mount elements. Mount types A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock (friction lock) type. Modern still camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body. Screw-threaded mounts are fragile and do not align the lens in a reliable rotational position, yet types such as the C-mount interface are still widely in us ...
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Flange Focal Distance
For an interchangeable lens camera, the flange focal distance (FFD) (also known as the flange-to-film distance, flange focal depth, flange back distance (FBD), flange focal length (FFL), back focus or register, depending on the usage and source) of a lens mount system is the distance from the mounting flange (the interlocking metal rings on the camera and the rear of the lens) to the film or image sensor plane. This value is different for different camera systems. The range of this distance, which will render an image clearly in focus within all focal lengths, is usually measured to a precision of hundredths of millimetres, and is not to be confused with depth of field. Lenses can be adapted from one mount (and respective FFD) to another. FFD determines whether infinity focus can be accomplished with a simple non-optical adapter. Optics to correct for distance introduce more cost and can lower image quality, so non-optical lens adapters are preferred. A simple non-optical ada ...
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Infinity Focus
In optics and photography, infinity focus is the state where a lens or other optical system forms an image of an object an infinite distance away. This corresponds to the point of focus for parallel rays. The image is formed at the focal point of the lens. In simple two lens systems such as a refractor telescope, the object at infinity forms an image at the focal point of the objective lens, which is subsequently magnified by the eyepiece. The magnification is equal to the focal length of the objective lens divided by the focal length of the eyepiece. In practice, not all photographic lenses are capable of achieving infinity focus by design. A lens used with an adapter for close-up focusing, for example, may not be able to focus to infinity. Failure of the human eye to achieve infinity focus is diagnosed as myopia. All optics are subject to manufacturing tolerances; even with perfect manufacture, optical trains experience thermal expansion. Focus mechanisms must accommodate p ...
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Macro Photography
Macro photography (or photomacrography or macrography, and sometimes macrophotography) is extreme close-up photography, usually of very small subjects and living organisms like insects, in which the size of the subject in the photograph is greater than life size (though ''macrophotography'' also refers to the art of making very large photographs). By the original definition, a macro photograph is one in which the size of the subject on the negative or image sensor is life size or greater. In some senses, however, it refers to a finished photograph of a subject that is greater than life size. The ratio of the subject size on the film plane (or sensor plane) to the actual subject size is known as the reproduction ratio. Likewise, a macro lens is classically a lens capable of reproduction ratios of at least 1:1, although it often refers to any lens with a large reproduction ratio, despite rarely exceeding 1:1. Apart from technical photography and film-based processes, where the s ...
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Holga
The Holga is a medium format 120 film camera, made in Hong Kong, known for its low-fidelity aesthetic. The Holga's low-cost construction and simple meniscus lens A lens is a transmissive optical device which focuses or disperses a light beam by means of refraction. A simple lens consists of a single piece of transparent material, while a compound lens consists of several simple lenses (''elements'') ... often yields pictures that display vignetting, Focus (optics), blur, light leaks and other distortion (optics), distortions. The camera's limitations have brought it a cult following among some photographers, and Holga photos have won awards and competitions in fine art photography, art and photojournalism, news photography. As of July 2017, the camera is in production after being unavailable for two years. History The Holga camera was designed by Lee Ting-mo in 1982. It first appeared in 1982 in British Hong Kong. At the time, 120 film, 120 roll film in black-and-whit ...
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Diana (camera)
The Diana camera is a plastic-bodied toy camera that uses 120 roll film and 35 mm film. The camera has a simple plastic meniscus lens. Originally marketed as an inexpensive novelty gift item, the Diana has been used to specifically take soft focus, impressionistic photographs somewhat reminiscent of the Pictorialist Period of artistic photography, branded in contemporary times as Lomography. The Diana frequently suffers from light leaks, film advance issues, and other problems. However, its low-quality plastic lens has been celebrated for its artistic effects in photographs, normally resulting in a slightly blurred composition that can provide a 'dreamlike' quality to the print. History The Diana first appeared during the early 1960s as an inexpensive box camera sold by the ''Great Wall Plastic Factory'' of Kowloon, Hong Kong.Featherstone, p. 5 Most were exported to the United States and the United Kingdom. In the United States, the Diana was imported by the ''Power Sales Comp ...
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Single-lens Reflex Camera
A single-lens reflex camera (SLR) is a camera that typically uses a mirror and prism system (hence "reflex" from the mirror's reflection) that permits the photographer to view through the lens and see exactly what will be captured. With twin lens reflex and rangefinder cameras, the viewed image could be significantly different from the final image. When the shutter button is pressed on most SLRs, the mirror flips out of the light path, allowing light to pass through to the light receptor and the image to be captured. History File:Hasselblad 1600F.jpg, Medium format SLR by Hasselblad (Model 1600F), Sweden File:Zenza BRONICA S2 with ZENZANON 100mm F2.8.JPG, Medium format SLR by Bronica (Model S2), Japan. Bronica's later model—the Bronica EC—was the first medium format SLR camera to use an electrically operated focal-plane shutter File:Asahiflex600.jpg, The 1952 (Pentax) Asahiflex, Japan's first single-lens reflex camera. File:Contaflex BW 2.JPG, The Contaflex III a single- ...
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Digital Single-lens Reflex Camera
A digital single-lens reflex camera (digital SLR or DSLR) is a digital camera that combines the optics and the mechanisms of a single-lens reflex camera with a digital imaging sensor. The reflex design scheme is the primary difference between a DSLR and other digital cameras. In the reflex design, light travels through the lens and then to a mirror that alternates to send the image to either a prism, which shows the image in the viewfinder, or the image sensor when the shutter release button is pressed. The viewfinder of a DSLR presents an image that will not differ substantially from what is captured by the camera's sensor as it presents it as a direct optical view through the main camera lens, rather than showing an image through a separate secondary lens. DSLRs largely replaced film-based SLRs during the 2000s. Major camera manufacturers began to transition their product lines away from DSLR cameras to mirrorless interchangeable-lens cameras (MILC) beginning in the 2010s ...
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Mirrorless Interchangeable-lens Camera
A mirrorless camera is a photo camera featuring a single, removable lens and a digital display. The camera does not have a reflex mirror or optical viewfinder like a digital single-lens reflex (DSLR) camera, but may have an electronic viewfinder. Many mirrorless cameras retain a mechanical shutter. Like a DSLR, a mirrorless camera accepts any of a series of interchangeable lenses compatible with its lens mount. Terminology Mirrorless cameras are sometimes referred to as mirrorless interchangeable-lens cameras (MILC), or digital single-lens mirrorless (DSLM) cameras. This latter name highlights their connection to DSLRs. Other terms include electronic viewfinder interchangeable lens (EVIL) cameras and compact system cameras (CSCs). Overview Mirrorless cameras are mechanically simpler than DSLR cameras, and are smaller, lighter, and quieter due to the elimination of the moving mirror. While nearly all mirrorless cameras have a mechanical shutter, many also have an electr ...
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