Film Gris
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Film Gris
Film gris (, French for "grey film"), a term coined by experimental filmmaker Thom Andersen, is a type of film noir which categorizes a unique series of films that were released between 1947 and 1951. They came in the context of the first wave of the communist investigations of the House Un-American Activities Committee. Thematic elements Films gris offer a leftist criticism of society in general, and of capitalism in particular. They typically examine such themes as the psychological damages of class, the false promises of middle class happiness, and the pitfalls of materialism. Distinction from film noir Film gris differs from film noir in some of the following ways: * Film gris is a little more pessimistic and cynical than film noir. The dividing line between crime and law enforcement is often blurred. * Films gris tend to blame society rather than the individual. For example, films gris will tend to focus less on what a criminal is doing, and more on how society has produ ...
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Thom Andersen 2 - DMS35th
The surname Thom is of Scottish origin, from the city of Aberdeen, Aberdeenshire and Angus, and is a sept of the Clan MacThomas. Thom is also a first name variant of the abbreviation " Tom" of "Thomas" that holds the "h". People with the surname * Alexander Thom (other), multiple people * Andreas Thom (b. 1965), former German football player * Bing Thom (b. 1940), Canadian architect * Cameron E. Thom (1825–1915), early settler in California, Confederate officer and lawyer * Charles Thom (1872–1956), US microbiologist and mycologist with the standard author abbreviation "Thom" * Cristy Thom (b. 1971), American model, actress and artist * Graeme Thom (born 1967), Zimbabwean cricketer * H. B. Thom (c. 1905–1983), South African rector and Chancellor of the Stellenbosch University * James Thom (other), multiple people * Jess Thom (b. 1980), English comedian * John Thom (soldier) (1891–1941), British lieutenant-colonel, judge and politician * John Hamilton Th ...
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The Lawless
''The Lawless'' is a 1950 American film noir directed by Joseph Losey and features Macdonald Carey, Gail Russell and Johnny Sands. A newspaper editor in California becomes concerned about the plight of the state's fruit pickers, mostly immigrants from Mexico. Film critic Thom Andersen identified ''The Lawless'' as one example of ''film gris'', a more cynical variety of ''film noir'' with leftist themes. The film was also released as ''The Dividing Line''. Plot California fruit picker Paul Rodriguez hopes to someday have a farm of his own. When his friend Lopo Chavez has a car accident, he is insulted with a racial slur by Joe Ferguson, a passenger in the other car. Joe's father disapproves of this bigotry. Lopo visits his friend Sunny Garcia, whose family publishes a Spanish-language paper called ''La Luz''. At a dance, Sunny is introduced to Larry Wilder, editor of "The Union", who once was a big-city newspaper reporter. A racially heated fight breaks out at the dance. Paul ac ...
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United States In The 1950s
United may refer to: Places * United, Pennsylvania, an unincorporated community * United, West Virginia, an unincorporated community Arts and entertainment Films * ''United'' (2003 film), a Norwegian film * ''United'' (2011 film), a BBC Two film Literature * ''United!'' (novel), a 1973 children's novel by Michael Hardcastle Music * United (band), Japanese thrash metal band formed in 1981 Albums * ''United'' (Commodores album), 1986 * ''United'' (Dream Evil album), 2006 * ''United'' (Marvin Gaye and Tammi Terrell album), 1967 * ''United'' (Marian Gold album), 1996 * ''United'' (Phoenix album), 2000 * ''United'' (Woody Shaw album), 1981 Songs * "United" (Judas Priest song), 1980 * "United" (Prince Ital Joe and Marky Mark song), 1994 * "United" (Robbie Williams song), 2000 * "United", a song by Danish duo Nik & Jay featuring Lisa Rowe Television * ''United'' (TV series), a 1990 BBC Two documentary series * ''United!'', a soap opera that aired on BBC One from 1965-19 ...
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Message Picture
A message picture (or message movie) is a motion picture that, in addition to or instead of being for entertainment, intends to communicate a certain message or ideal about society. Characteristics Message pictures usually present the message they want to deliver in the form of a morality play, and are usually serious (often somber) works. However, not all message pictures are entirely serious, and there are also films spoofing the genre (''Sullivan's Travels'', for example). History Dore Schary was famous for his message pictures at Metro-Goldwyn-Mayer during the late 1940s and early to mid-1950s. Among these were '' Tea and Sympathy'', ''Bad Day at Black Rock'', and ''Blackboard Jungle''. Other famous message pictures by other parties include ''Guess Who's Coming to Dinner'' and '' In the Heat of the Night'' (the former directed by Stanley Kramer, who was also well known for numerous message films). In Indian cinema, B.R. Chopra was known for message pictures. Examples include '' ...
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Film Noir
Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American ''film noir''. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. The term ''film noir'', French for 'black film' (literal) or 'dark film' (closer meaning), was first applied to Hollywood films by French critic Nino Frank in 1946, but was unrecognized by most American film industry professionals of that era. Frank is believed to have been inspired by the French literary publishing imprint Série noire, founded in 1945. Cinema historians and critics defined the category ...
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Neo-noir
Neo-noir is a revival of film noir, a genre that had originally flourished during the post-World War II era in the United Statesroughly from 1940 to 1960. The French term, ''film noir'', translates literally to English as "black film", indicating sinister stories often presented in a shadowy cinematographic style. Neo-noir has a similar style but with updated themes, content, style, and visual elements. Definition The neologism neo-noir, using the Greek prefix for the word ''new'', is defined by Mark Conard as "any film coming after the classic noir period that contains noir themes and noir sensibility". Another definition describes it as later noir that often synthesizes diverse genres while foregrounding the scaffolding of ''film noir''. History " Film noir" was coined by critic Nino Frank in 1946 and popularized by French critics Raymond Borde and Etienne Chaumeton in 1955. The term revived in general use beginning in the 1980s, with a revival of the style. The classic ''fil ...
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Joseph Losey
Joseph Walton Losey III (; January 14, 1909 – June 22, 1984) was an American theatre and film director, producer, and screenwriter. Born in Wisconsin, he studied in Germany with Bertolt Brecht and then returned to the United States. Blacklisted by Hollywood in the 1950s, he moved to Europe where he made the remainder of his films, mostly in the United Kingdom. Among the most critically and commercially successful were the films with screenplays by Harold Pinter: ''The Servant'' (1963) and ''The Go-Between'' (1971). Losey's 1976 film ''Monsieur Klein'' won the César Awards for Best Film and Best Director. He was a four-time nominee for both the Palme d'Or (winning once) and the Golden Lion, and a two-time BAFTA nominee. Early life and career Joseph Walton Losey III was born on January 14, 1909, in La Crosse, Wisconsin, where he and Nicholas Ray were high-school classmates at La Crosse Central High School. He attended Dartmouth College and Harvard University, beginning ...
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John Huston
John Marcellus Huston ( ; August 5, 1906 – August 28, 1987) was an American film director, screenwriter, actor and visual artist. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics, including '' The Maltese Falcon'' (1941), '' The Treasure of the Sierra Madre'' (1948), ''The Asphalt Jungle'' (1950), '' The African Queen'' (1951), '' The Misfits'' (1961), '' Fat City'' (1972), ''The Man Who Would Be King'' (1975) and ''Prizzi's Honor'' (1985). During his 46-year career, Huston received 15 Academy Award nominations, winning twice. He also directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins. In his early years, Huston studied and worked as a fine art painter in Paris. He then moved to Mexico and began writing, first plays and short stories, and later working in Los Angeles as a Hollywood screenwriter, and was nominated for several Academy Awards writing for films directed by ...
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Nicholas Ray
Nicholas Ray (born Raymond Nicholas Kienzle Jr., August 7, 1911 – June 16, 1979) was an American film director, screenwriter, and actor best known for the 1955 film ''Rebel Without a Cause.'' He is appreciated for many narrative features produced between 1947 and 1963 including ''They Live By Night'', ''In A Lonely Place'', ''Johnny Guitar'', and ''Bigger Than Life'', as well as an experimental work produced throughout the 1970s titled '' We Can't Go Home Again'', which was unfinished at the time of Ray's death. Ray's compositions within the CinemaScope frame and use of color are particularly well-regarded and he was an important influence on the French New Wave, with Jean-Luc Godard famously writing in a review of '' Bitter Victory'', "... there is cinema. And the cinema is Nicholas Ray."Godard, Jean-Luc (1958). "Au-dela des étoiles," ''Cahiers du cinéma'' 79 (January); translated as "Jean-Luc Godard: Beyond the Stars," in ''Cahiers du CInéma: The 1950s. Neo-realism, ...
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Abraham Polonsky
Abraham Lincoln Polonsky (December 5, 1910 – October 26, 1999) was an American film director, screenwriter, essayist and novelist. He was nominated for an Academy Award for Best Original Screenplay for '' Body and Soul'' but in the early 1950s was blacklisted by the Hollywood movie studios, after refusing to testify at congressional hearings of the House Un-American Activities Committee, in the midst of the McCarthy era. Early life Abraham Polonsky was born in New York City, the eldest son of Russian Jewish immigrants, Henry and Rebecca (née Rosoff) Polonsky. He attended DeWitt Clinton High School with classmates and lifelong friends Roy Pinney and Bernard Herrmann. In 1928, he entered City College of New York and, following graduation, earned his law degree in 1935 at Columbia Law School. After several years of practice, mixed with teaching, he decided to devote himself to writing. Career Polonsky wrote essays, radio scripts and several novels before beginning his career in ...
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Jules Dassin
Julius "Jules" Dassin (December 18, 1911 – March 31, 2008) was an American film and theatre director, producer, writer and actor. A subject of the Hollywood blacklist in the McCarthy era, he subsequently moved to France, and later Greece, where he continued his career. He was a member of the Academy of Motion Picture Arts and Sciences and the Screen Directors' Guild. Dassin received a Best Director Award at the Cannes Film Festival for his film ''Du rififi chez les hommes''. He was later nominated for an Academy Award for Best Director and Best Writing, Story and Screenplay – Written Directly for the Screen for his film ''Never on Sunday'', and was nominated for a Tony Award for Best Direction of a Musical for his Broadway production of ''Illya Darling''. Biography Early life Julius Dassin was born on December 18, 1911, to Bertha Dassin (née Vogel) and Samuel Dassin, a barber, in Middletown, Connecticut. His parents were both Jewish immigrants from Odessa, Russian empi ...
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He Ran All The Way
''He Ran All the Way'' is a 1951 American crime drama and film noir directed by John Berry and starring John Garfield and Shelley Winters. Distributed by United Artists, it was produced independently by Roberts Pictures, a company named for Garfield's manager and business partner, Bob Roberts, and bankrolled by Garfield. The film was Garfield's last. He was " greylisted" following accusations of his involvement with the Communist Party USA. Testifying before the House Committee on Un-American Activities (aka HUAC), he repudiated communism, denied party membership, and claimed that he did not know any members of the Communist Party during his entire time in Hollywood, "because I was not a party member or associated in any shape, way, or form." He testified on April 23, 1951, just two months before ''He Ran All the Way'' was scheduled to open, on June 19. Garfield died less than a year later, on May 21, 1952, at age 39. Dalton Trumbo had signed to write the screen adaptatio ...
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