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Elemental
An elemental is a mythic being that is described in occult and alchemical works from around the time of the European Renaissance, and particularly elaborated in the 16th century works of Paracelsus. According to Paracelsus and his subsequent followers, there are four categories of elementals, which are gnomes, undines, sylphs, and salamanders. These correspond to the four Empedoclean elements of antiquity: earth, water, air, and fire, respectively. Terms employed for beings associated with alchemical elements vary by source and gloss. History The Paracelsian concept of elementals draws from several much older traditions in mythology and religion. Common threads can be found in folklore, animism, and anthropomorphism. Examples of creatures such as the Pygmy were taken from Greek mythology. The elements of earth, water, air, and fire, were classed as the fundamental building blocks of nature. This system prevailed in the Classical world and was highly influential in medieva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sylph
A sylph (also called sylphid) is an air spirit stemming from the 16th-century works of Paracelsus, who describes sylphs as (invisible) beings of the air, his elementals of air. A significant number of subsequent literary and occult works have been inspired by Paracelsus's concept: Robert Alfred Vaughan noted that "the wild but poetical fantasies" of Paracelsus had probably exercised a larger influence over his age and the subsequent one than is generally supposed, particularly on the Rosicrucians, but that through the 18th century they had become reduced to "machinery for the playwright" and "opera figurantes with wings of gauze and spangles". Etymology "Sylph" is possibly a blend of from Latin '' sylvestris'' and '' nympha'', ''sylvestris'' being a common synonym for sylph in Paracelsus. Anthon and Trollope note a similar usage in the ''Aeneid'', where ''silvestris'' is taken as an elliptical form of ''nympha silvestris'' ("forest nymph"). Jacob Grimm uses this phrase as a gl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sylph
A sylph (also called sylphid) is an air spirit stemming from the 16th-century works of Paracelsus, who describes sylphs as (invisible) beings of the air, his elementals of air. A significant number of subsequent literary and occult works have been inspired by Paracelsus's concept: Robert Alfred Vaughan noted that "the wild but poetical fantasies" of Paracelsus had probably exercised a larger influence over his age and the subsequent one than is generally supposed, particularly on the Rosicrucians, but that through the 18th century they had become reduced to "machinery for the playwright" and "opera figurantes with wings of gauze and spangles". Etymology "Sylph" is possibly a blend of from Latin '' sylvestris'' and '' nympha'', ''sylvestris'' being a common synonym for sylph in Paracelsus. Anthon and Trollope note a similar usage in the ''Aeneid'', where ''silvestris'' is taken as an elliptical form of ''nympha silvestris'' ("forest nymph"). Jacob Grimm uses this phrase as a gl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Undine Rising From The Waters, Front
Undines (; also ondines) are a category of elemental beings associated with water, stemming from the alchemy, alchemical writings of Paracelsus. Later writers developed the undine into a water nymph in its own right, and it continues to live in modern literature and art through such adaptations as Danish Hans Christian Andersen's "The Little Mermaid" and the ''Undine (novella), Undine'' of Friedrich de la Motte Fouqué. Etymology The term ''Undine'' first appears in the alchemy, alchemical writings of Paracelsus, a Renaissance alchemy, alchemist and physician. It derives from the Latin word ''unda'', meaning "wave", and first appears in Paracelsus' ''A Book on Nymphs, Sylphs, Pygmies, and Salamanders, and on the Other Spirits'', published posthumously in 1566. ''Ondine'' is an alternative spelling, and has become a female given name. Elementals Paracelsus believed that each of the four classical elements – earth (classical element), earth, water (classical element), wat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Undine (alchemy)
Undines (; also ondines) are a category of elemental beings associated with water, stemming from the alchemical writings of Paracelsus. Later writers developed the undine into a water nymph in its own right, and it continues to live in modern literature and art through such adaptations as Danish Hans Christian Andersen's "The Little Mermaid" and the ''Undine'' of Friedrich de la Motte Fouqué. Etymology The term ''Undine'' first appears in the alchemical writings of Paracelsus, a Renaissance alchemist and physician. It derives from the Latin word ''unda'', meaning "wave", and first appears in Paracelsus' ''A Book on Nymphs, Sylphs, Pygmies, and Salamanders, and on the Other Spirits'', published posthumously in 1566. ''Ondine'' is an alternative spelling, and has become a female given name. Elementals Paracelsus believed that each of the four classical elements – earth, water, air and fire – is inhabited by different categories of elemental spirits, liminal creat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ondine (mythology)
Undines (; also ondines) are a category of elemental beings associated with water, stemming from the alchemical writings of Paracelsus. Later writers developed the undine into a water nymph in its own right, and it continues to live in modern literature and art through such adaptations as Danish Hans Christian Andersen's "The Little Mermaid" and the ''Undine'' of Friedrich de la Motte Fouqué. Etymology The term ''Undine'' first appears in the alchemical writings of Paracelsus, a Renaissance alchemist and physician. It derives from the Latin word ''unda'', meaning "wave", and first appears in Paracelsus' ''A Book on Nymphs, Sylphs, Pygmies, and Salamanders, and on the Other Spirits'', published posthumously in 1566. ''Ondine'' is an alternative spelling, and has become a female given name. Elementals Paracelsus believed that each of the four classical elements – earth, water, air and fire – is inhabited by different categories of elemental spirits, liminal creat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Undine (alchemy)
Undines (; also ondines) are a category of elemental beings associated with water, stemming from the alchemical writings of Paracelsus. Later writers developed the undine into a water nymph in its own right, and it continues to live in modern literature and art through such adaptations as Danish Hans Christian Andersen's "The Little Mermaid" and the ''Undine'' of Friedrich de la Motte Fouqué. Etymology The term ''Undine'' first appears in the alchemical writings of Paracelsus, a Renaissance alchemist and physician. It derives from the Latin word ''unda'', meaning "wave", and first appears in Paracelsus' ''A Book on Nymphs, Sylphs, Pygmies, and Salamanders, and on the Other Spirits'', published posthumously in 1566. ''Ondine'' is an alternative spelling, and has become a female given name. Elementals Paracelsus believed that each of the four classical elements – earth, water, air and fire – is inhabited by different categories of elemental spirits, liminal creat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Air (classical Element)
Air is one of the four classical elements along with water, earth and fire in ancient Greek philosophy and in Western alchemy. Greek and Roman tradition According to Plato, it is associated with the octahedron; air is considered to be both hot and wet. The ancient Greeks used two words for air: ''aer'' meant the dim lower atmosphere, and '' aether'' meant the bright upper atmosphere above the clouds. Plato, for instance writes that "So it is with air: there is the brightest variety which we call ''aether'', the muddiest which we call mist and darkness, and other kinds for which we have no name...." Among the early Greek Pre-Socratic philosophers, Anaximenes (mid-6th century BCE) named air as the ''arche''. A similar belief was attributed by some ancient sources to Diogenes Apolloniates (late 5th century BCE), who also linked air with intelligence and soul (''psyche''), but other sources claim that his ''arche'' was a substance between air and fire. Aristophanes parodied such t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Book On Nymphs, Sylphs, Pygmies, And Salamanders, And On The Other Spirits
''A Book on Nymphs, Sylphs, Pygmies, and Salamanders, and on the Other Spirits'' ( la, Ex Libro de Nymphis, Sylvanis, Pygmaeis, Salamandris et Gigantibus, etc) is a treatise by the Swiss lay theologian and philosopher Paracelsus, published posthumously in 1566. It is about elemental beings and their place in a Christian cosmology. Background ''A Book on Nymphs, Sylphs, Pygmies, and Salamanders, and on the Other Spirits'' was written by Paracelsus (1493/1494 – 1541) late in his life, but it is not known what exact year it is from. The descriptions of elemental beings are based on various ancient and traditional sources, which the author adapted and reinterpreted. Summary Paracelsus argues from his reading of the Biblical creation narrative that man needs to use philosophy to gain knowledge about the natural world, or he will not be able to understand Christ and appreciate the Bible. The natural world contains many strange things, including elemental beings corresponding to the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salamanders In Folklore And Legend
The salamander is an amphibian of the order Urodela which, as with many real creatures, often has been ascribed fantastic and sometimes occult qualities by pre-modern authors (as in the allegorical descriptions of animals in medieval bestiaries) not possessed by the real organism. The legendary salamander is often depicted as a typical salamander in shape with a lizard-like form, but is usually ascribed an affinity with fire, sometimes specifically elemental fire. Classical, Medieval, and Renaissance lore This legendary creature embodies the fantastic qualities that ancient and medieval commentators ascribed to the natural salamander. Many of these qualities are rooted in verifiable traits of the natural creature but often exaggerated. A large body of legend, mythology, and symbolism has developed around this creature over the centuries. Carl Linnaeus in the 10th edition of ''Systema Naturae'' of 1758 established the scientific description of the salamander and noted the chief char ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Water (classical Element)
Water is one of the classical elements in ancient Greek philosophy along with air, earth and fire, in the Asian Indian system ''Panchamahabhuta'', and in the Chinese cosmological and physiological system ''Wu Xing''. In contemporary esoteric traditions, it is commonly associated with the qualities of emotion and intuition. Greek and Roman tradition Water was one of many ''archai'' proposed by the Pre-socratics, most of whom tried to reduce all things to a single substance. However, Empedocles of Acragas (c. 495 – c. 435 BC) selected four archai for his four roots: air, fire, water and earth. Empedocles roots became the four classical elements of Greek philosophy. Plato (427–347 BC) took over the four elements of Empedocles. In the Timaeus, his major cosmological dialogue, the Platonic solid associated with water is the icosahedron which is formed from twenty equilateral triangles. This makes water the element with the greatest number of sides, which Plato regarded as appropri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fire (classical Element)
Fire is one of the four classical elements along with earth, water and air in ancient Greek philosophy and science. Fire is considered to be both hot and dry and, according to Plato, is associated with the tetrahedron. Greek and Roman tradition Fire is one of the four classical elements in ancient Greek philosophy and science. It was commonly associated with the qualities of energy, assertiveness, and passion. In one Greek myth, Prometheus stole ''fire'' from the gods to protect the otherwise helpless humans, but was punished for this charity. Fire was one of many '' archai'' proposed by the pre-Socratics, most of whom sought to reduce the cosmos, or its creation, to a single substance. Heraclitus considered ''fire'' to be the most fundamental of all elements. He believed fire gave rise to the other three elements: "All things are an interchange for fire, and fire for all things, just like goods for gold and gold for goods." Diels-Kranz B90 (Freeman 9481970p. 45. He had a repu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salamander (legendary Creature)
The salamander is an amphibian of the order Urodela which, as with many real creatures, often has been ascribed fantastic and sometimes occult qualities by pre-modern authors (as in the allegorical descriptions of animals in medieval bestiaries) not possessed by the real organism. The legendary salamander is often depicted as a typical salamander in shape with a lizard-like form, but is usually ascribed an affinity with fire, sometimes specifically elemental fire. Classical, Medieval, and Renaissance lore This legendary creature embodies the fantastic qualities that ancient and medieval commentators ascribed to the natural salamander. Many of these qualities are rooted in verifiable traits of the natural creature but often exaggerated. A large body of legend, mythology, and symbolism has developed around this creature over the centuries. Carl Linnaeus in the 10th edition of ''Systema Naturae'' of 1758 established the scientific description of the salamander and noted the chief char ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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