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Féerie
''Féerie'', sometimes translated as "fairy play", was a French theatrical genre known for fantasy plots and spectacular visuals, including lavish scenery and mechanically worked stage effects. ''Féeries'' blended music, dancing, pantomime, and acrobatics, as well as magical transformations created by designers and stage technicians, to tell stories with clearly defined melodrama-like morality and an extensive use of supernatural elements. The genre developed in the early 19th century and became immensely popular in France throughout the nineteenth century, influencing the development of burlesque, musical comedy and film. Style ''Féeries'' used a fairy-tale aesthetic to combine theatre with music, dances, mime, acrobatics, and especially spectacular visual effects created by innovative stage machinery, such as trap doors, smoke machines, and quickly changeable sets. Songs always appeared, usually featuring new lyrics to familiar melodies. Transformation scenes, in which a sce ...
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The Blue Bird (play)
''The Blue Bird'' (french: L'Oiseau bleu) is a 1908 play by Belgian playwright and poet Maurice Maeterlinck. It premiered on 30 September 1908 at Konstantin Stanislavski's Moscow Art Theatre, and was presented on Broadway in 1910. The play has been adapted for several films and a TV series. The French composer Albert Wolff wrote an opera (first performed at the New York Metropolitan Opera in 1919) based on Maeterlinck's original play, and Maeterlinck's inamorata Georgette Leblanc produced a novelization. The story is about a girl called ''Mytyl'' and her brother ''Tyltyl'' seeking happiness, represented by ''The Blue Bird of Happiness'', aided by the good fairy ''Bérylune''. Maeterlinck also wrote a relatively little known sequel to ''The Blue Bird'' titled ''The Betrothal; or, The Blue Bird Chooses''. Story In the opening scene, the two children gleefully describe the beautiful decorations and rich desserts that they see in the house of a wealthy family nearby. When Bérylun ...
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La Biche Au Bois, Alfred Choubrac
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a te ...
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Henry IV Of France
Henry IV (french: Henri IV; 13 December 1553 – 14 May 1610), also known by the epithets Good King Henry or Henry the Great, was King of Navarre (as Henry III) from 1572 and King of France from 1589 to 1610. He was the first monarch of France from the House of Bourbon, a cadet branch of the Capetian dynasty. He was assassinated in 1610 by François Ravaillac, a Catholic zealot, and was succeeded by his son Louis XIII. Henry was the son of Jeanne III of Navarre and Antoine de Bourbon, Duke of Vendôme. He was baptised as a Catholic but raised in the Protestant faith by his mother. He inherited the throne of Navarre in 1572 on his mother's death. As a Huguenot, Henry was involved in the French Wars of Religion, barely escaping assassination in the St. Bartholomew's Day massacre. He later led Protestant forces against the French royal army. Henry became king of France in 1589 upon the death of Henry III, his brother-in-law and distant cousin. He was the first Fre ...
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Catherine De' Medici
Catherine de' Medici ( it, Caterina de' Medici, ; french: Catherine de Médicis, ; 13 April 1519 – 5 January 1589) was an Florentine noblewoman born into the Medici family. She was Queen of France from 1547 to 1559 by marriage to King Henry II and the mother of French Kings Francis II, Charles IX, and Henry III. The years during which her sons reigned have been called "the age of Catherine de' Medici" since she had extensive, if at times varying, influence in the political life of France. Catherine was born in Florence to Lorenzo de' Medici, Duke of Urbino, and Madeleine de La Tour d'Auvergne. In 1533, at the age of 14, Catherine married Henry, the second son of King Francis I and Queen Claude of France. Catherine's marriage was arranged by her uncle Pope Clement VII. Henry excluded Catherine from participating in state affairs and instead showered favours on his chief mistress, Diane de Poitiers, who wielded much influence over him. Henry's death in 1559 thrust Cath ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Ballet De Cour
''Ballet de cour'' ("court ballet") is the name given to ballets performed in the 16th and 17th centuries at courts. The court ballet was a gathering of noblemen and women, as the cast and audience were largely supplied by the ruling class. The festivities, which were descendants of festivals, processions and mummeries dating back to the Middle Ages, looked more like a modern-day parade, than what people today would identify as a ballet performance. Where early court ballet differed from its predecessors, is that it was a secular, not religious happening. It was a carefully crafted mixture of art, socializing, and politics, with its primary objective being to exalt the State. Because these celebrations occurred long before the proscenium stage had been invented, and were instead executed in large halls with audience members stacked up on three sides of the performance, early court ballet’s choreography was constructed as a series of patterns and geometric shapes that were inten ...
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Set Design Act2 Of Andromède By P Corneille 1650 - Gallica 2010
Set, The Set, SET or SETS may refer to: Science, technology, and mathematics Mathematics *Set (mathematics), a collection of elements *Category of sets, the category whose objects and morphisms are sets and total functions, respectively Electronics and computing *Set (abstract data type) In computer science, a set is an abstract data type that can store unique values, without any particular order. It is a computer implementation of the mathematical concept of a finite set. Unlike most other collection types, rather than retrievin ..., a data type in computer science that is a collection of unique values ** Set (C++), a set implementation in the C++ Standard Library * Set (command), a command for setting values of environment variables in Unix and Microsoft operating-systems * Secure Electronic Transaction, a standard protocol for securing credit card transactions over insecure networks * Single-electron transistor, a device to amplify currents in nanoelectronics * Single-ended ...
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Talisman
A talisman is any object ascribed with religious or magical powers intended to protect, heal, or harm individuals for whom they are made. Talismans are often portable objects carried on someone in a variety of ways, but can also be installed permanently in architecture. Talismans are closely linked with amulets, fulfilling many of the same roles, but a key difference is in their form and materiality, with talismans often taking the form of objects (eg., clothing, weaponry, or parchment) which are inscribed with magic texts. Talismans have been used in many civilizations throughout history, with connections to astrological, scientific, and religious practices; but the theory around preparation and use has changed in some cultures with more recent, new age, talismanic theory. Talismans are used for a wide array of functions, such as: the personal protection of the wearer, loved ones or belongings, aiding in fertility, and helping crop production. Etymology The word ''talisman'' c ...
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Valet
A valet or varlet is a male servant who serves as personal attendant to his employer. In the Middle Ages and Ancien Régime, valet de chambre was a role for junior courtiers and specialists such as artists in a royal court, but the term "valet" by itself most often refers to a normal servant responsible for the clothes and personal belongings of an employer, and making minor arrangements. In the United States, the term most often refers to a parking valet, and the role is often confused with a butler. Word origins In English, ''valet'' as "personal man-servant" is recorded since 1567, though use of the term in the French-speaking English medieval court is older, and the variant form ''varlet'' is cited from 1456 (OED). Both are French importations of ''valet'' or ''varlet'' (the "t" being silent in modern French), Old French variants of ''vaslet'' "man's servant", originally "squire, young man", assumed to be from Gallo-Romance Vulgar Latin *''vassellittus'' "young nobleman ...
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One Thousand And One Nights
''One Thousand and One Nights'' ( ar, أَلْفُ لَيْلَةٍ وَلَيْلَةٌ, italic=yes, ) is a collection of Middle Eastern folk tales compiled in Arabic during the Islamic Golden Age. It is often known in English as the ''Arabian Nights'', from the first English-language edition (), which rendered the title as ''The Arabian Nights' Entertainment''. The work was collected over many centuries by various authors, translators, and scholars across West, Central and South Asia, and North Africa. Some tales trace their roots back to ancient and medieval Arabic literature, Arabic, Egyptian literature, Egyptian, Sanskrit literature, Sanskrit, Persian literature, Persian, and Mesopotamian myths, Mesopotamian literature. Many tales were originally folk stories from the Abbasid Caliphate, Abbasid and Mamluk Sultanate (Cairo), Mamluk eras, while others, especially the frame story, are most probably drawn from the Middle Persian literature#"Pahlavi" literature, Pahlavi Persian ...
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Madame D'Aulnoy
Marie-Catherine Le Jumel de Barneville, Baroness d'Aulnoy (1650/1651 – 14 January 1705), also known as Countess d'Aulnoy, was a French author known for her literary fairy tales. When she termed her works ''contes de fées'' (fairy tales), she originated the term that is now generally used for the genre. Biography D'Aulnoy was born in Barneville-la-Bertran, in Normandy, as a member of the noble family of Le Jumel de Barneville. She was the niece of Marie Bruneau des Loges, the friend of François de Malherbe and of Jean-Louis Guez de Balzac. In 1666, she was given at the age of fifteen (by her father) in an arranged marriage to a Parisian thirty years older—François de la Motte, Baron d'Aulnoy, of the household of the Duke of Vendôme. The baron was a freethinker and a known gambler. In 1669, the Baron d'Aulnoy was accused of treason (speaking out against imposed taxes by the King) by two men who may have been the lovers of Mme d'Aulnoy (aged nineteen) and her mother, who ...
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