Experimental Poetry
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Experimental Poetry
Experimental literature is a genre that is, according to Warren Motte in his essa"Experimental Writing, Experimental Reading" "difficult to define with any sort of precision." He says the "writing is often invoked in an "offhand manner" and the focus is on "form rather than content." It can be in written form of prose narrative or poetry, but the text may be set on the page in differing configurations than that of normal prose paragraphs or in the classical stanza form of verse. It may also be entwined with images of a real or abstract nature, with the use of art or photography. Furthermore, while experimental literature was traditionally handwritten on paper or vellum, the digital age has seen an exponential leaning to the use of digital computer technologies. Early history The first text generally cited in this category is Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman, ''The Life and Opinions of Tristram Shandy, Gentleman'' (1759). This text occurs so ...
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The Convergence Of Two Narrative LInes Ascending - Page 1
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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Tristan Tzara
Tristan Tzara (; ; born Samuel or Samy Rosenstock, also known as S. Samyro; – 25 December 1963) was a Romanian and French avant-garde poet, essayist and performance artist. Also active as a journalist, playwright, literary and art critic, composer and film director, he was known best for being one of the founders and central figures of the anti-establishment Dada movement. Under the influence of Adrian Maniu, the adolescent Tzara became interested in Symbolism and co-founded the magazine ''Simbolul'' with Ion Vinea (with whom he also wrote experimental poetry) and painter Marcel Janco. During World War I, after briefly collaborating on Vinea's '' Chemarea'', he joined Janco in Switzerland. There, Tzara's shows at the Cabaret Voltaire and Zunfthaus zur Waag, as well as his poetry and art manifestos, became a main feature of early Dadaism. His work represented Dada's nihilistic side, in contrast with the more moderate approach favored by Hugo Ball. After moving to Paris in ...
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Visions Of Gerard
''Visions of Gerard'' is a novel by American Beat writer Jack Kerouac. Written in the first two weeks of 1956, while staying with his sister Caroline in Rocky Mount, North Carolina, Kerouac's novel would not be published until 1963. It is the first volume in Kerouac's "Duluoz Legend". Uniquely among Kerouac's novels, ''Visions of Gerard'' focuses on the scenes and sensations of childhood as evidenced in the tragically short yet happy life of his older brother, Gerard. Kerouac paints a picture of the boy as a saint, who loves all creatures and teaches this doctrine to four-year-old Jack. Set in Kerouac's hometown of Lowell, Massachusetts, it is a beautiful but unsettling exploration of the meaning and precariousness of existence. Explanation of the novel's title Throughout the novel, Jack explores perspective and interpretations of the world—existence, reality, illusion—and through the death of his older brother Gerard, Jack realizes the truth that has been passed on througho ...
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