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Eye Cup
Eye-cup is the term describing a specific cup type in ancient Greek pottery, distinguished by pairs of eyes painted on the external surface. Description Classified as '' kylikes'' in terms of shape, eye-cups were especially widespread in Athens and Chalkis in the second half of the sixth century BC. The bowl of the eye-cup rests on a short squat foot; both sides are dominated by large painted pairs of eyes under arched eyebrows. The eyeballs are painted in silhouette style, later often filled with white paint or painted white on black. Some eyes are “female”, i.e. almond-shaped and without tear-ducts. Often, a stylized nose is placed centrally between the eyes. While used as a drinking vessel, due to the necessary inclination of the vessel, the cup with its painted eyes, the handles looking like ears and the base of the foot like a mouth, would have resembled a mask. Many of the vases also bear dionysiac imagery. The eyes are assumed to have served an apotropaic (evil-a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eye-cup Staatliche Antikensammlungen 589
Eye-cup is the term describing a specific cup type in ancient Greek pottery, distinguished by pairs of eyes painted on the external surface. Description Classified as '' kylikes'' in terms of shape, eye-cups were especially widespread in Athens and Chalkis in the second half of the sixth century BC. The bowl of the eye-cup rests on a short squat foot; both sides are dominated by large painted pairs of eyes under arched eyebrows. The eyeballs are painted in silhouette style, later often filled with white paint or painted white on black. Some eyes are “female”, i.e. almond-shaped and without tear-ducts. Often, a stylized nose is placed centrally between the eyes. While used as a drinking vessel, due to the necessary inclination of the vessel, the cup with its painted eyes, the handles looking like ears and the base of the foot like a mouth, would have resembled a mask. Many of the vases also bear dionysiac imagery. The eyes are assumed to have served an apotropaic (evil-a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andokides (potter)
Andokides (; ''The Columbia Electronic Encyclopedia'', 6th ed., Columbia University Press, 2012. el, Ἀνδοκίδης) was a famous of . The painter of his pots was an anonymous artist, the , who is recognized as the creator of the |
Oltos
Oltos was a Late Archaic Greek vase painter, active in Athens from 525 BC to 500 BC. About 150 works by him are known. Two pieces, a cup in Berlin ( Antikensammlung F 2264) and a cup in Tarquinia (Museo Nazionale Tarquiniese RC 6848), are signed by him as painter. Overview Oltos is thought to have begun his career in the workshop of the potter Nikosthenes. Initially, he mainly painted bilingual vases or bowls with interior black-figure and exterior red-figure decoration. His black-figure style was influenced by Psiax and the Antimenes Painter. No pure black-figure works by Oltos are yet known. His tondos usually depict a single figure. They are often full of tension, frequently with differential directions of gaze and movement. Later, he exclusively painted red-figure, influenced especially by the Andokides Painter as well as several members of the Pioneer Group, especially his former pupil Euphronios. His drawing style was spacious and elegant, but never reached the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikosthenes
Nikosthenes was a potter of Greek black- and red-figure pottery in the time window 550–510 BC. He signed as the potter on over 120 black-figure vases, but only nine red-figure. Most of his vases were painted by someone else, called Painter N (for Nikosthenes). Beazley considers the painting "slovenly and dissolute;" that is, not of high quality. In addition, he is thought to have worked with the painters Anakles, Oltos, Lydos and Epiktetos. Six's technique is believed to have been invented in Nikosthenes' workshop, possibly by Nikosthenes himself, around 530 BC. He is considered transitional between black-figure and red-figure pottery. The pottery workshop Nikosthenes was the owner of a workshop in Athens in the latter part of the 6th century BC. On the theory that the number of signed works reflects the number of total works, the high number of signatures referring to Nikosthenes suggests that he had one of the largest if not the largest manufacturing center in Athens. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mastos Painter
The Mastos Painter ('' fl.'' mid-6th century BC) was a painter of ancient Greek vases. He is named for a black-figure '' mastos'' used by the art historian John Boardman to illustrate the type, which is shaped like a woman's breast (Greek ''mastos''). Works The Mastos Painter belonged to the circle of the Lysippides Painter. The work for which he was named depicts Dionysus, two horse-legged satyrs or silens, and Hermes as they "gaze admiringly" at Ariadne holding the infant Oinopion, her child with Dionysus. This "gentle kind of narrative" is characteristic also of the Antimenes Painter, the mature work of the Andokides Painter, and Oltos and Epiktetos around 515 BC. Although the painter takes his name from his exemplary ''mastos'', he also produced work on other vase types. On a belly amphora executed around 525 BC, he depicts an ivy-bearing Dionysus bringing his mother Semele from the underworld; the god looks back at her as she climbs into a chariot drawn by the magnifi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lysippides Painter
The Lysippides Painter was an Attic vase painter in the black-figure style. He was active around 530 to 510 BC. His conventional name comes from a kalos inscription on a vase in the British Museum attributed to him; his real name is not known. Life and work His conventional name is derived from a ''kalos'' inscription on a neck amphora in the British Museum (B 211). He is considered the most significant pupil of Exekias, from whom he adopted not only his artistic style but also some important motifs, such as Ajax and Achilleus playing a board game. He also frequently painted scenes involving the hero Herakles. In total, about 30 known vases are ascribed to him. His collaboration with the Andokides Painter, usually considered the inventor of red-figure vase painting, is unusual. On seven bilingual vases, six belly amphorae and a cup (now in Palermo), he painted the red-figure side, while the Andokides Painter was responsible for the black-figure one. At times, the subjects ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lydos
Lydos (Greek: Λυδός, ''the Lydian'') was an Attic vase painter in the black-figure style. Active between about 560 and 540 BC, he was the main representative of the '’’Lydos Group’’’. His signature, ό Λυδός, ho Lydos ("the Lydian)", inscribed on two vases, is informative regarding the cultural background of the artist. Either he immigrated to Athens from the Lydian empire of King Kroisos, or he was born in Athens as the son of Lydian parents. In any case, he learned his trade in Athens. Style It is difficult to definitely recognise his work, since he was the centre and main artist of a highly productive Attic pottery workshop. For that reason, many vases are simply described as "in the style of Lydos". Several other individual artists within his circle can be identified, including the Painter of Vatican 309 and Painter of Louvre F 6. These works are quite homogeneous in style, but differ considerably in terms of quality. The style of Lydos strongly resem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painter Of Nicosia Olpe
The Painter of Nicosia Olpe was an ancient Greek vase painter, who was producing work around 575 BC to 475 BC, and these dates are concluded from the vases that were found and attributed to the specific painter. All of the pieces are black-figure, and this can also be determined by the dates. The majority of vases that he painted were larger pieces; this is not something that he had control over, but he did have control over the scenes on the vases. Works There are forty-five vases that are attributed to the Painter of Nicosia Olpe that are recorded and posted on the Beazley Archive. Out of those forty-five vases more than half are larger vase shapes such as amphora, amphora B, neck amphora, skyphos, and more. These large vases were found mostly in Italy, which means that most of the vases that the painter and workshop were producing were for the Italian market. Twelve of the forty-five vases were found in different parts of Italy such as Etruria, Capua, Nola, Taranto and S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
