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Farces
Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. Farce is also characterized by heavy use of physical humor; the use of deliberate absurdity or nonsense; satire, parody, and mockery of real-life situations, people, events, and interactions; unlikely and humorous instances of miscommunication; ludicrous, improbable, and exaggerated characters; and broadly stylized performances. Genre Despite involving absurd situations and characters, the genre generally maintains at least a slight degree of realism and narrative continuity within the context of the irrational or ludicrous situations, often distinguishing it from completely absurdist or fantastical genres. Farces are often episodic or short in duration, often being set in one specific location where all events occur. Farces have historically been performed for the stage and film. Historical context The term ''farce'' is deriv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Farce (Petrov-Vodkin)
Theatre or theater is a collaborative form of performing art that uses live performers, usually actor, actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its theme (arts), themes, stock characters, and plot elements. Theatre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contempt Of Court 1879 Poster
Contempt is a pattern of attitudes and behaviour, often towards an individual or a group, but sometimes towards an ideology, which has the characteristics of disgust and anger. The word originated in 1393 in Old French contempt, contemps, from the Latin word ''contemptus'' meaning "scorn". It is the past participle of ''contemnere'' and from ''con''- intensive prefix + ''temnere'' "to slight, scorn". ''Contemptuous'' appeared in 1529. It is classified among Paul Ekman's seven basic emotions of contempt, anger, disgust, fear, happiness, sadness, and surprise. Robert C. Solomon places contempt on the same continuum as resentment and anger, and he argues that the differences between the three are that resentment is anger directed towards a higher-status individual; anger is directed towards an equal-status individual; and contempt is anger directed towards a lower-status individual.Solomon R.C. (1993). ''The Passions: Emotions and the Meaning of Life''. Hackett Publishing. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedy
Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: in Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing '' agon'' or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Physical Comedy
Physical comedy is a form of comedy Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term o ... focused on manipulation of the body for a humorous effect. It can include slapstick, Clown, clowning, Mime artist, mime, physical stunts, or making funny faces. Physical comedy originated as part of the Commedia dell'arte. It is now sometimes incorporated into sitcoms; for example, in the sitcom Three's Company, actor John Ritter frequently performed pratfalls (landing on the buttocks). Cartoons, particularly film shorts, also commonly depict an exaggerated form of physical comedy (incorporating cartoon physics), such as in Tom and Jerry and Wile E. Coyote and the Road Runner. Slapstick elements include the trip, the slip, the Double-take (comedy), double take, the collide, the fall (or faint), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Absurdity
An absurdity is a state or condition of being extremely unreasonable, meaningless or unsound in reason so as to be irrational or not taken seriously. "Absurd" is an adjective used to describe an absurdity, e.g., "Tyler and the boys laughed at the absurd situation." It derives from the Latin ''absurdum'' meaning "out of tune", hence irrational. The Latin ''surdus'' means "deaf", implying stupidity. Absurdity is contrasted with being realistic or reasonable In general usage, absurdity may be synonymous with fanciful, foolish, bizarre, wild or nonsense. In specialized usage, absurdity is related to extremes in bad reasoning or pointlessness in reasoning; ridiculousness is related to extremes of incongruous juxtaposition, laughter, and ridicule; and nonsense is related to a lack of meaningfulness. Absurdism is a concept in philosophy related to the notion of absurdity. History Absurdity has been used throughout history regarding foolishness and extremely poor reasoning to form b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming or exposing the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. A feature of satire is strong irony or sarcasm —"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) the very things the satirist wishes to question. Satire is found in many a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parody
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxford Boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liturgical Drama
Liturgical drama refers to medieval forms of dramatic performance that use stories from the Bible or Christian hagiography. The term was widely disseminated by well-known theater historians like Heinrich Alt (''Theater und Kirche'', 1846), E.K. Chambers (''The Mediaeval Stage'', 1903) and Karl Young. Young's two-volume monumental work about the medieval church was especially influential. It was published in 1933 and is still read today, even though his theories have been rejected for more than 40 years. Many college textbooks, among them the popular books by Oscar Brockett, propagated the theory of "liturgical drama" even into the 21st century. Critique Evolution model In his 1955 book on the origins of theater, Benjamin Hunningher refuted the notion that plays developed out of the liturgy. He noted that the church setting of the Mass does not allow for entertainment, and Christian theologians had severely criticized theater artists for centuries. As McCall wrote in 2007:West ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Garçon Et L'aveugle
''The Boy and the Blind Man'' (french: Le Garçon et l'aveugle) is the name of a 13th-century French play; considered the oldest surviving French farce. It is an anonymous work. In the play there are two scoundrels, a "blind" beggar and his servant boy. The blind beggar has a secret hoard of coins, which the boy tricks away from him. The boy deceives, robs then beats his master—the trickster has become the tricked. It was a simple play with no props and could be performed by two actors anywhere. It probably is one of many performed by wandering jongleurs catering to the tastes and theme of market days and fairs. An important business for the actors was to collect money from spectators, and the actors beggar-man part in the play allowed for comic audience participation. Because the deceiver is deceived, along with slapstick action, it is considered the oldest surviving farce in French literature. This means it is the oldest to survive in written form, but is part of a much olde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Farce De Maître Pathelin
''La Farce de maître Pathelin'' (in English ''The Farce of Master Pathelin''; sometimes ''La Farce de maître Pierre Pathelin'', ''La Farce de Pathelin,'' ''Farce Maître Pierre Pathelin,'' or ''Farce de Maître Pathelin'') The earliest accounts of this play can be traced back to as early as 1457 to 1470; However the date is uncertain as there is no known playwright that introduced the piece. The Farce of Master Pathelin was extraordinarily popular in its day, and held an influence on popular theatre for over a century. Its echoes can be seen in the works of Rabelais. A number of phrases from the play became proverbs in French, and the phrase "Let us return to our muttons" (''revenons à nos moutons'') even became a common English calque. In the play there are only five characters: the title character, his wife Guillemette, a clothier named Guillaume Joceaulme, a shepherd named Thibault l’Aignelet, and finally a judge. Every character except the last is dishonest in some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spaceballs
''Spaceballs'' is a 1987 American space opera parody film co-written, produced and directed by Mel Brooks. It is primarily a parody of the original ''Star Wars'' trilogy, but also parodies other sci-fi films and popular franchises including ''Star Trek'', ''Alien'', '' The Wizard of Oz'', '' 2001: A Space Odyssey'', ''Planet of the Apes'', and ''Transformers''. The film stars Bill Pullman, John Candy and Rick Moranis, with the supporting cast including Daphne Zuniga, Dick Van Patten, George Wyner, Lorene Yarnell, and the voice of Joan Rivers. In addition to Brooks playing a dual role, the film also features Brooks regulars Dom DeLuise and Rudy De Luca in cameo appearances. In ''Spaceballs'', heroic mercenary Lone Starr (Pullman) and his alien sidekick Barf (Candy) rescue Princess Vespa (Zuniga) of Druidia and her droid, Dot Matrix (Yarnell, voiced by Rivers), from being captured by the Spaceballs, led by President Skroob (Brooks), who want to use Vespa as ransom to obtain Dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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