Ethical Pot
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Ethical Pot
The term "ethical pot" was coined by Oliver Watson in his book ''Studio Pottery: Twentieth Century British Ceramics in the Victoria and Albert Museum'' to describe a 20th-century trend in studio pottery that favoured plain, utilitarian ceramics. Watson said that the ethical pot,"lovingly made in the correct way and with the correct attitude, would contain a spiritual and moral dimension." Its leading proponents were Bernard Leach and a more controversial group of post-war British studio potters. They were theoretically opposed to the ''expressive pots'' or '' fine art pots'' of potters such as William Staite Murray, Lucie Rie and Hans Coper. The ''ethical pot'' theory and style was popularized by Bernard Leach in ''A Potter's Book'' (1940). He expanded the theories that ethical pots should be utilitarian, "naturally shaped" and originally as conceived should derive from "Oriental forms that transcended mere good looks." Leach had previously spent considerable time in Japan studyin ...
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Studio Ceramics Set By Bernard Leach (YORYM-2004
A studio is an artist or worker's workroom. This can be for the purpose of acting, architecture, painting, pottery (ceramics), sculpture, origami, woodworking, scrapbooking, photography, graphic design, filmmaking, animation, industrial design, radio or television production broadcasting or the making of music. The term is also used for the workroom of dancers, often specified to dance studio. The word ''studio'' is derived from the , from , from ''studere'', meaning to study or zeal. The French term for studio, '' atelier'', in addition to designating an artist's studio is used to characterize the studio of a fashion designer. ''Studio'' is also a metonym for the group of people who work within a particular studio. :uz:Studiya Art studio The studio of any artist, especially from the 15th to the 19th centuries, characterized all the assistants, thus the designation of paintings as "from the workshop of..." or "studio of..." An art studio is sometimes called an atelier ...
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Norah Braden
Norah Braden (1901 – 2001) was a British artisan potter. Life Braden was born in 1901 in Margate. Her parents were Jessie Norwood (born Arnold) and John Templeton Braden who dealt in stationary. She showed early musical and artistic talent and she excelled on the violin. She could have gone to the Royal College of Music but she decided instead to go to Central School of Arts and Crafts. Her father had a bookshop and he was a lay preacher and they were not rich. She went on to the Royal College of Art where she decided that she should abandon fine art and concentrate on pottery for financial reasons. She started a life-long friendship with the designer Enid Marx (who became very successful after failing the course). It was Braden who introduced her to Phyllis Barron and Dorothy Larcher and Marx became an apprentice handblock textile printer. In 1925, Braden joined Bernard Leach's pottery in St. Ives after Sir William Rothenstein recommended her as "a genius". Fellow apprenti ...
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Studio Pottery
Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves.Emmanuel Cooper, ''Ten Thousand Years of Pottery''. British Museum Press, 2000. . Studio pottery includes functional wares such as tableware and cookware, and non-functional wares such as sculpture, with vases and bowls covering the middle ground, often being used only for display. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium. In Britain since the 1980s, there has been a distinct trend away from functional pottery, for example, the work of artist Grayson Perry. Some studio potters now prefer to call themselves ceramic artists, ceramists or simply artists. Studio pottery is represented by potters all over the world and has strong roots in Britain. Art pottery is a related term, ...
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Ian Sprague
Ian Broun Sprague (1920–1994) was an Australian twentieth-century studio potter, ceramic sculptor and graphic artist. Delayed by the Second World War and a false start in architecture, he spent (broadly) his forties adapting Australian domestic pottery to a Japanese aesthetic of contemplative use; his fifties as a sculptor in two- and three-dimensional pottery; his sixties and seventies making landscape works on paper. Early life Sprague was born in Geelong, Victoria, Australia, in 1920. He was the sixth and last child of Leslie Sprague, a wealthy grazier and Marion Broun, Armidale-born descendant of the Scottish Broun baronets. He was educated at Geelong Grammar. Trained as an architectural draughtsman, Sprague spent the Second World War in the AIF in New Guinea as a signals officer.National Archives of Australia series B883, service number VX110751 barcode 6095705 After the war he went to the University of Melbourne and completed an architecture degree in 1950. But he found ...
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Len Castle
Leonard Ramsay Castle (23 December 1924 – 29 September 2011) was a New Zealand Pottery, potter. Early life and family Born in Auckland on 23 December 1924, Castle was educated at Mount Albert Grammar School. He went on to study at University of Auckland, Auckland University College, graduating Bachelor of Science in 1947, and trained as a secondary school teacher at Auckland College of Education, Auckland Teachers' Training College. After a period as a science teacher at Mount Albert Grammar School, he took a lecturing position at Auckland Teachers' College. In 1959, Castle married Ruth Main. The couple had one child, but later divorced. Pottery Castle's first experience of pottery was as a 10-year-old, seeing Olive Jones demonstrating at the Auckland Easter Show. Castle began making his first pottery in 1947 and took night classes with Robert Nettleton Field at Avondale College, Auckland. In 1956, he moved to St Ives, Cornwall for a year to work with Bernard Leach and b ...
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New Zealand
New Zealand ( mi, Aotearoa ) is an island country in the southwestern Pacific Ocean. It consists of two main landmasses—the North Island () and the South Island ()—and over 700 smaller islands. It is the sixth-largest island country by area, covering . New Zealand is about east of Australia across the Tasman Sea and south of the islands of New Caledonia, Fiji, and Tonga. The country's varied topography and sharp mountain peaks, including the Southern Alps, owe much to tectonic uplift and volcanic eruptions. New Zealand's capital city is Wellington, and its most populous city is Auckland. The islands of New Zealand were the last large habitable land to be settled by humans. Between about 1280 and 1350, Polynesians began to settle in the islands and then developed a distinctive Māori culture. In 1642, the Dutch explorer Abel Tasman became the first European to sight and record New Zealand. In 1840, representatives of the United Kingdom and Māori chiefs ...
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Byron Temple
Byron Temple (1933–2002) was an American potter. Temple learned to throw on the wheel at Ball State University as an undergrad in his native Indiana. After college and serving in the U.S. Army, Temple discovered ''A Potter's Book'', written by the English potter, Bernard Leach, considered by mny to be the grandfather of modern hand thrown functional studio pottery. This inspiring book motivated Temple to write Leach asking if he could apprentice with him at Leach's St. Ives Pottery in Cornwall, England. The two happened to meet while Leach was giving a workshop in the United States, and he agreed to take on Temple as an apprentice in 1960. While at St. Ives, Temple worked closely with Leach, not only talking about the aesthetic of pots, but also developing a line of standard ware they produced and sold. Temple's time spent at St. Ives was equivalent to a graduate school education, and he left St. Ives with a philosophy of making well-crafted work as a production potter. Upon Te ...
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Warren MacKenzie
Warren MacKenzie (February 16, 1924 – December 31, 2018) was an American craft potter. He grew up in Wilmette, Illinois the second oldest of five children including his brothers, Fred and Gordon and sisters, Marge (Peppy) and Marilyn. His high school days were spent at New Trier High School in Winnetka, Illinois. Biography MacKenzie and his first wife, Alix, studied with Bernard Leach from 1949 to 1952. His simple, wheel-thrown functional pottery is heavily influenced by the aesthetic of Shoji Hamada and Korean ceramics. He is credited with bringing the Japanese Mingei style of pottery to Minnesota, fondly referred to as the "Mingei-sota style." MacKenzie described his goal as the making of "everyday" pots. Accordingly, although his pots are found in major museums and command high prices among collectors, MacKenzie has always kept his prices low and for various time periods did not sign his work (1970s, most of the 2000s) until recently resuming the use of his chop a ...
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Richard Batterham
Richard is a male given name. It originates, via Old French, from Old Frankish and is a compound of the words descending from Proto-Germanic ''*rīk-'' 'ruler, leader, king' and ''*hardu-'' 'strong, brave, hardy', and it therefore means 'strong in rule'. Nicknames include "Richie", "Dick", "Dickon", " Dickie", " Rich", "Rick", " Rico", "Ricky", and more. Richard is a common English, German and French male name. It's also used in many more languages, particularly Germanic, such as Norwegian, Danish, Swedish, Icelandic, and Dutch, as well as other languages including Irish, Scottish, Welsh and Finnish. Richard is cognate with variants of the name in other European languages, such as the Swedish "Rickard", the Catalan "Ricard" and the Italian "Riccardo", among others (see comprehensive variant list below). People named Richard Multiple people with the same name * Richard Andersen (other) * Richard Anderson (other) * Richard Cartwright (other) * ...
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