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Futurism
Futurism ( it, Futurismo, link=no) was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and according to its doctrine, aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's 1909 ''Manifesto of Futurism'', Boccioni's 1913 sculpture ''Unique Forms of Continuity in Space'', Balla's 1913–1914 painting '' Abstract Speed + Sound'', and Russolo's ''The Art of Noises'' (1913). Although Futurism was largely an Italian phenomenon, parallel movements emerged in Russia, where some Russian Futurists would later go on to found groups of their o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Futurism
Russian Futurism (art), Futurism is the broad term for a movement of Russian poets and artists who adopted the principles of Filippo Marinetti's "Futurist Manifesto, Manifesto of Futurism," which espoused the rejection of the past, and a celebration of speed, machinery, violence, youth, industry, destruction of academies, museums, and urbanism; it also advocated the modernization and cultural rejuvenation. Russian Futurism began roughly in the early 1910s; in 1912, a year after Ego-Futurism began, the literary group "Hylea" - also spelt "Guilée" and "Gylea" – issued the manifesto ''A Slap in the Face of Public Taste''. The 1912 movement was originally called Cubo-Futurism, but this term is now used to refer to the style of art produced. Russian Futurism ended shortly after the Russian Revolution of 1917, after which former Russian Futurists either left the country, or participated in the new art movements. Notable Russian Futurists included Natalia Goncharova, Mikhail Larion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Tommaso Marinetti
Filippo Tommaso Emilio Marinetti (; 22 December 1876 – 2 December 1944) was an Italian poet, editor, art theorist, and founder of the Futurist movement. He was associated with the utopian and Symbolist artistic and literary community Abbaye de Créteil between 1907 and 1908. Marinetti is best known as the author of the first ''Futurist Manifesto'', which was written and published in 1909, and as a co-author of the Fascist Manifesto, in 1919. Childhood and adolescence Emilio Angelo Carlo Marinetti (some documents give his name as "Filippo Achille Emilio Marinetti") spent the first years of his life in Alexandria, Egypt, where his father (Enrico Marinetti) and his mother (Amalia Grolli) lived together ''more uxorio'' (as if married). Enrico was a lawyer from Piedmont, and his mother was the daughter of a literary professor from Milan. They had come to Egypt in 1865, at the invitation of Khedive Isma'il Pasha, to act as legal advisers for foreign companies that were taking part i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manifesto Of Futurism
The ''Manifesto of Futurism'' (Italian: ''Manifesto del Futurismo'') is a manifesto written by the Italian poet Filippo Tommaso Marinetti and published in 1909. Marinetti expresses an artistic philosophy called Futurism that was a rejection of the past and a celebration of speed, machinery, violence, youth and industry. It also advocated the modernization and cultural rejuvenation of Italy. Publication Marinetti wrote the manifesto in the autumn of 1908 and it first appeared as a preface to a volume of his poems, published in Milan in January 1909. It was published in the Italian newspaper ''Gazzetta dell'Emilia'' in Bologna on 5 February 1909, then in French as ''Manifeste du futurisme'' (''Manifesto of Futurism'') in the newspaper ''Le Figaro'' on 20 February 1909. Marinetti's '' Poesia'' focused its April 1909 issue on the manifesto and the Italian and French version were reprinted together with English version. In April 1909 a Madrid-based magazine, '' Prometeo'', published ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umberto Boccioni
Umberto Boccioni (, ; 19 October 1882 – 17 August 1916) was an influential Italian painter and sculptor. He helped shape the revolutionary aesthetic of the Futurism movement as one of its principal figures. Despite his short life, his approach to the dynamism of form and the deconstruction of solid mass guided artists long after his death. His works are held by many public art museums, and in 1988 the Metropolitan Museum of Art in New York City organized a major retrospective of 100 pieces. Biography Umberto Boccioni was born on 19 October 1882 in Reggio Calabria. His father was a minor government employee, originally from the Romagna region in the north, and his job included frequent reassignments throughout Italy. The family soon relocated further north, and Umberto and his older sister Amelia grew up in Forlì (Emilia-Romagna), Genoa and finally Padua. At the age of 15, in 1897, Umberto and his father moved to Catania, Sicily, where he would finish school. Some time after 189 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Balla
Giacomo Balla (18 July 1871 – 1 March 1958) was an Italian painter, art teacher and poet best known as a key proponent of Futurism. In his paintings he depicted light, movement and speed. He was concerned with expressing movement in his works, but unlike other leading futurists he was not interested in machines or violence with his works tending towards the witty and whimsical. Biography Giacomo Balla was born in Turin, in the Piedmont region of Italy. He was the son of a photographer and as a child studied music. At age nine, after the death of his father, he gave up music and began working in a lithograph print shop. By age 20, his interest in visual art had developed to such a level that he decided to study painting at local academies, and several of his early works were shown at exhibitions. Following academic studies at the University of Turin, Balla moved to Rome in 1895, where he met and later married Elisa Marcucci. For several years he worked in Rome as an illustrator, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Futurist Cooking
Futurist meals comprised a cuisine and style of dining advocated by some members of the Futurist movement, particularly in Italy. These meals were first proposed in Filippo Tommaso Marinetti and Luigi Colombo Fillia's ''Manifesto of Futurist Cooking'', published in Turin's ''Gazzetta del Popolo'' on December 28, 1930. In 1932, Marinetti and Fillìa expanded upon these concepts with ''The Futurist Cookbook.'' Concept According to Marinetti, he developed his concept of Futurism on October 11, 1908, while he was pondering the liberation of the Italian lyrical genius. He concluded that, for this to happen, it is necessary to change the method by going down into the streets, by attacking the theaters, and by bringing "the fist into the midst of the artistic struggle." When he introduced Futurist cooking, it was directed at combining gastronomy and art as well as the transformation of dining into a performance art. The Futurist movement recognized that people "think, dream and act acc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Russolo
Luigi Carlo Filippo Russolo (30 April 1885 – 4 February 1947) was an Italian Futurist painter, composer, builder of experimental musical instruments, and the author of the manifesto ''The Art of Noises'' (1913). He is often regarded as one of the first noise music experimental composers with his performances of ''noise music concerts'' in 1913–14 and then again after World War I, notably in Paris in 1921. He designed and constructed a number of noise-generating devices called Intonarumori. Biography Luigi Russolo was perhaps the first noise artist. His 1913 manifesto, '' L'Arte dei Rumori (The Art of Noises)'', stated that the industrial revolution had given modern men a greater capacity to appreciate more complex sounds. Russolo found traditional melodic music confining, and he envisioned noise music as its future replacement. Russolo designed and constructed a number of noise-generating devices called Intonarumori, and assembled a noise orchestra to perform with them. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rayonism
Rayonism (or Rayism or Rayonnism) was a style of abstract art that developed in Russia in 1910–1914. Founded and named by Russian Cubo-Futurists Mikhail Larionov and Natalia Goncharova, it was one of Russia's first abstract art movements. Background In 1909, Italian poet F. T. Marinetti published the ''Founding Manifesto of Futurism.'' The Futurists took speed, technology and modernity as their inspiration, depicting the dynamic character of early 20th century life; examples of Italian Futurists are Umberto Boccioni and Giacomo Balla. Shortly after the movement started, Russian Futurism, Ego-Futurism and Cubo-Futurism began; in Russia, the movement was developed by painter David Burliuk, poets Aleksei Kruchyonykh, Vasily Kamensky and Vladimir Mayakovsky, and many others. Larionov and Goncharova were early followers of Russian Futurism. In 1910, the latter two people, together with many associates such as Aristarkh Lentulov and Ilya Mashkov, they founded the exhibiting soci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unique Forms Of Continuity In Space
''Unique Forms of Continuity in Space'' ( it, Forme uniche della continuità nello spazio) is a 1913 bronze Futurist sculpture by Umberto Boccioni. It is seen as an expression of movement and fluidity. The sculpture is depicted on the obverse of the Italian-issue 20 cent euro coin. History The Futurist movement was striving to portray speed and forceful dynamism in their art. Boccioni, though trained as a painter, began sculpting in 1912. He exclaimed that "these days I am obsessed by sculpture! I believe I have glimpsed a complete renovation of that mummified art." The following year Boccioni completed the sculpture. His goal for the work was to depict a "synthetic continuity" of motion instead of an "analytical discontinuity" that he saw in artists like František Kupka and Marcel Duchamp. In 1912–13 Boccioni created several other sculptures including his 1913 '' Development of a Bottle in Space''. Composition ''Unique Forms of Continuity in Space'' depicts a human-like ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortunato Depero
Fortunato Depero (30 March 1892 – 29 November 1960) was an Italian futurist painter, writer, sculptor, and graphic designer. Biography Although born in Fondo or in the neighboring village of Malosco, according to other sources (in the Italian Trentino region, at that time the County of Tyrol in the Austrian-Hungarian empire), Depero grew up in Rovereto and it was here he first began exhibiting his works, while serving as an apprentice to a marble worker. It was on a 1913 trip to Florence that he discovered a copy of the paper ''Lacerba'' and an article by one of the founders of the futurism movement, Filippo Tommaso Marinetti. Depero was inspired, and in 1914 moved to Rome and met fellow futurist Giacomo Balla. It was with Balla in 1915 that he wrote the manifesto ''Ricostruzione futurista dell’universo'' ("Futurist Reconstruction of the Universe") which expanded upon the ideas introduced by the other futurists. It sought the abstract equivalent for all forms and eleme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gino Severini
Gino Severini (7 April 1883 – 26 February 1966) was an Italian Painting, painter and a leading member of the Futurism (art), Futurist movement. For much of his life he divided his time between Paris and Rome. He was associated with neo-classicism and the "return to order" in the decade after the First World War. During his career he worked in a variety of media, including mosaic and fresco. He showed his work at major exhibitions, including the Rome Quadrennial, and won art prizes from major institutions. Early life Severini was born into a poor family in Cortona, Italy. His father was a junior court official and his mother a dressmaker. He studied at the Scuola Tecnica in Cortona until the age of fifteen, when he and a group of fellow-classmates were expelled from the entire Italian school system for the attempted theft of exam papers. The boys escaped a custodial sentence but Severini never again attended formal education. For a while he worked with his father; then in 1899 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poesia (magazine)
''Poesia'' (Italian: ''Poetry'') is an Italian magazine founded by Filippo Tommaso Marinetti in Milan in 1905 which was closely associated with the Italian Futurist movement. During its early existence a total of thirty-one issues were published until the 1920s. It was headquartered in Verona. Later ''Poesia'' was revived and is still published in Milan. The original magazine supported modern poetry from different nations. It still covers poems by different artists. See also *List of magazines in Italy In Italy there are many magazines. Following the end of World War II the number of weekly magazines significantly expanded. From 1970 feminist magazines began to increase in number in the country. The number of consumer magazines was 975 in 1995 ... References External links *All issues of the magazine digitalized on Internet Archiveby the Archivio del '900 of Mart Museum, Italy Blue Mountain Project - browse Poesia by title 1905 establishments in Italy Italian Futu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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