Folk Dance Of Mexico
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Folk Dance Of Mexico
Folk dance of Mexico, commonly known as baile folklorico or Mexican ballet folk dance, is a term used to collectively describe traditional Mexican folk dances. Ballet folklórico is not just one type of dance, it encompasses each region's traditional dance that has been influenced by their local folklore and has been entwined with ballet characteristics to be made into a theatrical production. Each dance represents a different region in Mexico illustrated through their different zapateado, footwork, having differing stomps or heel toe points, and choreography that imitates animals from their region such as horses, iguanas, and vultures. History Mexico's modern folk dance tradition is a blending of elements from its Indigenous, African, and European heritage. Before the arrival of the Spanish, indigenous dance developed with strong ties to the religious practices. For the Aztecs, there were two levels of dance, one for the common people, often related to the agricultural cycle and ...
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Folkloric Dance Of Jalisco, Mexico In Puerto Vallarta
Folklore is shared by a particular group of people; it encompasses the traditions common to that culture, subculture or group. This includes oral traditions such as tales, legends, proverbs and jokes. They include material culture, ranging from traditional building styles common to the group. Folklore also includes customary lore, taking actions for folk beliefs, the forms and rituals of celebrations such as Christmas and weddings, folk dances and initiation rites. Each one of these, either singly or in combination, is considered a folklore artifact or traditional cultural expression. Just as essential as the form, folklore also encompasses the transmission of these artifacts from one region to another or from one generation to the next. Folklore is not something one can typically gain in a formal school curriculum or study in the fine arts. Instead, these traditions are passed along informally from one individual to another either through verbal instruction or demonstration. ...
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Zambra
''Zambra'' (), (from Andalusi Arabic ''zamra'', originally from classical Arabic ''zamr'') is a style of flamenco dance, typical of the Roma of the provinces of Granada and Almería (Andalusia, Spain). It is believed that the zambra is a continuation of earlier Morisco styles of dance. It became typical during wedding ceremonies, although nowadays it is particularly commonly danced for tourists in the caves of Sacromonte (Granada) and in the caves of Almería. In modern times, it has been espoused by flamenco dancers Carmen Amaya and Lola Flores Lola may refer to: Places * Lolá, a or subdistrict of Panama * Lola Township, Cherokee County, Kansas, United States * Lola Prefecture, Guinea * Lola, Guinea, a town in Lola Prefecture * Lola Island, in the Solomon Islands People * Lola .... It is danced barefoot with finger cymbals; the blouse is tied under the bust and the skirt is very tight around the hips, then flares out and has a ruffle at the end. References Zambra ...
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Ecuador
Ecuador ( ; ; Quechua: ''Ikwayur''; Shuar: ''Ecuador'' or ''Ekuatur''), officially the Republic of Ecuador ( es, República del Ecuador, which literally translates as "Republic of the Equator"; Quechua: ''Ikwadur Ripuwlika''; Shuar: ''Ekuatur Nunka''), is a country in northwestern South America, bordered by Colombia on the north, Peru on the east and south, and the Pacific Ocean on the west. Ecuador also includes the Galápagos Islands in the Pacific, about west of the mainland. The country's capital and largest city is Quito. The territories of modern-day Ecuador were once home to a variety of Indigenous groups that were gradually incorporated into the Inca Empire during the 15th century. The territory was colonized by Spain during the 16th century, achieving independence in 1820 as part of Gran Colombia, from which it emerged as its own sovereign state in 1830. The legacy of both empires is reflected in Ecuador's ethnically diverse population, with most of its mill ...
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Argentina
Argentina (), officially the Argentine Republic ( es, link=no, República Argentina), is a country in the southern half of South America. Argentina covers an area of , making it the second-largest country in South America after Brazil, the fourth-largest country in the Americas, and the eighth-largest country in the world. It shares the bulk of the Southern Cone with Chile to the west, and is also bordered by Bolivia and Paraguay to the north, Brazil to the northeast, Uruguay and the South Atlantic Ocean to the east, and the Drake Passage to the south. Argentina is a federal state subdivided into twenty-three provinces, and one autonomous city, which is the federal capital and largest city of the nation, Buenos Aires. The provinces and the capital have their own constitutions, but exist under a federal system. Argentina claims sovereignty over the Falkland Islands, South Georgia and the South Sandwich Islands, and a part of Antarctica. The earliest recorded human prese ...
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Guadalajara, Mexico
Guadalajara ( , ) is a metropolis in western Mexico and the capital of the state of Jalisco. According to the 2020 census, the city has a population of 1,385,629 people, making it the 7th largest city by population in Mexico, while the Guadalajara metropolitan area has a population of 5,268,642 people, making it the third-largest metropolitan area in the country and the twentieth largest metropolitan area in the Americas Guadalajara has the second-highest population density in Mexico, with over 10,361 people per square kilometer. Within Mexico, Guadalajara is a center of business, arts and culture, technology and tourism; as well as the economic center of the Bajío region. It usually ranks among the 100 most productive and globally competitive cities in the world. It is home to numerous landmarks, including Guadalajara Cathedral, the Teatro Degollado, the Templo Expiatorio, the UNESCO World Heritage site Hospicio Cabañas, and the San Juan de Dios Market—the largest indoor m ...
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Amalia Hernández
Amalia Hernández Navarro (September 19, 1917 – November 4, 2000) was a Mexican ballet choreographer and founder of the world-renowned Ballet Folklórico de México. Hernández was born to the military officer and politician Lamberto Hernández and his wife Amalia Navarro. She was a pioneer in developing Baile Folklorico, and in 1952, Hernández founded the Mexican Folkloric Ballet with only 8 dancers. By 1959, the ensemble had grown to 60 performers. It was commissioned to represent Mexico at the Pan American Games in Chicago, Illinois, in 1959. Hernández created over 60 choreographies in her lifetime. Since 1960, Hernández's Ballet Folklórico de México has performed without interruption Sunday mornings and Wednesday evenings at the Palace of Fine Arts in Mexico City. Additionally, she founded the Folkloric Ballet School in Mexico City. Her brother, architect Agustín Hernández Navarro, designed the building in 1968. Biography Born in Mexico City on September 19, 191 ...
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Ballet Folklórico De México
Ballet Folklórico de México is a Mexican folkloric ensemble in Mexico City. For six decades it has presented dances in costumes that reflect the traditional culture of Mexico. The ensemble has appeared under the name ''Ballet Folklórico de México de Amalia Hernández.'' History From the group's founding by Amalia Hernández in 1952, the group grew from eight performers to a fifty piece ensemble by the end of the decade. In 1959 the group officially represented Mexico at the Pan American Games in Chicago, United States. In 1963 Guillermo Keys-Arenas was the Assistant to the Director of Ballet Folklórico de México, while in 1969 he was its Artistic Coordinator. Performances The music and dances reflect various regions of Mexico. Many of the ensemble's works reflect the traditions of indigenous Mesoamerican culture. Numbers of performers in individual dance numbers range from two to over thirty-five. Under Amalia Hernández the group was a pioneer of folk dance of M ...
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Porfirio Díaz
José de la Cruz Porfirio Díaz Mori ( or ; ; 15 September 1830 – 2 July 1915), known as Porfirio Díaz, was a Mexican general and politician who served seven terms as President of Mexico, a total of 31 years, from 28 November 1876 to 6 December 1876, 17 February 1877 to 1 December 1880 and from 1 December 1884 to 25 May 1911. The entire period from 1876 to 1911 is often referred to as Porfiriato and has been characterized as a ''de facto'' dictatorship. A veteran of the War of the Reform (1858–1860) and the French intervention in Mexico (1862–1867), Díaz rose to the rank of general, leading republican troops against the French-backed rule of Maximilian I. He subsequently revolted against presidents Benito Juárez and Sebastián Lerdo de Tejada on the principle of no re-election. Díaz succeeded in seizing power, ousting Lerdo in a coup in 1876, with the help of his political supporters, and was elected in 1877. In 1880, he stepped down and his political ally Manuel ...
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La Cucaracha
La Cucaracha ("The Cockroach") is a popular Mexican folk song about a cockroach who cannot walk. The song's origins are unclear, but it dates back at least to the 1910s during the Mexican Revolution. The song belongs to the Mexican genre. The song's melody is widely known and there are many alternative stanzas. Structure The song consists of verse-and-refrain (strophe-antistrophe) pairs, with each half of each pair consisting of four lines featuring an ABCB rhyme scheme. Refrain The song's earliest lyrics, from which its name is derived, concern a cockroach that has lost one of its six legs and struggles to walk with the remaining five. The cockroach's uneven, five-legged gait is imitated by the song's original, 5/4 meter, formed by removing one upbeat (corresponding to the missing sixth leg) from the second half of a 6/4 measure: :''La ''cu''-ca- , ''ra''-''cha'', la ''cu''-ca-''ra''-''cha :, ya ''no ''pue''-de ''ca''-mi-''nar :''por-''que'' no , ''tie''-''ne'', por-''qu ...
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La Valentina (corridor)
La Valentina may refer to: *La Valentina (corrido), "La Valentina" (corrido), revolutionary ballad *La Valentina (1938 film), ''La Valentina'' (1938 film), starring Jorge Negrete and Esperanza Baur *La Valentina (1966 film), ''La Valentina'' (1966 film), starring María Félix and Eulalio González *''Pancho Villa y la Valentina'' (1960 film), starring Pedro Armendáriz and Elsa Aguirre {{disambig ...
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La Adelita
"La Adelita" is one of the most famous '' corridos'' of the Mexican Revolution. Over the years, it has had many adaptations. This particular version of the ballad was inspired by a Durangan woman who joined the Maderista movement in the early stages of the Revolution and fell in love with Madero. She became a popular icon and the source who documented the role of women in the Mexican Revolution; she gradually became synonymous with the term '' soldadera'' female soldiers who became a vital force in the Revolutionary War efforts due to their participation in the battles against Mexican government forces. Today, it is argued that Adelita came to be an archetype of a woman warrior in Mexico, and a symbol of action and inspiration. Additionally, the name is used to refer to any woman who struggles and fights for her rights. However, the song, the portrait, and the role of its subject have been given different, often conflicting, interpretations. It has also been argued that "'La A ...
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