Finding In The Temple
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Finding In The Temple
The Finding in the Temple, also called Christ among the Doctors or the Disputation (the usual names in art), was an episode in the early life of Jesus depicted in chapter 2 of the Gospel of Luke. It is the only event of the later childhood of Jesus mentioned in a gospel. Gospel account The episode is described in . Jesus at the age of twelve accompanies Mary and Joseph, and a large group of their relatives and friends to Jerusalem on pilgrimage, "according to the custom" – that is, Passover. On the day of their return, Jesus "lingered", staying in the Temple, but Mary and Joseph thought that he was among their group when he wasn't. Mary and Joseph headed back home and after a day of travel realised Jesus was missing, so they returned to Jerusalem, finding Jesus three days later. He was found in The Temple in discussion with the elders. They were amazed at his learning, especially given his young age. When admonished by Mary, Jesus replied: "How is it that you sought me? Did you ...
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Disputa Con Los Doctores (El Veronés) Grande
The ''Disputation of the Sacrament'' ( it, La disputa del sacramento), or ''Disputa'', is a painting by the Italy, Italian Renaissance artist Raphael. It was painted between 1509 and 1510 as the first part of Raphael's commission to decorate with frescoes the rooms that are now known as the Raphael Rooms, Stanze di Raffaello, in the Apostolic Palace in the Vatican City, Vatican. At the time, this room was known as the Stanza della Segnatura, and was the private papal library where the supreme papal tribunal met. Description In the painting, Raphael has created a scene spanning both heaven and earth. Above, Christ is surrounded by an aureole, flanked by the Blessed Virgin Mary and John the Baptist to his right and left (an arrangement known as the Deësis). Other various biblical figures such as Saint Peter, Peter (far left, holding keys), Adam (far left, bared chest), John the Evangelist (left, writing), David, King David (left, holding lyre), Saint Lawrence (left, wearing purple ...
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A Practical Commentary On Holy Scripture/X
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ...
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Rembrandt
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, such a ...
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Christ Among The Doctors (Dürer)
The Finding in the Temple, also called Christ among the Doctors or the Disputation (the usual names in art), was an episode in the early life of Jesus depicted in chapter 2 of the Gospel of Luke. It is the only event of the later childhood of Jesus mentioned in a gospel. Gospel account The episode is described in . Jesus at the age of twelve accompanies Mary and Joseph, and a large group of their relatives and friends to Jerusalem on pilgrimage, "according to the custom" – that is, Passover. On the day of their return, Jesus "lingered", staying in the Temple, but Mary and Joseph thought that he was among their group when he wasn't. Mary and Joseph headed back home and after a day of travel realised Jesus was missing, so they returned to Jerusalem, finding Jesus three days later. He was found in The Temple in discussion with the elders. They were amazed at his learning, especially given his young age. When admonished by Mary, Jesus replied: "How is it that you sought me? Did you ...
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High Renaissance
In art history, the High Renaissance was a short period of the most exceptional artistic production in the Italian states, particularly Rome, capital of the Papal States, and in Florence, during the Italian Renaissance. Most art historians state that the High Renaissance started around 1495 or 1500 and ended in 1520 with the death of Raphael, although some say the High Renaissance ended about 1525, or in 1527 with the Sack of Rome by the army of Charles V, Holy Roman Emperor, or about 1530 (see next section for specific art historians' positions). The best-known exponents of painting, sculpture and architecture of the High Renaissance include Leonardo da Vinci, Michelangelo, Raphael, and Bramante. In recent years, the use of the term has been frequently criticized by some academic art historians for oversimplifying artistic developments, ignoring historical context, and focusing only on a few iconic works. Origin of term The term ''High Renaissance'' was first used by Jacob ...
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Thyssen-Bornemisza Museum
The Thyssen-Bornemisza National Museum (in Spanish, the Museo Nacional Thyssen-Bornemisza (), named after its founder), or simply the Thyssen, is an art museum in Madrid, Spain, located near the Prado Museum on one of the city's main boulevards. It is known as part of the "Golden Triangle of Art", which also includes the Prado and the Reina Sofía national galleries. The Thyssen-Bornemisza fills the historical gaps in its counterparts' collections: in the Prado's case this includes Italian primitives and works from the English, Dutch and German schools, while in the case of the Reina Sofia it concerns Impressionists, Expressionists, and European and American paintings from the 20th century. With over 1,600 paintings, it was once the second largest private collection in the world after the British Royal Collection.Jonathan Kandell"Baron Thyssen-Bornemisza, Industrialist Who Built Fabled Art Collection, Dies at 81,"New York ''Times'', 28 April 2002. A competition was held to house t ...
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Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three '' Meisterstiche'' (master prints) ''Knight, Death and the Devil'' (1513), '' Sain ...
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Anti-Semitic
Antisemitism (also spelled anti-semitism or anti-Semitism) is hostility to, prejudice towards, or discrimination against Jews. A person who holds such positions is called an antisemite. Antisemitism is considered to be a form of racism. Antisemitism has historically been manifested in many ways, ranging from expressions of hatred of or discrimination against individual Jews to organized pogroms by mobs, police forces, or genocide. Although the term did not come into common usage until the 19th century, it is also applied to previous and later anti-Jewish incidents. Notable instances of persecution include the Rhineland massacres preceding the First Crusade in 1096, the Edict of Expulsion from England in 1290, the 1348–1351 persecution of Jews during the Black Death, the massacres of Spanish Jews in 1391, the persecutions of the Spanish Inquisition, the expulsion from Spain in 1492, the Cossack massacres in Ukraine from 1648 to 1657, various anti-Jewish pogroms in the Russ ...
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Montauban
Montauban (, ; oc, Montalban ) is a commune in the Tarn-et-Garonne department, region of Occitania, Southern France. It is the capital of the department and lies north of Toulouse. Montauban is the most populated town in Tarn-et-Garonne, and the sixth most populated of Occitanie behind Toulouse, Montpellier, Nîmes, Perpignan and Béziers. In 2019, there were 61,372 inhabitants, called ''Montalbanais''. The town has been classified ''Ville d’art et d’histoire'' (City of art and history) since 2015. The town, built mainly of a reddish brick, stands on the right bank of the Tarn at its confluence with the Tescou. History Montauban is the second oldest (after Mont-de-Marsan) of the ''bastides'' of southern France. Its foundation dates from 1144 when Count Alphonse Jourdain of Toulouse, granted it a liberal charter. The inhabitants were drawn chiefly from Montauriol, a village which had grown up around the neighbouring monastery of St Théodard. In the 13th century ...
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Jean-Auguste-Dominique Ingres
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassicism, Neoclassical Painting, painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romanticism (art), Romantic style. Although he considered himself a History painting, painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of Jacques-Louis David, David. In 1802 he made his Paris Salon, Salon debut, and won the Prix de Rome for his painting ''The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Rom ...
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Dais
A dais or daïs ( or , American English also but sometimes considered nonstandard)dais
in the Random House Dictionary
dais
in Oxford Dictionaries Online

in the American Heritage Dictionary
Merriam-Webster Online - Dais
/ref> is a raised platform at the front of a room or hall, usually for one or more speakers or honored guests. Historically, the dais was a part of the
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Life Of Jesus In The New Testament
The life of Jesus in the New Testament is primarily outlined in the four canonical gospels, which includes his genealogy and nativity, public ministry, passion, prophecy, resurrection and ascension. Other parts of the New Testament – such as the Pauline epistles which were likely written within 20 to 30 years of each other, and which include references to key episodes in the life of Jesus, such as the Last Supper,''Jesus and the Gospels: An Introduction and Survey'' by Craig L. Blomberg 2009 pp. 441–442''The encyclopedia of Christianity, Volume 4'' by Erwin Fahlbusch, 2005 pp. 52–56''The Bible Knowledge Background Commentary'' by Craig A. Evans 2003 pp. 465–477 and the Acts of the Apostles ( 1:1–11), which includes more references to the Ascension episode than the canonical gospels– also expound upon the life of Jesus. In addition to these biblical texts, there are extra-biblical texts that Christians believe make reference to certain events in the life of Je ...
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