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Dulcitone
A dulcitone is a keyboard instrument in which sound is produced by a range of tuning forks, which vibrate when struck by felt-covered hammers activated by the keyboard. The instrument was designed by Thomas Machell of Glasgow in the 1860s, at the same time as Victor Mustel's organologically synonymous typophone, and manufactured by the firm of Thomas Machell & Sons during the late nineteenth and early twentieth centuries. Most of the early models are tuned to sharp pitch, or the diapason normal of a 435. Some of the late models use an action suspended on a system of leaf springs, which is considerably quieter than that illustrated. Description The dulcitone is a transposing instrument of the idiophone class; it sounds an octave higher than the standard ( eight foot pitch) written pitch. It has a five octave written range from AA to a3 (sounding range from A to a4). A significant feature of the dulcitone was its portability, a product of its lightweight and compact constructi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dulcitone Users Manual Page 6,7
A dulcitone is a keyboard instrument in which sound is produced by a range of tuning forks, which vibrate when struck by felt-covered hammers activated by the keyboard. The instrument was designed by Thomas Machell of Glasgow in the 1860s, at the same time as Victor Mustel's organologically synonymous typophone, and manufactured by the firm of Thomas Machell & Sons during the late nineteenth and early twentieth centuries. Most of the early models are tuned to sharp pitch, or the diapason normal of a 435. Some of the late models use an action suspended on a system of leaf springs, which is considerably quieter than that illustrated. Description The dulcitone is a transposing instrument of the idiophone class; it sounds an octave higher than the standard (eight foot pitch) written pitch. It has a five octave written range from AA to a3 (sounding range from A to a4). A significant feature of the dulcitone was its portability, a product of its lightweight and compact constructio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celesta
The celesta or celeste , also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five- octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal (usually steel) plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovskys "Dance of the Sugar Plum Fairy" from ''The Nutcracker''. The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, ''celeste'', meaning "heavenly" in French. The celesta is often used to enhance a melody line played by another instrument or s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuning Fork
A tuning fork is an acoustic resonator in the form of a two-pronged fork with the prongs ( tines) formed from a U-shaped bar of elastic metal (usually steel). It resonates at a specific constant pitch when set vibrating by striking it against a surface or with an object, and emits a pure musical tone once the high overtones fade out. A tuning fork's pitch depends on the length and mass of the two prongs. They are traditional sources of standard pitch for tuning musical instruments. The tuning fork was invented in 1711 by British musician John Shore, sergeant trumpeter and lutenist to the royal court. Description A tuning fork is a fork-shaped acoustic resonator used in many applications to produce a fixed tone. The main reason for using the fork shape is that, unlike many other types of resonators, it produces a very pure tone, with most of the vibrational energy at the fundamental frequency. The reason for this is that the frequency of the first overtone is about = = ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percy Grainger
Percy Aldridge Grainger (born George Percy Grainger; 8 July 188220 February 1961) was an Australian-born composer, arranger and pianist who lived in the United States from 1914 and became an American citizen in 1918. In the course of a long and innovative career he played a prominent role in the revival of interest in British folk music in the early years of the 20th century. Although much of his work was experimental and unusual, the piece with which he is most generally associated is his piano arrangement of the folk-dance tune " Country Gardens". Grainger left Australia at the age of 13 to attend the Hoch Conservatory in Frankfurt. Between 1901 and 1914 he was based in London, where he established himself first as a society pianist and later as a concert performer, composer and collector of original folk melodies. As his reputation grew he met many of the significant figures in European music, forming important friendships with Frederick Delius and Edvard Grieg. He became a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metallophone
A metallophone is any musical instrument in which the sound-producing body is a piece of metal (other than a metal string), consisting of tuned metal bars, tubes, rods, bowls, or plates. Most frequently the metal body is struck to produce sound, usually with a mallet, but may also be activated by friction, keyboard action, or other means. Metallophones have been used in music in Asia for thousands of years. There are several different types used in Balinese and Javanese gamelan ensembles, including the gendér, gangsa and saron. These instruments have a single row of bars, tuned to the distinctive pelog or slendro scales, or a subset of them. The Western glockenspiel and vibraphone are also metallophones: they have two rows of bars, in an imitation of the piano keyboard, and are tuned to the chromatic scale. In music of the 20th century and beyond, the word ''metallophone'' is sometimes applied specifically to a single row of metal bars suspended over a resonator box. Metalloph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Instrument
An electronic musical instrument or electrophone is a musical instrument that produces sound using electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker, creating the sound heard by the performer and listener. An electronic instrument might include a user interface for controlling its sound, often by adjusting the pitch, frequency, or duration of each note. A common user interface is the musical keyboard, which functions similarly to the keyboard on an acoustic piano, except that with an electronic keyboard, the keyboard itself does not make any sound. An electronic keyboard sends a signal to a synth module, computer or other electronic or digital sound generator, which then creates a sound. However, it is increasingly common to separate user interface and sound-generating functions into a music controller (input device) and a music synthesiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhodes Piano
The Rhodes piano (also known as the Fender Rhodes piano) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, the hammers strike thin metal tines, which vibrate next to an electromagnetic pickup. The signal is then sent through a cable to an external keyboard amplifier and speaker. The instrument evolved from Rhodes's attempt to manufacture pianos while teaching recovering soldiers during World War II. Development continued after the war and into the following decade. In 1959, Fender began marketing the Piano Bass, a cut-down version; the full-size instrument did not appear until after Fender's sale to CBS in 1965. CBS oversaw mass production of the Rhodes piano in the 1970s, and it was used extensively through the decade, particularly in jazz, pop, and soul music. It was less used in the 1980s because of competition with polyphonic and digit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Zealand
New Zealand ( mi, Aotearoa ) is an island country in the southwestern Pacific Ocean. It consists of two main landmasses—the North Island () and the South Island ()—and over 700 smaller islands. It is the sixth-largest island country by area, covering . New Zealand is about east of Australia across the Tasman Sea and south of the islands of New Caledonia, Fiji, and Tonga. The country's varied topography and sharp mountain peaks, including the Southern Alps, owe much to tectonic uplift and volcanic eruptions. New Zealand's capital city is Wellington, and its most populous city is Auckland. The islands of New Zealand were the last large habitable land to be settled by humans. Between about 1280 and 1350, Polynesians began to settle in the islands and then developed a distinctive Māori culture. In 1642, the Dutch explorer Abel Tasman became the first European to sight and record New Zealand. In 1840, representatives of the United Kingdom and Māori chiefs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fumed Oak
''Fumed Oak'' is a short play in two scenes by Noël Coward, one of ten that make up '' Tonight at 8.30'', a cycle written to be performed across three evenings. Coward billed the work as an "unpleasant comedy in two scenes". The play concerns a downtrodden, middle-aged salesman who, having saved up enough money to cut all ties, walks out on his wife, mother-in-law and "horrible adenoidal daughter", having first told all three what he thinks of them. In the introduction to a published edition of the plays, Coward wrote, "A short play, having a great advantage over a long one in that it can sustain a mood without technical creaking or over padding, deserves a better fate, and if, by careful writing, acting and producing I can do a little towards reinstating it in its rightful pride, I shall have achieved one of my more sentimental ambitions." The play was first produced in 1935 in Manchester and on tour and played in London (1936) and New York (1936–1937). It has enjoyed seve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glockenspiel
The glockenspiel ( or , : bells and : set) or bells is a percussion instrument consisting of pitched aluminum or steel bars arranged in a keyboard layout. This makes the glockenspiel a type of metallophone, similar to the vibraphone. The glockenspiel is played by striking the bars with mallets, often made of a hard material such as metal or plastic. Its clear, high-pitched tone is often heard in orchestras, wind ensembles, marching bands, and in popular music. Terminology In German, a carillon is also called a , and in French, the glockenspiel is sometimes called a . It may also be called a () in French, although this term may sometimes be specifically reserved for the keyboard glockenspiel. In Italian, the term () is used. The glockenspiel is sometimes erroneously referred to as a xylophone. The Pixiphone, a type of toy glockenspiel, was one such instrument sold as a xylophone. Range The glockenspiel is limited to the upper register and usually covers about to 3 octave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent D'Indy
Paul Marie Théodore Vincent d'Indy (; 27 March 18512 December 1931) was a French composer and teacher. His influence as a teacher, in particular, was considerable. He was a co-founder of the Schola Cantorum de Paris and also taught at the Paris Conservatoire. His students included Albéric Magnard, Albert Roussel, Arthur Honegger, Darius Milhaud, and Erik Satie, as well as Cole Porter. D'Indy studied under composer César Franck, and was strongly influenced by Franck's admiration for German music. At a time when nationalist feelings were high in both countries (circa the Franco-Prussian War of 1871), this brought Franck into conflict with other musicians who wished to separate French music from German influence. Life Paul Marie Théodore Vincent d'Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine François Marmontel and Louis Diém ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
