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Fayum Mummy Portraits
Mummy portraits or Fayum mummy portraits are a type of naturalistic painted portrait on wooden boards attached to upper class mummies from Roman Egypt. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. The Fayum portraits are the only large body of art from that tradition to have survived. They were formerly, and incorrectly, called Coptic portraits. Mummy portraits have been found across Egypt, but are most common in the Faiyum Basin, particularly from Hawara and the Hadrianic Roman city Antinoopolis. "Faiyum portraits" is generally used as a stylistic, rather than a geographic, description. While painted cartonnage mummy cases date back to pharaonic times, the Faiyum mummy portraits were an innovation dating to the time of Roman rule in Egypt. The portraits date to the Imperial Roman era, from the late 1st century BC or the early 1st century AD onwards. It is not clear when their production ended, but rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coptic Art
Coptic art is the Christian art of the Byzantine-Greco-Roman Egypt and of Coptic Christian Churches. Coptic art is best known for its wall-paintings, textiles, illuminated manuscripts, and metalwork, much of which survives in monasteries and churches. The artwork is often functional, as little distinction was drawn between artistry and craftsmanship, and includes tunics and tombstones as well as portraits of saints. The Coptic Museum in Coptic Cairo houses some of the world's most important examples of Coptic art. Origins Coptic art displays a mix of Egyptian and Hellenistic influences. Subjects and symbols were taken from both Greek and Egyptian mythology, sometimes altered to fit Christian beliefs. Persia and Syria also influenced Coptic and Hellenistic art, though to a lesser extent, leaving images such as the peacock and the griffin. Icon painting Coptic icons have their origin in the Greco-Roman art of Egypt's Late Antiquity, as exemplified by the Fayum mummy por ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albertinum
The Albertinum () is a modern art museum. The sandstone-clad Renaissance Revival building is located on Brühl's Terrace in the historic center of Dresden, Germany. It is named after King Albert of Saxony. The Albertinum hosts the New Masters Gallery (''Galerie Neue Meister'') and the Sculpture Collection (''Skulpturensammlung'') of the Dresden State Art Collections. The museum presents both paintings and sculptures from Romanticism to the present, covering a period of some 200 years. History The Albertinum was built between 1884 and 1887 by extending a former armoury, or arsenal, that had been constructed between 1559 and 1563 at the same location.Fritz Löffler: ''Das alte Dresden - Geschichte seiner Bauten''. 16th ed. Leipzig: Seemann, 2006, The new building was designed by the regional master builder Carl Adolf Canzler in the Renaissance Revival style to house the royal "Collection of Antique and Modern Sculptures". The building was named after the Saxonian King Albe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Memphis, Egypt
, alternate_name = , image = , alt = , caption = Ruins of the pillared hall of Ramesses IIat Mit Rahina , map_type = Egypt#Africa , map_alt = , map_size = , relief = , coordinates = , location = Mit Rahina, Giza Governorate, Egypt , region = Lower Egypt , type = Settlement , part_of = , length = , width = , area = , height = , builder = Unknown, was already in existence during Iry-Hor's reignP. Tallet, D. Laisnay: ''Iry-Hor et Narmer au Sud-Sinaï (Ouadi 'Ameyra), un complément à la chronologie des expéditios minière égyptiene'', in: BIFAO 112 (2012), 381–395available online/ref> , material = , built = Earlier than 31st century BC , abandoned = 7th century AD , epochs = Early Dynastic Period to Early Middle Ages , cultures = , dependency_of = , occupants = , event ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saqqara
Saqqara ( ar, سقارة, ), also spelled Sakkara or Saccara in English , is an Egyptian village in Giza Governorate, that contains ancient burial grounds of Egyptian royalty, serving as the necropolis for the ancient Egyptian capital, Memphis. Saqqara contains numerous pyramids, including the Step pyramid of Djoser, sometimes referred to as the Step Tomb, and a number of mastaba tombs. Located some south of modern-day Cairo, Saqqara covers an area of around . Saqqara contains the oldest complete stone building complex known in history, the Pyramid of Djoser, built during the Third Dynasty. Another sixteen Egyptian kings built pyramids at Saqqara, which are now in various states of preservation. High officials added private funeral monuments to this necropolis during the entire Pharaonic period. It remained an important complex for non-royal burials and cult ceremonies for more than 3,000 years, well into Ptolemaic and Roman times. North of the area known as Saqqara lie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Della Valle
Pietro Della Valle ( la, Petrus a Valle; 2 April 1586 – 21 April 1652), also written Pietro della Valle, was an Italian composer, musicologist, and author who travelled throughout Asia during the Renaissance period. His travels took him to the Holy Land, the Middle East, Northern Africa, and as far as India. Life Pietro Della Valle was born in Rome on 2 April 1586, to a wealthy and noble family. His early life was spent in the pursuit of literature and arms. He was a cultivated man, who knew Latin, Greek, classical mythology, and the Bible. He also became a member of the Roman Accademia degli Umoristi, and acquired some reputation as a versifier and rhetorician. When Pietro was disappointed in love and began to consider suicide, Mario Schipano, a professor of medicine in Naples, suggested the idea of travelling in the East. It was Schipano who received a sort of diary in letters from Pietro's travels. Before leaving Naples, Pietro took a vow to make a pilgrimage to the Holy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engraving Of Finding Mummies In Sakkara By Pietro Della Valle
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is a form of relief printing and is not covered in this article, same with rock engravings like petroglyphs. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning the technique, is much less common in printmaking, where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Necropolis
A necropolis (plural necropolises, necropoles, necropoleis, necropoli) is a large, designed cemetery with elaborate tomb monuments. The name stems from the Ancient Greek ''nekropolis'', literally meaning "city of the dead". The term usually implies a separate burial site at a distance from a city, as opposed to tombs within cities, which were common in various places and periods of history. They are different from grave fields, which did not have structures or markers above the ground. While the word is most commonly used for ancient sites, the name was revived in the early 19th century and applied to planned city cemeteries, such as the Glasgow Necropolis. Necropoli in the ancient world Egypt Ancient Egypt is noted for multiple necropoleis. Ancient Egyptian funerary practices and beliefs about the afterlife led to the construction of several extensive necropoleis to secure and provision the dead in the hereafter. These necropoleis are therefore major archaeological si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempera
Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint. Etymology The term ''tempera'' is derived from the Italian ''dipingere a tempera'' ("paint in distemper"), from the Late Latin ''distemperare'' ("mix thoroughly"). History Tempera painting has been found on early Egyptian sarcophagus decorations. Many of the Fayum mummy portraits use tempera, sometimes in combina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encaustic Painting
Encaustic painting, also known as hot wax painting, is a form of painting that involves a heated wax medium to which colored pigments have been added. The molten mix is applied to a surface—usually prepared wood, though canvas and other materials are sometimes used. The simplest encaustic medium could be made by adding pigments to wax, though recipes most commonly consist of beeswax and damar resin, potentially with other ingredients. For pigmentation, dried powdered pigments can be used, though some artists use pigmented wax, inks, oil paints or other forms of pigmentation. Metal tools and special brushes can be used to shape the medium as it cools. Also, heated metal tools, including spatulas, knives and scrapers, can be used to manipulate the medium after it has cooled onto the surface. Additionally, heat lamps, torches, heat guns, and other methods of applying heat are used by encaustic artists to fuse and bind the medium. Because encaustic medium is thermally malleab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Egyptian Art
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It is also very conservative: the art style changed very little over time. Much of the surviving art comes from tombs and monuments, giving more insight into the ancient Egyptian afterlife beliefs. The ancient Egyptian language had no word for "art". Artworks served an essentially functional purpose that was bound with religion and ideology. To render a subject in art was to give it permanence. Therefore, ancient Egyptian art portrayed an idealized, unrealistic view of the world. There was no significant tradition of individual artistic expression since art served a wider and cosmic purpose of maintaining order (Ma'at). Art of Pre-Dynastic Egypt (6 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Roman Art
The art of Ancient Rome, and the territories of its Republic and later Empire, includes architecture, painting, sculpture and mosaic work. Luxury objects in metal-work, gem engraving, ivory carvings, and glass are sometimes considered to be minor forms of Roman art, although they were not considered as such at the time. Sculpture was perhaps considered as the highest form of art by Romans, but figure painting was also highly regarded. A very large body of sculpture has survived from about the 1st century BC onward, though very little from before, but very little painting remains, and probably nothing that a contemporary would have considered to be of the highest quality. Ancient Roman pottery was not a luxury product, but a vast production of "fine wares" in ''terra sigillata'' were decorated with reliefs that reflected the latest taste, and provided a large group in society with stylish objects at what was evidently an affordable price. Roman coins were an important means of p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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