|
Faerie Queen
''The Faerie Queene'' is an English epic poem by Edmund Spenser. Books IIII were first published in 1590, then republished in 1596 together with books IVVI. ''The Faerie Queene'' is notable for its form: at over 36,000 lines and over 4,000 stanzas it is one of the longest poems in the English language; it is also the work in which Spenser invented the verse form known as the Spenserian stanza. On a literal level, the poem follows several knights as a means to examine different virtues, and though the text is primarily an allegorical work, it can be read on several levels of allegory, including as praise (or, later, criticism) of Queen Elizabeth I. In Spenser's "Letter of the Authors", he states that the entire epic poem is "cloudily enwrapped in Allegorical devices", and that the aim of publishing ''The Faerie Queene'' was to "fashion a gentleman or noble person in virtuous and gentle discipline". Spenser presented the first three books of ''The Faerie Queene'' to Elizabeth I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmund Spenser
Edmund Spenser (; 1552/1553 – 13 January 1599) was an English poet best known for ''The Faerie Queene'', an epic poem and fantastical allegory celebrating the Tudor dynasty and Elizabeth I. He is recognized as one of the premier craftsmen of nascent Modern English verse and is often considered one of the greatest poets in the English language. Life Edmund Spenser was born in East Smithfield, London, around the year 1552; however, there is still some ambiguity as to the exact date of his birth. His parenthood is obscure, but he was probably the son of John Spenser, a journeyman clothmaker. As a young boy, he was educated in London at the Merchant Taylors' School and matriculated as a sizar at Pembroke College, Cambridge. While at Cambridge he became a friend of Gabriel Harvey and later consulted him, despite their differing views on poetry. In 1578, he became for a short time secretary to John Young, Bishop of Rochester. In 1579, he published ''The Shepheardes Calender'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circe
Circe (; grc, , ) is an Magician (paranormal), enchantress and a minor goddess in ancient Greek mythology and Ancient Greek religion, religion. She is either a daughter of the Titans, Titan Helios and the Oceanid nymph Perse (mythology), Perse or the goddess Hecate and Aeëtes. Circe was renowned for her vast knowledge of potions and herbs. Through the use of these and a magic wand or staff, she would Shapeshifting, transform her enemies, or those who offended her, into animals. The best known of her legends is told in Homer's ''Odyssey'' when Odysseus visits her island of Aeaea on the way back from the Trojan War and she changes most of his crew into swine. He manages to persuade her to return them to human shape, lives with her for a year and has sons by her, including Latinus and Telegonus (son of Odysseus), Telegonus. Her ability to change others into animals is further highlighted by the story of Picus, an Italian king whom she turns into a woodpecker for resisting her adv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belphoebe
Belphoebe (or ''Belphebe'', ''Belphœbe'') is a character in Edmund Spenser's poem ''The Faerie Queene'' (1590), a representation of Queen Elizabeth I (conceived of, however, as a pure, high-spirited maiden, rather than a queen). Spenser intended her name to mean "beautiful Diana" ( Phoebe being an epithet of the Greek moon goddess Artemis, who was known to the Romans as Diana), and it is suggested that she is a member of Poseidon's family. A virgin huntress, Belphoebe can certainly fight, as a potential rapist found out. She is the stronger, militant sister of Amoret. Belphoebe is mentioned in Kipling's poem "The Queen's Men", which is based on Spenser's work and which constitutes a lament for two young sea-captains who perished on a mission to which she sent them: Belphoebe is also mentioned in Sir Walter Raleigh Sir Walter Raleigh (; – 29 October 1618) was an English statesman, soldier, writer and explorer. One of the most notable figures of the Elizabethan era, he p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atë
In Greek mythology, Atë, Até or Aite (; Ancient Greek: Ἄτη) was the goddess of mischief, delusion, ruin, and blind folly, rash action and reckless impulse who led men down the path of ruin. She also led both gods and men to rash and inconsiderate actions and to suffering. ''Até'' also refers to an action performed by a hero that leads to their death or downfall. Family Parentage Hesiod's account Atë was represented as the daughter of Eris, the goddess of strife, through parthenogenesis. : "And hateful Eris bore painful Ponos ("Hardship"), : Lethe ("Forgetfulness") and Limos ("Starvation") and the tearful Algea ("Pains"), : Hysminai ("Battles"), Makhai ("Wars"), Phonoi ("Murders"), and Androktasiai ("Manslaughters"); : Neikea ("Quarrels"), Pseudea ("Lies"), Logoi ("Stories"), Amphillogiai ("Disputes") : Dysnomia ("Anarchy") and Ate ("Ruin"), near one another, : and Horkos ("Oath"), who most afflicts men on earth, : Then willing swears a false oath." Homer's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Religion
Religious practices in ancient Greece encompassed a collection of beliefs, rituals, and mythology, in the form of both popular public religion and cult practices. The application of the modern concept of "religion" to ancient cultures has been questioned as anachronistic. The ancient Greeks did not have a word for 'religion' in the modern sense. Likewise, no Greek writer known to us classifies either the gods or the cult practices into separate 'religions'. Instead, for example, Herodotus speaks of the Hellenes as having "common shrines of the gods and sacrifices, and the same kinds of customs." Most ancient Greeks recognized the twelve major Olympian gods and goddesses—Zeus, Hera, Poseidon, Demeter, Athena, Ares, Aphrodite, Apollo, Artemis, Hephaestus, Hermes, and either Hestia or Dionysus—although philosophies such as Stoicism and some forms of Platonism used language that seems to assume a single transcendent deity. The worship of these deities, and several others, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adamant
Adamant in classical mythology is an archaic form of diamond. In fact, the English word ''diamond'' is ultimately derived from ''adamas'', via Late Latin and Old French . In ancient Greek (), genitive (), literally 'unconquerable, untameable'. In those days, the qualities of hard metal (probably steel) were attributed to it, and ''adamant'' became as a result an independent concept. In the Middle Ages adamant also became confused with the magnetic rock lodestone, and a folk etymology connected it with the Latin , 'to love or be attached to'. Another connection was the belief that adamant (the diamond definition) could block the effects of a magnet. This was addressed in chapter III of ''Pseudodoxia Epidemica'', for instance. Since the contemporary word ''diamond'' is now used for the hardest gemstone, the increasingly archaic term ''adamant'' has been reduced to mostly poetic or anachronistic use. In that capacity, the name, and various derivatives of it, are frequently u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harvest
Harvesting is the process of gathering a ripe crop from the fields. Reaping is the cutting of grain or pulse for harvest, typically using a scythe, sickle, or reaper. On smaller farms with minimal mechanization, harvesting is the most labor-intensive activity of the growing season. On large mechanized farms, harvesting uses the most expensive and sophisticated farm machinery, such as the combine harvester. Process automation has increased the efficiency of both the seeding and harvesting processes. Specialized harvesting equipment utilizing conveyor belts to mimic gentle gripping and mass-transport replaces the manual task of removing each seedling by hand. The term "harvesting" in general usage may include immediate postharvest handling, including cleaning, sorting, packing, and cooling. The completion of harvesting marks the end of the growing season, or the growing cycle for a particular crop, and the social importance of this event makes it the focus of seasonal celebrati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demeter
In ancient Greek religion and mythology, Demeter (; Attic: ''Dēmḗtēr'' ; Doric: ''Dāmā́tēr'') is the Olympian goddess of the harvest and agriculture, presiding over crops, grains, food, and the fertility of the earth. Although she is mostly known as a grain goddess, she also appeared as a goddess of health, birth, and marriage, and had connections to the Greek Underworld, Underworld. She is also called Deo (). In Greek tradition, Demeter is the second child of the Titans Rhea (mythology), Rhea and Cronus, and sister to Hestia, Hera, Hades, Poseidon, and Zeus. Like her other siblings but Zeus, she was swallowed by her father as an infant and rescued by Zeus. Through her brother Zeus, she became the mother of Persephone, a fertility goddess. One of the most notable Homeric Hymns, the ''Homeric Hymn to Demeter'', tells the story of Persephone's abduction by Hades and Demeter's search for her. When Hades, the King of the Underworld, wished to make Persephone his wife ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sword
A sword is an edged, bladed weapon intended for manual cutting or thrusting. Its blade, longer than a knife or dagger, is attached to a hilt and can be straight or curved. A thrusting sword tends to have a straighter blade with a pointed tip. A slashing sword is more likely to be curved and to have a sharpened cutting edge on one or both sides of the blade. Many swords are designed for both thrusting and slashing. The precise definition of a sword varies by historical epoch and geographic region. Historically, the sword developed in the Bronze Age, evolving from the dagger; the earliest specimens date to about 1600 BC. The later Iron Age sword remained fairly short and without a crossguard. The spatha, as it developed in the Late Roman army, became the predecessor of the European sword of the Middle Ages, at first adopted as the Migration Period sword, and only in the High Middle Ages, developed into the classical arming sword with crossguard. The word '' sword'' continue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Justice
Justice, in its broadest sense, is the principle that people receive that which they deserve, with the interpretation of what then constitutes "deserving" being impacted upon by numerous fields, with many differing viewpoints and perspectives, including the concepts of moral correctness based on ethics, rationality, law, religion, equity and fairness. The state will sometimes endeavor to increase justice by operating courts and enforcing their rulings. Early theories of justice were set out by the Ancient Greek philosophers Plato in his work The Republic, and Aristotle in his Nicomachean Ethics. Advocates of divine command theory have said that justice issues from God. In the 1600s, philosophers such as John Locke said that justice derives from natural law. Social contract theory said that justice is derived from the mutual agreement of everyone. In the 1800s, utilitarian philosophers such as John Stuart Mill said that justice is based on the best outcomes for the gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Belle Dame Sans Merci
"La Belle Dame sans Merci" ("The Beautiful Lady Without Mercy") is a ballad produced by the England, English poet John Keats in 1819. The title was derived from the title of a 15th-century poem by Alain Chartier called ''La Belle Dame sans Mercy''. Considered an English classic, the poem is an example of Keats' poetic preoccupation with love and death. The poem is about a fairy who condemns a knight to an unpleasant fate after she seduces him with her eyes and singing. The fairy inspired several artists to paint images that became early examples of 19th-century ''femme fatale'' iconography. The poem continues to be referenced in many works of literature, music, art, and film. Poem The poem is simple in structure with twelve stanzas of four lines each in an ABCB rhyme scheme. Below are both the original and revised version of the poem: Inspiration In 2019 literary scholars Richard Marggraf Turley and Jennifer Squire proposed that the ballad may have been inspired by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Keats
John Keats (31 October 1795 – 23 February 1821) was an English poet of the second generation of Romantic poets, with Lord Byron and Percy Bysshe Shelley. His poems had been in publication for less than four years when he died of tuberculosis at the age of 25. They were indifferently received in his lifetime, but his fame grew rapidly after his death. By the end of the century, he was placed in the canon of English literature, strongly influencing many writers of the Pre-Raphaelite Brotherhood; the ''Encyclopædia Britannica'' of 1888 called one ode "one of the final masterpieces". Jorge Luis Borges named his first encounter with Keats an experience he felt all his life. Keats had a style "heavily loaded with sensualities", notably in the series of odes. Typically of the Romantics, he accentuated extreme emotion through natural imagery. Today his poems and letters remain among the most popular and analysed in English literature – in particular "Ode to a Nightingale", "Od ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Faerie Queen")
.jpg "Click for more on -> La Belle Dame Sans Merci")
