Feminine Rhyme
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Feminine Rhyme
Masculine ending and feminine ending are terms used in prosody, the study of verse form. "Masculine ending" refers to a line ending in a stressed syllable. "Feminine ending" is its opposite, describing a line ending in a stressless syllable. This definition is applicable in most cases; see below, however, for a more refined characterization. Example Below are the first two stanzas of " A Psalm of Life" by Henry Wadsworth Longfellow. In each stanza, the first and third lines have a feminine ending and the second and fourth lines a masculine one. Tell me not, in mournful numbers, Life is but an empty dream!— For the soul is dead that slumbers, And things are not what they seem. Life is real! Life is earnest! And the grave is not its goal; Dust thou art, to dust returnest, Was not spoken of the soul. The final stressless syllables, creating feminine endings, are ''-bers'', again ''-bers'', ''-nest'', and again ''-nest''. The final stressed syllables, cre ...
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Prosody (poetry)
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ...
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Trochaic Tetrameter
Trochaic tetrameter is a meter in poetry. It refers to a line of four trochaic feet. The etymology of the word Trochaic is the Greek word ''trokhaios'', from the verb ''trecho'', which means "I run". In classical metre, a trochee is a foot consisting of a long syllable followed by a short one; in modern English poetry, a trochee is a foot consisting of a stressed syllable followed by an unstressed one. The word "tetrameter" in classical metre means a line with four ''metra'', each metron containing two trochees, thus eight trochees in all. In modern metre it means a line with four trochees. Example of trochaic tetrameter A line of trochaic tetrameter has the following rhythm: Using the classical symbols longum and breve (or brevis) a line of trochaic tetrameter can be represented as follows: Often a tetrameter is catalectic, in which case the last syllable of the line is missing. Literary examples Two of the best-known examples are Henry Wadsworth Longfellow's ''The S ...
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Trochee
In English poetic metre and modern linguistics, a trochee () is a metrical foot consisting of a stressed syllable followed by an unstressed one. But in Latin and Ancient Greek poetic metre, a trochee is a heavy syllable followed by a light one (also described as a long syllable followed by a short one). In this respect, a trochee is the reverse of an iamb. Thus the Latin word "there", because of its short-long rhythm, in Latin metrical studies is considered to be an iamb, but since it is stressed on the first syllable, in modern linguistics it is considered to be a trochee. The adjective form is ''trochaic''. The English word ''trochee'' is itself trochaic since it is composed of the stressed syllable followed by the unstressed syllable . Another name formerly used for a trochee was a choree (), or choreus. Etymology ''Trochee'' comes from French , adapted from Latin , originally from the Greek (), 'wheel', from the phrase (), literally 'running foot'; it is connected wit ...
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Iamb (poetry)
An iamb () or iambus is a metrical foot used in various types of poetry. Originally the term referred to one of the feet of the quantitative meter of classical Greek prosody: a short syllable followed by a long syllable (as in () "beautiful (f.)"). This terminology was adopted in the description of accentual-syllabic verse in English, where it refers to a foot comprising an unstressed syllable followed by a stressed syllable (as in ''abóve''). Thus a Latin word like , because of its short-long rhythm, is considered by Latin scholars to be an iamb, but because it has a stress on the first syllable, in modern linguistics it is considered to be a trochee. Etymology R. S. P. Beekes has suggested that the grc, ἴαμβος ''iambos'' has a Pre-Greek origin. An old hypothesis is that the word is borrowed from Phrygian or Pelasgian, and literally means "Einschritt", i. e., "one-step", compare '' dithyramb'' and ''thriambus'', but H. S. Versnel rejects this etymology and ...
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Johann Wolfgang Von Goethe
Johann Wolfgang von Goethe (28 August 1749 – 22 March 1832) was a German poet, playwright, novelist, scientist, statesman, theatre director, and critic. His works include plays, poetry, literature, and aesthetic criticism, as well as treatises on botany, anatomy, and colour. He is widely regarded as the greatest and most influential writer in the German language, his work having a profound and wide-ranging influence on Western literary, political, and philosophical thought from the late 18th century to the present day.. Goethe took up residence in Weimar in November 1775 following the success of his first novel, '' The Sorrows of Young Werther'' (1774). He was ennobled by the Duke of Saxe-Weimar, Karl August, in 1782. Goethe was an early participant in the '' Sturm und Drang'' literary movement. During his first ten years in Weimar, Goethe became a member of the Duke's privy council (1776–1785), sat on the war and highway commissions, oversaw the reopening of ...
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Glorious Things Of Thee Are Spoken
"Glorious Things of Thee Are Spoken", also called "Zion, or the City of God", is an 18th-century English hymn written by John Newton, who also wrote the hymn "Amazing Grace". Shape note composer Alexander Johnson set it to his tune "Jefferson" in 1818, and as such it has remained in shape note collections such as the ''Sacred Harp'' ever since. However, the hymn is most often set to the tune of Joseph Haydn's "Gott erhalte Franz den Kaiser" (referred to in hymnals as "Austria"). In recent decades it has been sometimes replaced by "Abbot's Leigh". This was written for this text by Cyril Vincent Taylor in 1942 while he was a producer of Religious Broadcasting at the BBC and stationed at the village of Abbots Leigh. Multiple other tunes have also been used with the hymn. History The hymn was written by Newton after he had asked for assistance from his friend and neighbour, classical writer William Cowper, while he was the Church of England parish priest of Olney Church. With Co ...
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John Newton
John Newton (; – 21 December 1807) was an English evangelical Anglican cleric and slavery abolitionist. He had previously been a captain of slave ships and an investor in the slave trade. He served as a sailor in the Royal Navy (after forced recruitment) and was himself enslaved for a time in West Africa. He is noted for being author of the hymns '' Amazing Grace'' and '' Glorious Things of Thee Are Spoken''. Newton went to sea at a young age and worked on slave ships in the slave trade for several years. In 1745, he himself became a slave of Princess Peye, a woman of the Sherbro people in what is now Sierra Leone. He was rescued, returned to sea and the trade, becoming Captain of several slave ships. After retiring from active sea-faring, he continued to invest in the slave trade. Some years after experiencing a conversion to Christianity, Newton later renounced his trade and became a prominent supporter of abolitionism. Now an evangelical, he was ordained as a Church of ...
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Meter (hymn)
A hymn metre (''US:'' meter) indicates the number of syllables for the lines in each stanza of a hymn. This provides a means of marrying the hymn's text with an appropriate hymn tune for singing. Hymn and poetic metre In the English language poetic metres and hymn metres have different starting points but there is nevertheless much overlap. The hymn ''Amazing Grace'' is used as an example: :Amazing grace, how sweet the sound :that saved a wretch like me. :I once was lost, but now am found, :was blind, but now I see. Analyzing this, a poet would see couplets with four iambic metrical feet in the first and third lines, and three in the second and fourth. A musician would more likely count eight syllables in the first line and six in the second. This would be described as 8.6.8.6 (or 86.86). The words of ''Amazing Grace'' can therefore be set to any tune that has the 8.6.8.6 metre, for example '' The House of the Rising Sun''. Conventionally most hymns in this 86.86 pattern are i ...
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Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurri ...
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French Poetry
French poetry () is a category of French literature. It may include Francophone poetry composed outside France and poetry written in other languages of France. French prosody and poetics The modern French language does not have a significant stress accent (as English does) or long and short syllables (as Latin does). This means that the French metric line is generally not determined by the number of beats, but by the number of syllables (see syllabic verse; in the Renaissance, there was a brief attempt to develop a French poetics based on long and short syllables musique_mesurée.html"_;"title="ee_"musique_mesurée">ee_"musique_mesurée"._The_most_common_Meter_(poetry).html" "title="musique_mesurée".html" ;"title="musique_mesurée.html" ;"title="ee "musique mesurée">ee "musique mesurée"">musique_mesurée.html" ;"title="ee "musique mesurée">ee "musique mesurée". The most common Meter (poetry)">metric lengths are the ten-syllable line (decasyllable), the eight-syllable lin ...
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France
France (), officially the French Republic ( ), is a country primarily located in Western Europe. It also comprises of overseas regions and territories in the Americas and the Atlantic, Pacific and Indian Oceans. Its metropolitan area extends from the Rhine to the Atlantic Ocean and from the Mediterranean Sea to the English Channel and the North Sea; overseas territories include French Guiana in South America, Saint Pierre and Miquelon in the North Atlantic, the French West Indies, and many islands in Oceania and the Indian Ocean. Due to its several coastal territories, France has the largest exclusive economic zone in the world. France borders Belgium, Luxembourg, Germany, Switzerland, Monaco, Italy, Andorra, and Spain in continental Europe, as well as the Netherlands, Suriname, and Brazil in the Americas via its overseas territories in French Guiana and Saint Martin. Its eighteen integral regions (five of which are overseas) span a combined area of and contain clos ...
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