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Fuguing Tune
The fuguing tune (often fuging tune) is a variety of Anglo-American vernacular choral music. It first flourished in the mid-18th century and continues to be composed today. Description Fuguing tunes are sacred music, specifically, Protestant hymns. They are written for a four-part chorus singing ''a cappella''. George Pullen Jackson has described the fuguing tune as follows: A well-known fuguing tune that is typical of the form is "Northfield", written in 1800 by Jeremiah Ingalls. The text is by Isaac Watts: Variety in fuguing tunes George Pullen Jackson's description above gives a common form for a fuguing tune, but there are variations. Jackson describes the entrance order of the four parts as "bottom to top" (Bass-Tenor-Alto-Treble), but this is not the only possible order. Indeed, in the fuguing tunes printed in ''The Sacred Harp, 1991 edition'', it is not even the most common one; the most common order is Bass-Tenor-Treble-Alto. There are many other orders possible ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choir
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'choru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timothy Swan
Timothy Swan (1758–1842) was a Yankee tunesmith and hatmaker born in Worcester, Massachusetts, USA. The son of goldsmith William Swan, Swan lived in small towns along the Connecticut River in Connecticut and Massachusetts for most of his life. Swan's compositional output consisted mostly of psalm and hymn settings, referred to as '' psalmody''. These tunes and settings were produced for choirs and singing schools located in Congregationalist communities of New England. Swan is unique as an early American composer in that he composed secular vocal duets and songs in addition to sacred tunebook music. The tunebook, ''New England Harmony''Cooke, Nym, ed. ''Timothy Swan: Psalmody And Secular Songs''. Music of the United States of America, Vol. 6. The American Musicological Society. Madison, Wisconsin: A-R Editions, Inc. (1997), p. xiii. is a collection of his sacred music compositions, while ''The Songster's Assistant'' is a collection of his secular music. Swan was also a po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West Gallery Music
__NOTOC__ West gallery music, also known as Georgian psalmody, refers to the sacred music (metrical psalms, with a few hymns and anthems) sung and played in English parish churches, as well as nonconformist chapels, from 1700 to around 1850. In the late 1980s, west gallery music experienced a revival and is now sung by several west gallery "quires" (choirs). The term "west gallery" derives from the wooden galleries which in the 18th century were constructed at the west end of typical churches, and from which gallery the choir would perform. Churches were built in a standard layouts, with the nave running from east-west away from the altar, so that the west gallery or choir, would face the altar, the same way as, but above, the church-goers. Victorians disapproved of the Georgian galleries, and most were removed during restorations in the 19th century. By the 1700s, many church goers were unsatisfied by the state of congregational singing, which resulted in the formation o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metrical Psalter
A metrical psalter is a kind of Bible translation: a book containing a verse translation of all or part of the Book of Psalms in vernacular poetry, meant to be sung as hymns in a church. Some metrical psalters include melodies or harmonisations. The composition of metrical psalters was a large enterprise of the Protestant Reformation, especially in its Calvinist manifestation. Biblical basis During the Protestant Reformation, a number of Bible texts were interpreted as requiring reforms in the music used in worship. The Psalms were particularly commended for singing; James 5:13 asks, "Is anyone happy? Let him sing songs of praise." Colossians 3:16 states "Let the word of Christ dwell in you richly as you teach and admonish one another with all wisdom, and as you sing psalms, hymns and spiritual songs with gratitude in your hearts to God." Various Reformers interpreted these texts as imposing strictures on sacred music. The psalms, especially, were felt to be commended to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitation (music), imitations of the melody played after a given duration (music), duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different part (music), voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and Interval (music), intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called round (music), rounds—"Row, Row, Row Your Boat" and "Frère Jacques" are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate the melody. History Medieval and Renaissance During the Medieval music, Middle Ages, Renaissance music, Renaissance, and Baroque music, Baroque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Morley
Thomas Morley (1557 – early October 1602) was an English composer, theorist, singer and organist of the Renaissance. He was one of the foremost members of the English Madrigal School. Referring to the strong Italian influence on the English madrigal, ''The New Grove Dictionary of Music and Musicians'' states that Morley was "chiefly responsible for grafting the Italian shoot on to the native stock and initiating the curiously brief but brilliant flowering of the madrigal that constitutes one of the most colourful episodes in the history of English music." Living in London at the same time as Shakespeare, Morley was the most famous composer of secular music in Elizabethan England. He and Robert Johnson are the composers of the only surviving contemporary settings of verse by Shakespeare. Morley was active in church music as a singer, composer and organist at St Paul's Cathedral. He was also involved in music publishing. From 1598 up to his death he held a printing patent (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homophony
In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh out the harmony. One melody predominates while the other parts play either single notes or an elaborate accompaniment. This differentiation of roles contrasts with equal-voice polyphony (in which similar lines move with rhythmic and melodic independence to form an even texture) and monophony (in which all parts move in unison or octaves). Historically, homophony and its differentiated roles for parts emerged in tandem with tonality, which gave distinct harmonic functions to the soprano, bass and inner voices. A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony, in which one voice, often the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Belknap
Daniel Belknap (February 9, 1771 – October 3, 1815) was a farmer, mechanic, militia captain, poet and singing teacher. Belknap was born in Framingham, Massachusetts, and was an American composerhttp://www.voxnovus.com/resources/American_Composer_Timeline.htm American Composer Timeline of the First New England School. He compiled four sacred tunebooks in the years 1797–1806, and also issued a book of secular songs with music. He died in Pawtucket, Rhode Island. Publications *''The Harmonist's Companion'' - Boston: printed by Thomas & Andrews, Oct. 1797 *''The Evangelical Harmony'' - Boston: Thomas & Andrews, Sept. 1800 *''The Middlesex Collection of Sacred Harmony''- Boston: Thomas & Andrews, Nov. 1802 *''The Village Compilation of Sacred Musick'' - Boston, printed for the author by J.T. Buckingham, 1806 *''The Middlesex Songster'' - Dedham: printed by H. Mann, 1809 *''Judgment Anthem'' - Dedham: printed by H. Mann, for D. Belknap, 1810 List of works *''The Seasons: Sprin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Justin Morgan
Justin Morgan (February 28, 1747 – March 22, 1798) was a U.S. horse breeder and composer. He was born in West Springfield, Massachusetts, and by 1788 had settled in Vermont. In addition to being a horse breeder and farmer, he was a teacher of singing; in that capacity he traveled considerably throughout the northeastern states. He died in Randolph, Vermont, where he also served as town clerk. Justin Morgan was the owner of a stallion named Figure, who became the sire of the Morgan horse breed. Morgan received Figure along with two other horses as payment of a debt. As Figure grew older, people began to recognize his skill in a variety of areas. Figure became a prolific breeding stallion; his descendants, still noted for their versatility and friendly personality, became the first American breed of horse to survive to the present. Figure's grave is marked by a stone in Tunbridge, Vermont. Justin Morgan's original 1798 gravestone is preserved in the Randolph Historical Society ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisha West
Elisha ( ; or "God is my salvation", Greek: , ''Elis îos'' or , ''Elisaié,'' Latin: ''Eliseus'') was, according to the Hebrew Bible, a prophet and a wonder-worker. His name is commonly transliterated into English as Elisha via Hebrew, Eliseus via Greek and Latin, or Alyasa via Arabic, and Elyasa or Elyesa via Turkish. Also mentioned in the New Testament and the Quran, Elisha is venerated as a prophet in Judaism, Christianity and Islam and writings of the Baháʼí Faith refer to him by name. Before he settled in Samaria, Elisha passed some time on Mount Carmel. He served from 892 until 832 BC as an advisor to the third through the eighth kings of Judah, holding the office of "prophet in Israel". He is called a patriot because of his help to soldiers and kings. In the biblical narrative, he is a disciple and protégé of Elijah, and after Elijah was taken up in a whirlwind, Elisha received a double portion of his power and he was accepted as the leader of the sons of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lewis Edson
Lewis Edson (22 January 1748 – 1820 in Woodstock, New York) was one of the first American composers. He began working as blacksmith, but soon after became a singing master A singing school is a school in which students are taught to sightread vocal music. Singing schools are a long-standing cultural institution in the Southern United States. While some singing schools are offered for credit, most are informal program ... and was a notable singer in his day. His most popular compositions were ''Bridgewater'', ''Lenox'' and ''Green Field'' and were published in 1782 in the "Choristers Companion". List of works *Bridgewater – choral hymn *Lenox – choral hymView Score at Hymnary.org*Newton – choral hymn *Green Field – choral hymn Scores Volume 3. ''Three New York Composers: The Collected Works of Lewis Edson, Lewis Edson, Jr., and Nathaniel Billings'', edited by Karl Kroeger. References External links Calvin Institute of Christian Worship American male composers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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