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Eurobeat
Eurobeat refers to two styles of dance music that originated in Europe: one is a British variant of Italian Eurodisco-influencedAng, Ien & Morley, David (2005). "Cultural Studies: Volume 3, Issue 2". ''Routledge''. pgs. 171, 173, 170. . "Eurorecords had to have immediate cross-national appeal, musical simplicity was of the essence- a bouncy beat, just one chorus hook, elementary lyrics. The fun of these records was entirely a matter of sound quality, but once a record was a hit it took on a kind of sleazy, nostalgic charm of its own. It was precisely the brazen utility of these records, in short, that gave them gay disco consumer appeal too. ..Eurodisco also had an obvious element of camp -British club audiences took delight in the very gap between the grand gestures of Eurosingers and the vacuity of their songs." dance-pop, and the other is a hi-NRG-driven form of Italo disco. Both forms were developed in the 1980s. Producer trio Stock Aitken Waterman and pop band Dead or Alive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
J-Euro
Eurobeat refers to two styles of dance music that originated in Europe: one is a British variant of Italian Eurodisco-influencedAng, Ien & Morley, David (2005). "Cultural Studies: Volume 3, Issue 2". ''Routledge''. pgs. 171, 173, 170. . "Eurorecords had to have immediate cross-national appeal, musical simplicity was of the essence- a bouncy beat, just one chorus hook, elementary lyrics. The fun of these records was entirely a matter of sound quality, but once a record was a hit it took on a kind of sleazy, nostalgic charm of its own. It was precisely the brazen utility of these records, in short, that gave them gay disco consumer appeal too. ..Eurodisco also had an obvious element of camp -British club audiences took delight in the very gap between the grand gestures of Eurosingers and the vacuity of their songs." dance-pop, and the other is a hi-NRG-driven form of Italo disco. Both forms were developed in the 1980s. Producer trio Stock Aitken Waterman and pop band Dead or Alive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurizio De Jorio
Maurizio De Jorio (born September 24, 1968) is an Italian singer, active since 1991. Maurizio De Jorio was born in Trento, Italy. De Jorio became involved in mainstream musical production in the mid-1980s. Like most musicians in the Eurobeat genre, De Jorio has performed under a number of pseudonyms for various labels (including Polydor Records, Delta, and SinclaireStyle). He is most well known for his songs "Running in the 90s" and "Night of Fire". Both are featured in the anime '' Initial D'' – of which both appearances (among other songs featured in the anime) has garnered incredible popularity for De Jorio and the eurobeat genre in general. Some of the other songs used in ''Initial D'' are: "Speedy Speed Boy", "Stop Your Self Control" (as 'Marko Polo'), "Running in the 90s" (as 'Max Coveri'), "Take Me to the Top", (as 'D. Essex'), "Golden Age" (as Max Coveri), and "No One Sleep in Tokyo" (as 'Edo Boys'). De Jorio's musical origins are unknown, but in 1991, Gino Caria had ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Para Para
is a synchronized dance that originated in Japan. Unlike most club dancing and rave dancing, there are specific synchronized movements for each song much like line dancing. Para Para has existed since the early 1980s when European countries started selling Italo disco and Euro disco, and in the mid-to late 1970s, new wave and synthpop music in Japan. However, it did not achieve much popularity outside Japan until the late 1990s. Para Para is strongly associated with Eurobeat. Dave Rodgers, a Eurobeat artist, has described Para Para as the only way to dance to Eurobeat, which is usually "so fast." Description Para Para dancing consists of mostly upper body movements in synchronization with a four-on-the-floor rhythm. Dancing involves choreographed motions with the arms and hands while stepping to the right and left, similar to the movements of traditional festival dances such as Bon Odori and cheering squads called Ōendan. Para Para is generally danced to eurobeat and Eurodan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Super Eurobeat
is a CD compilation series of Eurobeat music in Japan. The series itself is one of the longest-running music compilations. It has been running for over thirty years and the current list consists of 250 volumes (not counting the many "''Super Eurobeat presents''" albums). Originally, Time Records, Flea Records and Discomagic were some of the record labels that appeared on the original ''Super Eurobeat'' albums. After eight non-stop albums, the series was changed over to Avex Trax. The last volume originally was considered: ''Super Eurobeat Vol.250'' but in a recent interview with SEB Adviser and resident DJ, DJ BOSS (Y&Co. Ltd.) he confirmed that ''Super Eurobeat'' would definitely be continuing but as a yearly release only, starting with "The Best of Super Eurobeat 2019". Accolades See also * Initial D *Dave Rodgers References External links * by Avex Group is a Japanese entertainment conglomerate led by founder Max Matsuura and headquartered in Tokyo, Japan. Found ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italo Disco
Italo disco (variously capitalized, and sometimes hyphenated as Italo-disco) is a music genre which originated in Italy in the late 1970s and was mainly produced in the early 1980s. Italo disco evolved from the then-current underground dance, pop, and electronic music, both domestic and foreign (American hi-NRG, French Euro disco) and developed into a diverse genre. The genre employs electronic drums, drum machines, synthesizers, and occasionally vocoders. It is usually sung in English, and to a lesser extent in Italian and Spanish. The origin of the genre's name is strongly tied to marketing efforts of the ZYX record label, which began licensing and marketing the music outside Italy in 1982. Italo disco faded in the early 1990s and then split into many genres (Eurobeat, Italo house, Italo dance). Terminology The term "Italo", a generic prefix meaning Italian, had been used on pop music compilation albums in Germany as early as 1978, such as ''Italo Top Hits'' on the K-Tel l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
J-pop
J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced ''kayōkyoku'' ("Lyric Singing Music", a term for Japanese popular music from the 1920s to the 1980s) in the Japanese music scene. J-rock bands such as Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-country had popularity during the international popularity of Westerns in the 1960s1970s as well, and it still has appeal due to the work of musicians like Charlie Nagatani and venues including Little Texas, Tokyo. J-rap became mainstream with producer Nujabes and his work on ''Samurai Champloo'', Japanese pop culture is often seen with anime in hip hop. Other trends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stock Aitken Waterman
Stock Aitken Waterman (abbreviated as SAW) are an English songwriting and record production trio consisting of Mike Stock, Matt Aitken, and Pete Waterman. The trio had great success from the mid-1980s through the early 1990s. SAW is considered one of the most successful songwriting and producing partnerships of all time, scoring more than 100 UK top 40 hits, selling 40 million records and earning an estimated £60 million (about $104 million). SAW started producing underground club hits, but earned worldwide success with a mix of hi-NRG-influenced sound, romantic Motown lyrics and Italo disco melodies. During 1984–1989, their musical style was labelled Eurobeat. They also put swing shuffle elements into their songs. History The team In January 1984, Mike Stock and Matt Aitken called Pete Waterman asking for a meeting. Mike and Matt turned up with a song they had written and produced called "The Upstroke", a hi-NRG female version of Frankie Goes to Hollywood's "Rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hi-NRG
Hi-NRG (pronounced "high energy") is a genre of uptempo disco or electronic dance music (EDM) that originated in the United States during the late 1970s and early 1980s. As a music genre, typified by fast tempo, staccato hi-hat rhythms (and the four-on-the-floor pattern), reverberated "intense" vocals and "pulsating" octave basslines, it was particularly influential on the disco scene. Its earliest association was with Italo disco. Characteristics Whether hi-NRG is more rock-oriented than standard disco music is a matter of opinion. Hi-NRG can be heavily synthesized but it is not a prerequisite, and whether it is devoid of "funkiness" is, again, in the ear of the beholder. Certainly, many artists perform their vocals in R&B and soul styles on hi-NRG tracks. The genre's tempo ranges between 120 and 140 beats per minute although typically it is around 127. The tempos cited here do not represent the full range of beats (BPM) of hi-NRG tracks; rather the tempos are retrieved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hi-NRG
Hi-NRG (pronounced "high energy") is a genre of uptempo disco or electronic dance music (EDM) that originated in the United States during the late 1970s and early 1980s. As a music genre, typified by fast tempo, staccato hi-hat rhythms (and the four-on-the-floor pattern), reverberated "intense" vocals and "pulsating" octave basslines, it was particularly influential on the disco scene. Its earliest association was with Italo disco. Characteristics Whether hi-NRG is more rock-oriented than standard disco music is a matter of opinion. Hi-NRG can be heavily synthesized but it is not a prerequisite, and whether it is devoid of "funkiness" is, again, in the ear of the beholder. Certainly, many artists perform their vocals in R&B and soul styles on hi-NRG tracks. The genre's tempo ranges between 120 and 140 beats per minute although typically it is around 127. The tempos cited here do not represent the full range of beats (BPM) of hi-NRG tracks; rather the tempos are retrieved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eurodisco
Eurodisco (also spelled as Euro disco) is the variety of European forms of electronic dance music that evolved from disco in the late 1970s, incorporating elements of pop and rock into a disco-like continuous dance atmosphere. Many Eurodisco compositions feature lyrics sung in English, although the singers often share a different mother tongue. Eurodisco derivatives generally include Europop and Eurodance, with the most prominent sub-genres being space disco of the late 1970s and Italo disco of the early 1980s. The genre declined in popularity after 1986 in preference to electronic rock and hi-NRG, with a small revival of Italo disco in at least the late 1990s. History Eurodisco is largely an offshoot of contemporary American music trends going far back to the early times of R&B, soul, disco, pop and rock. During the 1960s, Europop hits spread around France, Italy and Germany, because of the French Scopitone (jukebox) and the Italian Cinebox/Coilorama Video-jukebox machines. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetsuya Komuro
is a Japanese musician, songwriter and record producer. He is recognized as the most successful producer in Japanese music history and introduced contemporary electronic dance music to the Japanese mainstream. He was also a former owner of the disco Velfarre located in Roppongi, Tokyo. In the Oricon singles chart of April 1996, he monopolized all the top 5 positions as the songwriter and producer, a world record. In 1995, he monopolized all top 3 positions of the copyright distribution rankings for the JASRAC Award, a record in Japan's music history. At his peak as a record producer the artists he predominantly produced for came to be known as TK Family and at one time included Namie Amuro, hitomi, TRF, Tomomi Kahara and Ami Suzuki amongst others. As of 2008, records produced by him had sold more than 170 million copies, primarily in Japan. Total sales of the singles he has written exceed 42 million copies, making him the fourth best-selling lyricist in Japan. Life and career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthwave
Synthwave (also called outrun, retrowave, or futuresynth) is an electronic music microgenre that is based predominantly on the music associated with action, science-fiction, and horror film soundtracks of the 1980s. Other influences are drawn from the decade's art and video games. Synthwave musicians often espouse nostalgia for 1980s culture and attempt to capture the era's atmosphere and celebrate it. The genre developed in the mid-to late 2000s through French house producers, as well as younger artists who were inspired by the 2002 video game '' Grand Theft Auto: Vice City''. Other reference points included composers John Carpenter, Jean-Michel Jarre, Vangelis (especially his score for the 1982 film ''Blade Runner''), and Tangerine Dream. Synthwave reached wider popularity after being featured in the soundtracks of the 2011 film ''Drive'' (which included some of the genre's best-known songs), 2017 film '' Thor: Ragnarok'' and the Netflix series ''Stranger Things''. Characteri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
