Folk Dance
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Folk Dance
A folk dance is a dance that reflects the life of the people of a certain country or region. Not all ethnic dances are folk dances. For example, ritual dances or dances of ritual origin are not considered to be folk dances. Ritual dances are usually called "Religious dances" because of their purpose. The terms "ethnic" and "traditional" are used when it is required to emphasize the cultural roots of the dance. In this sense, nearly all folk dances are ethnic ones. If some dances, such as polka, cross ethnic boundaries and even cross the boundary between "folk" and "ballroom dance", ethnic differences are often considerable enough to mention. Background Folk dances share some or all of the following attributes: *Dances are usually held at folk dance gatherings or social functions by people with little or no professional training, often to traditional music. *Dances not generally designed for public performance or the stage, though they may later be arranged and set for stage ...
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17 Years Of Sekar Jepun 2014-11-01 18
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *'' Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christ ...
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Gankino Horo
Gankino horo ( bg, Ганкино хоро, lit=Ganka’s dance) is a Bulgarian folk dance written in 11 (undecuple) = 2+2+3+2+2 time (typically or ) similar to kopanitsa or krivo horo. The name ''gankino'' seems to be used mostly in northern Bulgaria. The basic gankino horo is a three-measure dance using the step structure also common in the dances: Dunavsko (Danubian Pravo), Povarnoto (also known as Devetorka in North Macedonia) and Eleno Mome. The three measures comprise a seven-step grapevine, starting right foot to the right, L cross in front — two measures. The third measure is a three-step grapevine to the left: left steps left, R cross in back. L to the L. See also *Bulgarian dances Bulgarian folk dances are intimately related to the music of Bulgaria. This distinctive feature of Balkan folk music is the asymmetrical meter, built up around various combinations of 'quick' and 'slow' beats. The music, in Western musical notat ... External links Audio file of Gankino ...
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Irish Dance
Irish dance refers to a group of traditional dance forms that originate in Ireland, encompassing dancing both solo and in groups, and dancing for social, competitive, and performance purposes. Irish dance in its current form developed from various influences such as earlier native Irish dance, English country dancing and later possibly French quadrilles, as it became popular in Britain and Ireland during the 19th century. Dance was taught by "travelling dance masters" across Ireland in the 17th and 18th centuries, and separate dance forms developed according to regional practice and differing purposes. Irish dance became a significant part of Irish culture, particularly for Irish nationalist movements. From the early 20th century, a number of organisations promoted and codified the various forms of dance, creating competitive structures and standardised styles. Irish dancers who compete for competitive reasons dance in a dance style that is more modern than traditional Irish da ...
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International Folk Dance
International folk dance includes Balkan dance, Middle Eastern dance, contra dance, Hungarian dance, polka, Chinese dance, and Japanese dance. Clubs featuring these ethnic dance genres are enjoyed by non-professional dancers for entertainment. Many clubs that use collections of ethnic folk dances will use the term "international folk dance" or similar in their name. History International folk dance developed in the immigrant community, communities of the United States, United States of America during the first half of the 20th century. Traditional dances such as branles, polkas, quadrilles and others have been done internationally for hundreds of years; however, the creation of international folk dance as such is often attributed to Vytautas Beliajus, a Lithuanian-American who studied, taught, and performed dances from various ethnic traditions in the 1930s. Also, in the mid 1930s, Scandinavian dancing began to take hold in non-Scandinavian communities. Clubs began to form aro ...
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Hora (dance)
Hora, also known as horo and oro, is a type of circle dance originating in Jewish communities and the Balkans but also found in other countries. Etymology The name, spelled differently in various countries, is derived from the Greek ('' khorós''): "dance" which is cognate with the Ancient Greek art form of ('' khoreía''). The original meaning of the Greek word may have been "circle". Also, the words ''hora'' and ''oro'' are found in many Slavic languages and have the meaning of "round (dance)"; the verb ''oriti'' means "to speak, sound, sing" and previously meant "to celebrate". The Greek () is cognate with Pontic Greek (), and has also given rise to the names of Bulgarian (), Macedonian (), Romanian , / in Serbo-Croatian, the Turkish form and in Hebrew (). The dance of Georgia also might be connected to the Horon dance in the neighbouring Turkish regions, as it rose out of the Adjara region, where Kartvelian Laz people co-existed for centuries with Greek Po ...
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Greek Dances
Greek dance (''choros'') is a very old tradition, being referred to by authors such as Plato, Aristotle, Plutarch and Lucian. There are different styles and interpretations from all of the islands and surrounding mainland areas. Each region formed its own choreography and style to fit in with their own ways. For example, island dances have more of a different smooth flow to them, while Pontic dancing closer to the Black Sea, is very sharp. There are over 10,000 traditional dances that come from all regions of Greece. There are also pan-Hellenic dances, which have been adopted throughout the Greek world. These include specifically the Syrtos, Kalamatianos, Pyrrhichios, Ballos and hasapiko. Traditional Greek dancing has a primarily social function. It brings the community together at key points of the year, such as Easter, the grape harvest or patronal festivals; and at key points in the lives of individuals and families, such as weddings. For this reason, tradition frequently dict ...
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Georgian Dance
Georgian dance ( ka, ქართული ცეკვა) is the traditional dance of Georgia. It stems from military moves, sports games, and dances celebrated during holidays in the Middle Ages. The dance was popularized by the founders of the Georgian National Ballet, Iliko Sukhishvili, and his wife, Nino Ramishvili, Two folk dances, Perkhuli and Khorumi, are inscribed on the Intangible Cultural Heritage of Georgia list. Types of Georgian dance Kartuli (ქართული) Kartuli dance is a romantic/wedding dance. It is performed by a dance couple. During the dance, the man is not allowed to touch the woman and must keep a certain distance from his partner. The man's upper body is motionless at all times. It shows that even in love, men must control their feelings. The man focuses his eyes on his partner as if she were the only woman in the whole world. The woman keeps her eyes downcast at all times and glides on the rough floor as a swan on the smooth surface of ...
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Freilekhs
Klezmer ( yi, קלעזמער or ) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions. The musical genre incorporated elements of many other musical genres including Ottoman (especially Greek and Romanian) music, Baroque music, German and Slavic folk dances, and religious Jewish music. As the music arrived in the United States, it lost some of its traditional ritual elements and adopted elements of American big band and popular music. Among the European-born klezmers who popularized the genre in the United States in the 1910s and 1920s were Dave Tarras and Naftule Brandwein; they were followed by American-born musicians such as Max Epstein, Sid Beckerman and Ray Musiker. After the destruction of Jewish life in Eastern Europe during the Holocaus ...
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Flamenco
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies of ...
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Fandango
Fandango is a lively partner dance originating from Portugal and Spain, usually in triple meter, traditionally accompanied by guitars, castanets, or hand-clapping. Fandango can both be sung and danced. Sung fandango is usually bipartite: it has an instrumental introduction followed by "variaciones". Sung fandango usually follows the structure of "cante" that consist of four or five octosyllabic verses (coplas) or musical phrases (tercios). Occasionally, the first copla is repeated. The meter of fandango is similar to that of the bolero and seguidilla. It was originally notated in time, of slow tempo, mostly in the minor, with a trio in the major; sometimes, however, the whole was in a major key. Later it took the 3-4 tempo, and the characteristic Spanish rhythm. Origins The earliest fandango melody is found in the anonymous "Libro de diferentes cifras de guitarra" from 1705, and the earliest description of the dance itself is found in a 1712 letter by Martín Martí, a Span ...
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English Country Dance
A country dance is any of a very large number of social dances of a type that originated in the British Isles; it is the repeated execution of a predefined sequence of figures, carefully designed to fit a fixed length of music, performed by a group of people, usually in couples, in one or more sets. The figures involve interaction with your partner and/or with other dancers, usually with a progression so that you dance with everyone in your set. It is common in modern times to have a "caller" who teaches the dance and then calls the figures as you dance. Country dances are done in many different styles. As a musical form written in or time, the contredanse was used by Beethoven and Mozart. Introduced to South America by French immigrants, Country Dance had great influence upon Latin American music as contradanza. The ''Anglais'' (from the French word meaning "English") or ''Angloise'' is another term for the English country dance. A Scottish country dance may be termed an . ...
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Yankee Dutch Crossing
Yankee Dutch crossing is the name of a dance performed in a 4-by-4 square formation of 8 couples (16 dancers). The original version, called simply ''Dutch Crossing'', was choreographed in the English country dance style by Ernst van Brakel of the Netherlands in 1990.  In 2004, contra dance Contra dance (also contradance, contra-dance and other variant spellings) is a form of folk dancing made up of long lines of couples. It has mixed origins from English country dance, Scottish country dance, and French dance styles in the 17th c ... caller Joseph Pimentel modified the choreography in the American style, sometimes called ''Yankee Dutch crossing'' to distinguish it from the original. Any number of squares can perform the dance simultaneously. It is not normally found at monthly, bi-monthly or weekly dances. The most likely venues are multi-day dance weekends or weeks, where it is taught in sessions of one hour or longer. Description The square of 16 dancers comprises 4 p ...
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