Envelope (music)
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Envelope (music)
In sound and music, an envelope describes how a sound changes over time. It may relate to elements such as amplitude (volume), frequencies (with the use of filters) or pitch. For example, a piano key, when struck and held, creates a near-immediate initial sound which gradually decreases in volume to zero. Envelope generators, which allow users to control the different stages of a sound, are common features of synthesizers, samplers, and other electronic musical instruments. The most common form of envelope generator is controlled with four parameters: attack, decay, sustain and release (ADSR). Development The Hammond Novachord in 1938 used an early implementation of an ADSR envelope. A seven-position rotary knob selects preset ADS parameter for all 72 notes; a pedal controls the release. The envelope generator was created by the American engineer Robert Moog in the 1960s. While experimenting with the first Moog synthesizers, composer Herbert Deutsch suggested Moog find a ...
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Sound
In physics, sound is a vibration that propagates as an acoustic wave, through a transmission medium such as a gas, liquid or solid. In human physiology and psychology, sound is the ''reception'' of such waves and their ''perception'' by the brain. Only acoustic waves that have frequencies lying between about 20 Hz and 20 kHz, the audio frequency range, elicit an auditory percept in humans. In air at atmospheric pressure, these represent sound waves with wavelengths of to . Sound waves above 20 kHz are known as ultrasound and are not audible to humans. Sound waves below 20 Hz are known as infrasound. Different animal species have varying hearing ranges. Acoustics Acoustics is the interdisciplinary science that deals with the study of mechanical waves in gasses, liquids, and solids including vibration, sound, ultrasound, and infrasound. A scientist who works in the field of acoustics is an ''acoustician'', while someone working in the field of acoustica ...
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Harvard University Press
Harvard University Press (HUP) is a publishing house established on January 13, 1913, as a division of Harvard University, and focused on academic publishing. It is a member of the Association of American University Presses. After the retirement of William P. Sisler in 2017, the university appointed as Director George Andreou. The press maintains offices in Cambridge, Massachusetts near Harvard Square, and in London, England. The press co-founded the distributor TriLiteral LLC with MIT Press and Yale University Press. TriLiteral was sold to LSC Communications in 2018. Notable authors published by HUP include Eudora Welty, Walter Benjamin, E. O. Wilson, John Rawls, Emily Dickinson, Stephen Jay Gould, Helen Vendler, Carol Gilligan, Amartya Sen, David Blight, Martha Nussbaum, and Thomas Piketty. The Display Room in Harvard Square, dedicated to selling HUP publications, closed on June 17, 2009. Related publishers, imprints, and series HUP owns the Belknap Press imprint, whi ...
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Oscillator Sync
Oscillator sync is a feature in some synthesizers with two or more VCOs, DCOs, or "virtual" oscillators. As one oscillator finishes a cycle, it resets the period of another oscillator, forcing the latter to have the same base frequency. This can produce a harmonically rich sound, the timbre of which can be altered by varying the synced oscillator's frequency. A synced oscillator that resets other oscillator(s) is called the master; the oscillators which it resets are called slaves. There are two common forms of oscillator sync which appear on synthesizers: Hard Sync and Soft Sync. According to ''Sound on Sound'' journalist Gordon Reid, oscillator sync is "one of the least understood facilities on any synthesizer". Hard Sync The leader oscillator's pitch is generated by user input (typically the synthesizer's keyboard), and is arbitrary. The follower oscillator's pitch may be tuned to (or detuned from) this frequency, or may remain constant. Every time the leader oscillator's c ...
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FL Studio
FL Studio (previously known as FruityLoops before 2003) is a digital audio workstation (DAW) developed by the Belgian company Image-Line. FL Studio features a graphical user interface with a pattern-based music sequencer. The program is available in four different editions for Microsoft Windows and macOS. Image-Line offers lifetime free updates to the program after one-time purchases, which means customers receive all future updates of the software for free after their purchase. Image-Line also develops FL Studio Mobile for Android, iOS, macOS and Universal Windows Platform devices. FL Studio can also be used as either a virtual studio technology (VST) or Audio Unit (AU) instrument in other audio workstation programs and also functions as a ReWire client. Image-Line also offers its own VST and AU instruments and audio applications. FL Studio has been used by numerous highly visible hip hop and EDM producers, including Porter Robinson, Alan Walker, Madeon, Soulja Boy, Sou ...
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Digital Audio Workstation
A digital audio workstation (DAW) is an electronic device or application software used for Sound recording and reproduction, recording, editing and producing audio files. DAWs come in a wide variety of configurations from a single software program on a laptop, to an integrated stand-alone unit, all the way to a highly complex configuration of numerous components controlled by a central computer. Regardless of configuration, modern DAWs have a central interface that allows the user to alter and mix multiple recordings and tracks into a final produced piece. DAWs are used for producing and recording music, songs, human speech, speech, Radio broadcasting, radio, television, soundtracks, podcasts, sound effects and nearly any other situation where complex recorded audio is needed. Hardware Early attempts at digital audio workstations in the 1970s and 1980s faced limitations such as the high price of storage, and the vastly slower processing and disk speeds of the time. In 1978, ...
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Software Synthesizers
A software synthesizer or softsynth is a computer program that generates digital audio, usually for music. Computer software that can create sounds or music is not new, but advances in processing speed now allow softsynths to accomplish the same tasks that previously required the dedicated hardware of a conventional synthesizer. Softsynths may be readily interfaced with other music software such as music sequencers typically in the context of a digital audio workstation. Softsynths are usually less expensive and can be more portable than dedicated hardware. Types Softsynths can cover a range of synthesis methods, including subtractive synthesis (including analog modeling, a subtype), FM synthesis (including the similar phase distortion synthesis), physical modelling synthesis, additive synthesis (including the related resynthesis), and sample-based synthesis. Many popular hardware synthesizers are no longer manufactured but have been emulated in software. The emulation ...
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Prophet '08
The Prophet '08 is a polyphonic analog synthesizer created by Dave Smith of St. Helena, California, US, for Dave Smith Instruments (DSI), released in late 2007. As with DSI's other instruments, the Prophet '08 uses analog subtractive synthesis, as opposed to many of the current crop of synthesizers, which employ DSP-based virtual analog synthesis. Similar in functionality to the renowned Sequential Circuits Prophet-5 analog synthesizer popularized in the 1970s (also designed by Dave Smith), the Prophet '08 has an all analog signal path; however its envelopes are generated digitally. It is one of many analog synthesizers commercially available . In 2017, the Prophet '08 was superseded by the '08 Rev2. The new instrument is available in both 8-voice and 16-voice versions in both keyboard and module variants. The Rev2 added improved onboard effects and a polyphonic sequencer. Sound Architecture The Prophet '08 is an eight-voice analog synthesizer. Each voice is identical in archi ...
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Sound Chip
A sound chip is an integrated circuit (chip) designed to produce audio signals through digital, analog or mixed-mode electronics. Sound chips are typically fabricated on metal–oxide–semiconductor (MOS) mixed-signal chips that process audio signals (analog and digital signals, for both analog and digital data). They normally contain audio components such as oscillators, envelope controllers, samplers, filters, amplifiers, and envelope generators. History A number of sound synthesis methods for electronically producing sound were devised during the late 20th century. These include programmable sound generators (PSG), wavetable synthesis, and frequency modulation synthesis (FM synthesis). Such sound chips were widely used in arcade game system boards, video game consoles, home computers and digital synthesizers. Since the late-1990s, pulse-code modulation (PCM) sampling has been the standard for many sound chips, as used in the Intel High Definition Audio (IHDA ...
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General Instrument AY-3-8910
The AY-3-8910 is a 3-voice programmable sound generator (PSG) designed by General Instrument in 1978, initially for use with their 16-bit CP1610 or one of the PIC1650 series of 8-bit microcomputers. The AY-3-8910 and its variants were used in many arcade games—Konami's ''Gyruss'' contains five—and pinball machines as well as being the sound chip in the Intellivision and Vectrex video game consoles, and the Amstrad CPC, Oric-1, Colour Genie, Elektor TV Games Computer, MSX, and later ZX Spectrum home computers. It was also used in the Mockingboard and Cricket sound cards for the Apple II and the Speech/Sound Cartridge for the TRS-80 Color Computer. After General Instrument's spinoff of Microchip Technology in 1987, the chip was sold for a few years under the Microchip brand. It was also manufactured under license by Yamaha (with a selectable clock divider pin and a double-resolution and double-rate volume envelope table) as the YM2149F; the Atari ST uses this versi ...
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Korg MS-20
The Korg MS-20 is a patchable semi-modular monophonic analog synthesizer which Korg released in 1978 and which was in production until 1983. It was part of Korg's MS series of instruments, which also included the single oscillator MS-10, the keyboardless MS-50 module, the SQ-10 sequencer, and the VC-10 Vocoder. Additional devices included the MS-01 Foot Controller, MS-02 Interface, MS-03 Signal Processor, and MS-04 Modulation Pedal. Although the MS-20 follows a conventional subtractive synthesis architecture of oscillators/filter/vca, its patch panel allows some rerouting of both audio and modulation, and it includes an external signal processor. This flexibility led to its resurgence during the analog revival of the late 1990s. In 2013, Korg responded to a revived interest in monophonic analog synthesizers by reintroducing the MS-20 in a reduced-sized form, as the MS-20 Mini. Apart from being 86% of the size of the original, the use of 1/8" jacks on the patch area, and the ad ...
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Casio CZ Synthesizers
The CZ series is a family of low-cost phase distortion synthesizers produced by Casio in the mid-1980s. Eight models of CZ synthesizers were released: the CZ-101, CZ-230S, CZ-1000, CZ-2000S, CZ-2600S, CZ-3000, CZ-5000, and the CZ-1. Additionally, the home-keyboard model CT-6500 used 48 phase distortion presets from the CZ line. The CZ synthesizers' price at the time of their introduction made programmable synthesizers affordable enough to be purchased by garage bands. Yamaha soon introduced their own low-cost digital synthesizers, including the DX-21 (1985) and Yamaha DX100, in light of the CZ series' success. Programming Casio's phase distortion synthesis technique was championed by Casio engineer Mark Fukuda and evolved from the Cosmo Synth System that was custom-developed for legendary synthesist-composer Isao Tomita. Yukihiro Takahashi was also on board during development; he then toured with a CZ-1 in 1986. To make the CZ synthesizers inexpensive, so they would be affordab ...
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ADSR Parameter
ADSR may refer to: *ADSR envelope (attack decay sustain release), a common type of music envelope * Accelerator-driven sub-critical reactor, a nuclear reactor using a particle accelerator to generate a fission reaction in a sub-critical assembly of fissionable material * A.D.S.R. Musicwerks, a Seattle, Washington store and US record label that releases Synth Pop and Electro Industrial music *''Attack Decay Sustain Release ''Attack Decay Sustain Release'' is the debut album from Simian Mobile Disco. It was released on June 18, 2007 on Wichita Recordings and reached #59 in the UK album charts. History The title of the album is a reference to the ADSR envelope, a ...
'', the debut album from Simian Mobile Disco, released on June 18, 2007 {{disambiguation ...
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