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Freakbeat
Freakbeat is a loosely defined subgenre of rock and roll music developed mainly by harder-driving British groups during the Swinging London period of the mid-to late 1960s. The genre bridges British Invasion R&B, beat and psychedelia. Etymology The term was coined by English music journalist Phil Smee. AllMusic writes that "freakbeat" is loosely defined, but generally describes the more obscure but hard-edged artists of the British Invasion era such as the Creation, the Pretty Things, The Smoke, or Denny Laine (in his early solo work). Compilations Much of the material collected on Rhino Records's 2001 box-set compilation '' Nuggets II: Original Artyfacts from the British Empire and Beyond, 1964–1969'' can be classified as freakbeat. The '' English Freakbeat'' series is a group of five compilation albums, released in the late 1980s, that were issued by AIP Records. The LPs featured recordings that were released in the mid-1960s by English rock bands in R&B and beat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Freakbeat Series
The ''English Freakbeat'' series is a group of five compilation albums, released in the late 1980s, that were issued by AIP Records. The LPs featured recordings that were released in the mid-1960s by English rock bands in the early punk, proto-punk, R&B, mod, and beat genres. The series served as a follow-up to the '' Pebbles, Volume 6'' LP, itself subtitled ''The Roots of Mod'', which was the only album in the ''Pebbles'' series that was devoted to English music. When the ''English Freakbeat'' series was reissued as CDs in the 1990s, the ''Pebbles, Volume 6'' LP was adapted into the ''English Freakbeat, Volume 6'' CD. Nature of the music The AIP Records website describes the albums in the ''English Freakbeat'' series as being " voted to some of the more raw & rockin' UK nuggets that have been overlooked by England's more pop-obsessed compilers, aving anemphasis on punk and R&B but with some volumes leaning toward mod-beat and art pop." Though disparaged as "failed mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat Music
Beat music, British beat, or Merseybeat is a British popular music genre that developed, particularly in and around Liverpool, in the late 1950s and early 1960s. The genre melded influences from American rock and roll, rhythm and blues, skiffle, traditional pop and music hall. It rose to mainstream popularity in the UK and Europe by 1963 before spreading to the North America in 1964 with the British Invasion. The beat style had a significant impact on popular music and youth culture, from 1960s movements such as garage rock, folk rock and psychedelic music to 1970s punk rock and 1990s Britpop. Origin The exact origins of the terms 'beat music' and 'Merseybeat' are uncertain. The "beat" in each, however, derived from the driving rhythms which the bands had adopted from their rock and roll, R&B and soul music influences, rather than the Beat Generation literary movement of the 1950s. As the initial wave of rock and roll subsided in the later 1950s, "big beat" music, later sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat Music
Beat music, British beat, or Merseybeat is a British popular music genre that developed, particularly in and around Liverpool, in the late 1950s and early 1960s. The genre melded influences from American rock and roll, rhythm and blues, skiffle, traditional pop and music hall. It rose to mainstream popularity in the UK and Europe by 1963 before spreading to the North America in 1964 with the British Invasion. The beat style had a significant impact on popular music and youth culture, from 1960s movements such as garage rock, folk rock and psychedelic music to 1970s punk rock and 1990s Britpop. Origin The exact origins of the terms 'beat music' and 'Merseybeat' are uncertain. The "beat" in each, however, derived from the driving rhythms which the bands had adopted from their rock and roll, R&B and soul music influences, rather than the Beat Generation literary movement of the 1950s. As the initial wave of rock and roll subsided in the later 1950s, "big beat" music, later sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pebbles, Volume 6 (LP)
''Pebbles, Volume 6'' is a compilation album among the LPs in the Pebbles series. Subtitled The Roots of Mod, Volume 6 is the only album in the Pebbles series that features primarily British music. The '' Pebbles, Volume 6'' CD is not at all related to this LP; instead, the CD featuring the songs on this LP was released as '' English Freakbeat, Volume 6''. Release data The album was released in 1980 by BFD Records (as #BFD-5023) and was kept in print for many years by AIP Records. Although the '' Pebbles, Volume 6'' 1994 CD has completely different music, most of the tracks on this album were reissued in 1996 on CD by AIP Records as ''English Freakbeat, Volume 6''. For convenience, information on this CD is also included so that a comparison can be easily made between the tracks on these two highly similar albums. Omitted tracks on the English Freakbeat CD As with the first five volumes of the Pebbles series, AIP Records omitted some tracks on the LP in the reissue of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Rock
British rock describes a wide variety of forms of music made in the United Kingdom. Since around 1964, with the "British Invasion" of the United States spearheaded by the Beatles, British rock music has had a considerable impact on the development of American music and rock music across the world.V. Bogdanov, C. Woodstra and S. T. Èrlewine, ''All music guide to rock: the definitive guide to rock, pop, and soul'' (Backbeat Books, 3rd edn., 2002), pp. 1316-7. Initial attempts to emulate American rock and roll took place in Britain in the mid-1950s, but the terms "rock music" and "rock" usually refer to the music derived from the blues rock and other genres that emerged during the 1960s. The term is often used in combination with other terms to describe a variety of hybrids or subgenres, and is often contrasted with pop music, with which it shares many structures and instrumentation. Rock music has tended to be more orientated toward the albums market, putting an emphasis on inn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garage Rock
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord (music), chord structures played on electric guitars and other instruments, sometimes distorted through a distortion (music), fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family Garage (residential), garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat music, beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of acts produced regional hits, and some had national hits, usually played on AM radio stations. With the advent of psyc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Invasion
The British Invasion was a cultural phenomenon of the mid-1960s, when rock and pop music acts from the United Kingdom and other aspects of British culture became popular in the United States and significant to the rising "counterculture" on both sides of the Atlantic Ocean. Pop and rock groups such as the Beatles, the Rolling Stones, the Zombies, the Kinks, Small Faces, the Dave Clark Five, Herman's Hermits, the Hollies, the Animals, Gerry and the Pacemakers, the Searchers, the Yardbirds, the Who and Them, as well as solo singers like Dusty Springfield, Cilla Black, Petula Clark, Tom Jones and Donovan, were at the forefront of the "invasion". Background The rebellious tone and image of US rock and roll and blues musicians became popular with British youth in the late 1950s. While early commercial attempts to replicate US rock and roll mostly failed, the trad jazz–inspired skiffle craze, with its do it yourself attitude, produced two top ten hits in the US by Lonnie Done ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AIP Records
AIP Records is a record label that was started by Greg Shaw's Bomp! Records in 1983 to continue the Pebbles series. AIP stands for "Archive International Productions". The first 10 volumes in the Pebbles series had been released by BFD Records of Kookaburra, Australia (most likely a fictitious label name to avoid copyright infringement lawsuits) in 1979–1980 and have been kept in print by AIP for many years. Including those in the companion Highs in the Mid-Sixties series – which concentrated on American regional music scenes – there are over 50 LPs covering some 800 obscure, mostly American "Original Punk Rock" songs recorded in the mid-1960s – primarily known today as the garage rock and psychedelic rock genres – that were previously known only to a handful of collectors. Two similar series of LPs featuring British music were released in the ensuing years, the English Freakbeat series and Electric Sugar Cube Flashbacks series. Although LPs are still available from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Creation (band)
The Creation was an English rock band, formed in 1966. Their best-known songs are "Making Time", which was one of the first rock songs to feature a Bowed guitar, guitar played with a bow, and "Painter Man", which made the Top 40 in the UK Singles Chart in late 1966, and reached No. 8 in the German chart in April 1967. It was covered by Boney M in 1979, and reached the No. 10 position in the UK chart. "Making Time" was used in the movie ''Rushmore (film), Rushmore,'' and as the theme song from season 2 onwards of ''The Great Pottery Throw Down''. Creation biographer Sean Egan defined their style as "a unique hybrid of pop, rock, psychedelia and the avant garde." Career Pre-history: The Mark Four (1963–1966) Most of the members of what would eventually become Creation were initially members of The Mark Four, a British beat group based in Cheshunt, Hertfordshire.Larkin C 'Virgin Encyclopedia of Sixties Music' (Muze UK Ltd, 1997) p132 By late 1963 The Mark Four was a quintet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of The United Kingdom (1960s)
Music of the United Kingdom developed in the 1960s into one of the leading forms of popular music in the modern world. By the early 1960s the British had developed a viable national music industry and began to produce adapted forms of American music in Beat music and British blues which would be re-exported to America by bands such as The Beatles, The Animals and the Rolling Stones. This helped to make the dominant forms of popular music something of a shared Anglo-American creation, and led to the growing distinction between pop and rock music, which began to develop into diverse and creative subgenres that would characterise the form throughout the rest of the twentieth century. Rock music Beat music In the late 1950s, a flourishing culture of groups began to emerge, often out of the declining skiffle scene, in major urban centres in the UK like Liverpool, Manchester, Birmingham and London. This was particularly true in Liverpool, where it has been estimated that there wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swinging London
The Swinging Sixties was a youth-driven cultural revolution that took place in the United Kingdom during the mid-to-late 1960s, emphasising modernity and fun-loving hedonism, with Swinging London as its centre. It saw a flourishing in art, music and fashion, and was symbolised by the city's "pop and fashion exports". Among its key elements were the Beatles, as leaders of the British Invasion of musical acts; Mary Quant's miniskirt; popular fashion models such as Twiggy and Jean Shrimpton; the mod subculture; the iconic status of popular shopping areas such as London's King's Road, Kensington and Carnaby Street; the political activism of the anti-nuclear movement; and sexual liberation. Music was a big part of the scene, with "the London sound" including the Who, the Kinks, the Small Faces and the Rolling Stones, bands that were the mainstay of pirate radio stations like Radio Caroline, Wonderful Radio London and Swinging Radio England. Swinging London also reached British cinem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
United Kingdom
The United Kingdom of Great Britain and Northern Ireland, commonly known as the United Kingdom (UK) or Britain, is a country in Europe, off the north-western coast of the continental mainland. It comprises England, Scotland, Wales and Northern Ireland. The United Kingdom includes the island of Great Britain, the north-eastern part of the island of Ireland, and many smaller islands within the British Isles. Northern Ireland shares a land border with the Republic of Ireland; otherwise, the United Kingdom is surrounded by the Atlantic Ocean, the North Sea, the English Channel, the Celtic Sea and the Irish Sea. The total area of the United Kingdom is , with an estimated 2020 population of more than 67 million people. The United Kingdom has evolved from a series of annexations, unions and separations of constituent countries over several hundred years. The Treaty of Union between the Kingdom of England (which included Wales, annexed in 1542) and the Kingdom of Scotland in 170 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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