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Formline Art
Formline art is a feature in the indigenous art of the Northwest Coast of North America, distinguished by the use of characteristic shapes referred to as ''ovoids'', ''U forms'' and ''S forms''. Coined by Bill Holm in his 1965 book ''Northwest Coast Indian Art: An Analysis of Form'', the "formline is the primary design element on which Northwest Coast art depends, and by the turn of the 20th century, its use spread to the southern regions as well. It is the positive delineating force of the painting, relief and engraving. Formlines are continuous, flowing, curvilinear lines that turn, swell and diminish in a prescribed manner. They are used for figure outlines, internal design elements and in abstract compositions." History After European contact in the late 18th century, the peoples who produced Northwest Coast art suffered huge population losses due to diseases such as smallpox, and cultural losses due to forced assimilation into European-North American culture, Canadian colo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raven Screen Detail 01
A raven is any of several larger-bodied bird species of the genus ''Corvus''. These species do not form a single taxonomic group within the genus. There is no consistent distinction between "crows" and "ravens", common names which are assigned to different species chiefly on the basis of their size. The largest raven species are the common raven and the thick-billed raven. Etymology The term "raven" originally referred to the common raven (''Corvus corax''), the type species of the genus ''Corvus'', which has a larger distribution than any other species of ''Corvus'', ranging over much of the Northern Hemisphere. The modern English word ''raven'' has cognates in all other Germanic languages, including Old Norse (and subsequently modern Icelandic) and Old High German , all of which descend from Proto-Germanic . Collective nouns for a group of ravens (or at least the common raven) include "rave", "treachery", "unkindness" and "conspiracy". In practice, most people use the mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heiltsuk
The Heiltsuk or Haíɫzaqv , sometimes historically referred to as ''Bella Bella'', are an Indigenous people of the Central Coast region in British Columbia, centred on the island community of Bella Bella. The government of the Heiltsuk people is the Heiltsuk Nation, though the term is also used to describe the community. Its largest community is Bella Bella. They should not be confused with the Salish-speaking Nuxalk (Nuxalkmc) peoples ("People of Bella Coola Valley (Nuxalk)"), who were formerly usually called Bella Coola, an Anglicization of the Heiltsuk term Bíbḷxvḷá (singular: Bḷ́xvḷá, meaning: "stranger"). History Ancestors of the Heiltsuk (Haíɫzaqv) have been in the Central Coast region of British Columbia since at least 7190 BCE. The Heiltsuk (Haíɫzaqv) are the main descendants of Haíɫzaqvḷa(Heiltsuk)-speaking people and identify as being from one or more of five tribal groups: W̓úyalitx̌v (Wuyalitxv) (Seaward Tribe or Seaward Division; outsid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indigenous Art In Canada
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Indigenous may refer to: *Indigenous peoples *Indigenous (ecology), presence in a region as the result of only natural processes, with no human intervention *Indigenous (band), an American blues-rock band *Indigenous (horse), a Hong Kong racehorse * ''Indigenous'' (film), Australian, 2016 See also *Disappeared indigenous women *Indigenous Australians *Indigenous language *Indigenous religion *Indigenous peoples in Canada *Native (other) Native may refer to: People * Jus soli, citizenship by right of birth * Indigenous peoples, peoples with a set of specific rights based on their historical ties to a particular territory ** Native Americans (other) In arts and enterta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canadian Art Movements
Canadians (french: Canadiens) are people identified with the country of Canada. This connection may be residential, legal, historical or cultural. For most Canadians, many (or all) of these connections exist and are collectively the source of their being ''Canadian''. Canada is a multilingual and multicultural society home to people of groups of many different ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. Following the initial period of French and then the much larger British colonization, different waves (or peaks) of immigration and settlement of non-indigenous peoples took place over the course of nearly two centuries and continue today. Elements of Indigenous, French, British, and more recent immigrant customs, languages, and religions have combined to form the culture of Canada, and thus a Canadian identity. Canada has also been strongly influenced by its linguistic, geographic, and e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burke Museum Of Natural History And Culture
The Burke Museum of Natural History and Culture (Burke Museum) is a natural history museum in Seattle, Washington, in the United States. Established in 1899 as the Washington State Museum, it traces its origins to a high school naturalist club formed in 1879. The museum is the oldest in Washington state and boasts a collection of more than 16 million artifacts, including the world's largest collection of spread bird wings. Located on the campus of the University of Washington, the Burke Museum is the official state museum of Washington. History Young Naturalists Society The roots of the Burke Museum can be traced to a natural history club formed by high school students in the 19th century. The group was formed in December 1879 by students Edmond S. Meany, J. O. Young, P. Brooks Randolph, and Charles Denny. Denny's father, city founder Arthur Denny, was a regent of the Territorial University of Washington and arranged for the group to meet on campus. The Young Naturalists adop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Reid
William Ronald Reid Jr. (12 January 1920 – 13 March 1998) ( Haida) was a Canadian artist whose works include jewelry, sculpture, screen-printing, and paintings. Producing over one thousand original works during his fifty-year career, Reid is regarded as one of the most significant Northwest Coast artists of the late twentieth century. He was a matrilineal descendant of K'aadaas Gaa K'iigawaay, who belong to K_ayx_al, the Raven matrilineages of the Haida Nation. This matrilineage traces its origins to T'aanuu Llnagaay. His names are Iihljiwaas (Princely One), Kihlguulins (One Who Speaks Well), and Yaahl SG_waansing (Solitary Raven). Some of his major works were featured on the Canadian $20 banknote of the Canadian Journey series (2004–2012). Biography Early years William Ronald Reid Jr., was born in Victoria, British Columbia; his father was American William Ronald Reid Sr., of Scottish-German descent and his mother, Sophie Gladstone Reid, was from the Kaadaas gaah ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mungo Martin
Chief Mungo Martin or ''Nakapenkem'' (lit. ''Potlatch chief "ten times over"''), ''Datsa'' (lit. ''"grandfather"''), was an important figure in Northwest Coast Art, Northwest Coast style art, specifically that of the Kwakwaka'wakw Aboriginal peoples in Canada, Aboriginal people who live in the area of British Columbia and Vancouver Island. He was a major contributor to Kwakwaka'wakw art, especially in the realm of wood sculpture and painting. He was also known as a singer and songwriter. Personal life Martin was born in 1879 in Fort Rupert, British Columbia, to parents of the Kwakwaka'wakw First Nations in Canada, Nation. He was the son of Yaxnukwelas, a high-ranking native from Gilford Island. His mother was Q'omiga, also known by her English name, Sarah Finlay, who was the mixed-race daughter of a Kwakwaka'wakw woman and a Scottish people, Scottish man working with the Hudson's Bay Company. Martin's father died when he was in his teen years. His mother married ''Yakuglas,'' also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haida People
Haida (, hai, X̱aayda, , , ) are an indigenous group who have traditionally occupied , an archipelago just off the coast of British Columbia, Canada, for at least 12,500 years. The Haida are known for their craftsmanship, trading skills, and seamanship. They are thought to have frequently carried out raids and to have practised slavery. The Haida have been compared to the Vikings by Diamond Jenness, an early anthropologist at the Canadian Museum of Civilization. In Haida Gwaii, the Haida government consists of a matrix of national and regional hereditary, legislative, and executive bodies including the Hereditary Chiefs Council, the Council of the Haida Nation (CHN), Old Massett Village Council, Skidegate Band Council, and the Secretariat of the Haida Nation. The Kaigani Haida live north of the Canadian and US border which cuts through Dixon Entrance south of Prince of Wales Island ( tli, Taan) in Southeast Alaska, United States; Haida from K'iis Gwaii in the Duu Guusd regi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Northwest Coast Art
Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present. Distinguishing characteristics Two-dimensional Northwest Coast art is distinguished by the use of formlines, and the use of characteristic shapes referred to as ''ovoids'', ''U forms'' and ''S forms''. Before European contact, the most common media were wood (often Western red cedar), stone, and copper; since European contact, paper, canvas, glass, and precious metals have also been used. If paint is used, the most common colours are red and black, but yellow is also often used, particularly among Kwakwaka'wakw artists.Bill Holm, Northwest Coast Indian Art: An Analysis of Form. University of Washington Press, Seattle, 1965 Chilkat weaving applies formline de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haida Argillite Carvings
Haida argillite carvings are a sculptural tradition among the Haida indigenous nation of the Northwest Coast of North America. It first became a widespread art form in the early 19th century, and continues today. Background Argillite became a popular carving medium after the decline of the sea otter fur trade in the early 19th century. These carvings enabled Haida to trade with visiting Europeans. Argillite carvings, therefore, are commonly seen as a tourist art because they were firstly designed to be exported from the Haida community and created solely as a means of economic prosperity. As a result, argillite carvings contain imagery that encompass both Haida and European cultures. Sometimes the imagery is mixed with traditional Haida forms melding with European styles. Often in argillite carvings, traditional Haida images are confused so that they lose their important cultural meanings. This ensured that culturally symbolic imagery was not being used as a means of econom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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