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Faun
The faun (, grc, φαῦνος, ''phaunos'', ) is a half-human and half-goat mythological creature appearing in Greek and Roman mythology. Originally fauns of Roman mythology were spirits (genii) of rustic places, lesser versions of their chief, the god Faunus. Before their conflation with Greek satyrs, they and Faunus were represented as nude men (e.g. the Barberini Faun). Later fauns, became copies of the satyrs of Greek mythology, who themselves were originally shown as part-horse rather than part-goat. By Renaissance times fauns were depicted as bipedal creatures with the horns, legs, and tail of a goat and the head, torso, and arms of a human; they are often depicted with pointed ears. These late-form mythological creatures borrowed their appearance from the satyrs, who in turn borrowed their appearance from the god Pan of the Greek pantheon. They were symbols of peace and fertility, and their Greek chieftain, Silenus, was a minor deity of Greek mythology. Origins R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faun Merse
The faun (, grc, φαῦνος, ''phaunos'', ) is a half- human and half- goat mythological creature appearing in Greek and Roman mythology. Originally fauns of Roman mythology were spirits (genii) of rustic places, lesser versions of their chief, the god Faunus. Before their conflation with Greek satyrs, they and Faunus were represented as nude men (e.g. the Barberini Faun). Later fauns, became copies of the satyrs of Greek mythology, who themselves were originally shown as part-horse rather than part-goat. By Renaissance times fauns were depicted as bipedal creatures with the horns, legs, and tail of a goat and the head, torso, and arms of a human; they are often depicted with pointed ears. These late-form mythological creatures borrowed their appearance from the satyrs, who in turn borrowed their appearance from the god Pan of the Greek pantheon. They were symbols of peace and fertility, and their Greek chieftain, Silenus, was a minor deity of Greek mythology. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyrs
In Greek mythology, a satyr ( grc-gre, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, σειληνός ), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and are always shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbating or engaging in bestiality. In classical Athens, satyrs made up the chorus in a genre of play known as a "s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'après-midi D'un Faune (poem)
''L'après-midi d'un faune'' (or "The Afternoon of a Faun") is a poem by the French author Stéphane Mallarmé. It describes the sensual experiences of a faun who has just woken up from his afternoon sleep and discusses his encounters with several nymphs during the morning in a dreamlike monologue. It is Mallarmé's best-known work and a hallmark in the history of symbolism in French literature. Paul Valéry considered it to be the greatest poem in French literature.Weinfield, Henry. ''Stephane Mallarme, Collected Poems''. Translated with commentary. 1994, University of California Press. Online version aGoogleBooks/ref> History Initial versions of the poem, originally titled ''Le Faune, intermède héroique'' were written between 1865 (the first mention of the poem is found in a letter Mallarmé wrote to Henri Cazalis in June 1865) and 1867. Mallarmé submitted the first text to the Théâtre-Français in 1867, only to be rejected. Ten years later, under the title ''Improvisat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of The Faun
The House of the Faun ( it, Casa del Fauno), constructed in the 2nd century BC during the Samnite period (180 BC), was a grand Hellenistic palace that was framed by peristyle in Pompeii, Italy. The historical significance in this impressive estate is found in the many great pieces of art that were well preserved from the ash of the eruption of Mount Vesuvius in 79 AD. It is one of the most luxurious aristocratic houses from the Roman Republic, and reflects this period better than most archaeological evidence found even in Rome itself. History The House of the Faun, along with the House of Pansa, and the House of the Silver Wedding, among others, represent the higher class of the Roman houses of the Republic. More than 190 years after its excavation, the craftsmanship and quality of materials have been found to be exceptional, even amongst the other noble houses in Pompeii. There is evidence, most notably in the eastern walls of the tetrastyle atrium, that after the AD 62 Pomp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stéphane Mallarmé
Stéphane Mallarmé ( , ; 18 March 1842 – 9 September 1898), pen name of Étienne Mallarmé, was a French poet and critic. He was a major French symbolist poet, and his work anticipated and inspired several revolutionary artistic schools of the early 20th century, such as Cubism, Futurism, Dadaism, and Surrealism. Biography Mallarmé was born in Paris. He was a boarder at the '' Pensionnat des Frères des écoles chrétiennes à Passy'' between 6 or 9 October 1852 and March 1855. He worked as an English teacher and spent much of his life in relative poverty but was famed for his '' salons'', occasional gatherings of intellectuals at his house on the rue de Rome for discussions of poetry, art and philosophy. The group became known as ''les Mardistes,'' because they met on Tuesdays (in French, ''mardi''), and through it Mallarmé exerted considerable influence on the work of a generation of writers. For many years, those sessions, where Mallarmé held court as judge, jester, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodwose
The wild man, wild man of the woods, or woodwose/wodewose is a mythical figure that appears in the art and literature of medieval Europe, comparable to the satyr or faun type in classical mythology and to '' Silvanus'', the Roman god of the woodlands. The defining characteristic of the figure is its "wildness"; from the 12th century, they were consistently depicted as being covered with hair. Images of wild men appear in the carved and painted roof bosses where intersecting ogee vaults meet in Canterbury Cathedral, in positions where one is also likely to encounter the vegetal Green Man. The image of the wild man survived to appear as supporter for heraldic coats-of-arms, especially in Germany, well into the 16th century. Renaissance engravers in Germany and Italy were particularly fond of wild men, wild women, and wild families, with examples from Martin Schongauer (died 1491) and Albrecht Dürer (1471–1528) among others. Terminology The normal Middle English term, also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goat People
The following is a list of hybrid entities from the folklore record grouped morphologically. Hybrids not found in classical mythology but developed in the context of modern popular culture are listed in a separate section. For actual hybridization in zoology, see Hybrid (biology). Mythological Head of one animal, body of another * Alkonost – A creature from Russian folklore with the head of a woman with the body of a bird, said to make beautiful sounds that make anyone who hears them forget all that they know and not want anything more ever again. * Allocamelus – A Heraldic creature that has the head of a donkey and the body of a camel. * Anubis – The jackal-headed Egyptian God. * Atargatis – Human face, fish body. * Bai Ze – A creature from Chinese mythology with the head of a human and the body of a cow with six horns and nine eyes. * Bastet – The cat-headed Egyptian Goddess. * Bird goddess – Vinca figures of a woman with a bird head. * Catoblepas - One ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barberini Faun
The life-size ancient but much restored marble statue known as the ''Barberini Faun'', ''Fauno Barberini'' or ''Drunken Satyr'' is now in the Glyptothek in Munich, Germany. A faun is the Roman equivalent of a Greek satyr. In Greek mythology, satyrs were human-like male woodland spirits with several animal features, often a goat-like tail, hooves, ears, or horns. Satyrs attended Dionysus. History The sculpture was either carved by an unknown Hellenistic sculptor of the Pergamene school, in the late third or early second century BC or is a Roman copy of high quality, though its present form was given it by a series of restorers in Rome, ending with Vincenzo Pacetti. The statue was found in the 1620s in the moat below the Castel Sant'Angelo, Rome, which in Antiquity had been Hadrian’s Mausoleum. Work on the fortification was undertaken by the Barberini Pope Urban VIII in 1624. The sculpture made its first documented appearance in a receipt for its restoration, 6 June 1628, when i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Symbolism
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's ''Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related Decadents of literature and of art. Etymology The term ''symbolism'' is derived from the word "symbol" which derives from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pan (god)
In ancient Greek religion and mythology, Pan (; grc, Πάν, Pán) is the god of the wild, shepherds and flocks, rustic music and impromptus, and companion of the nymphs. He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia, he is also recognized as the god of fields, groves, wooded glens, and often affiliated with sex; because of this, Pan is connected to fertility and the season of spring. In Roman religion and myth, Pan's counterpart was Faunus, a nature god who was the father of Bona Dea, sometimes identified as Fauna; he was also closely associated with Sylvanus, due to their similar relationships with woodlands. In the 18th and 19th centuries, Pan became a significant figure in the Romantic movement of western Europe and also in the 20th-century Neopagan movement. Origins Many modern scholars consider Pan to be derived from the reconstructed Proto-Indo-European god ''*Péh₂usōn'', wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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