Dub (music)
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Dub (music)
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others beginning in the late ...
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Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ...
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Trip Hop
Trip hop (sometimes used synonymously with "downtempo") is a musical genre that originated in the early 1990s in the United Kingdom, especially Bristol. It has been described as a psychedelic music, psychedelic fusion of hip hop music, hip hop and electronica with slow tempos and an atmospheric sound, often incorporating elements of jazz, soul music, soul, funk, reggae, dub music, dub, Contemporary R&B, R&B, and other forms of electronic dance music, electronic music, as well as sample (music), sampling from movie soundtracks and other eclectic sources. The style emerged as a more experimental music, experimental variant of breakbeat from the Bristol sound scene of the late 1980s and early 1990s, incorporating influences from jazz, soul, funk, dub, and hip hop music, rap music. It was pioneered by acts like Massive Attack, Tricky (musician), Tricky, and Portishead (band), Portishead. The term was first coined in a 1994 ''Mixmag'' piece about American producer DJ Shadow. Trip ho ...
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Riddim
Riddim is the Jamaican Patois pronunciation of the English word "rhythm". In the context of reggae and dancehall, it refers to the instrumental accompaniment to a song and is synonymous with the rhythm section. Jamaican music genres that use the term consist of the ''riddim'' plus the ''voicing'' (vocal part) sung by the deejay. The resulting song structure is distinctive in many ways. A given riddim, if popular, may be used in dozens—or even hundreds—of songs, not only in recordings but also in live performances. Since the 1970s, riddims have accompanied reggae music and through the 1980s, more widely known as dancehall. As seen in dancehall music, there is a voicing part – sung by the DJ – over some riddim that has probably been widely used in many other songs. There is a unique establishment in the combination of riddims and voicing. By 1993, Jamaica finally established a copyright act, but producers still face difficulty in establishing profit. Through proper regist ...
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Rhythm Section
A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm section is often contrasted with the roles of other musicians in the band, such as the lead guitarist or lead vocals whose primary job is to carry the melody. The core elements of the rhythm section are usually the drum kit and bass. The drums and bass provide the basic pulse and groove of a song. The section is augmented by other instruments such as keyboard instruments and guitars that are used to play the chord progression upon which the song is based. The bass instrument (either double bass or electric bass guitar, or another low-register instrument, such as synth bass, depending on the group and its style of music) plays the low-pitched bassline. The bassline is a musical part that supports the chord progression, typically by playing ...
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Reverb Effect
A reverb effect, or reverb, is an audio effect applied to a sound signal to simulate reverberation. It may be created through physical means, such as echo chambers, or electronically through audio signal processing. Echo chambers The first reverb effects, introduced in the 1930s, were created by playing recordings through loudspeakers in reverberating spaces and recording the sound. American Producer Bill Putnam is credited for the first artistic use of artificial reverb in music, on the 1947 song "Peg o' My Heart" by the Harmonicats. Putnam placed a microphone and loudspeaker in the studio bathroom to create a natural echo chamber, adding an "eerie dimension". Plate reverb A plate reverb system uses an electromechanical transducer, similar to the driver in a loudspeaker, to create vibrations in a large plate of sheet metal. The plate's motion is picked up by one or more contact microphones whose output is an audio signal which may be added to the original "dry" signal. Plat ...
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Delay (audio Effect)
Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio. The delayed signal may be played back multiple times, or fed back into the recording, to create the sound of a repeating, decaying echo. Delay effects range from a subtle echo effect to a pronounced blending of previous sounds with new sounds. Delay effects can be created using tape loops, an approach developed in the 1940s and 1950s and used by artists including Elvis Presley and Buddy Holly. Analog effects units were introduced in the 1970s; digital effects pedals in 1984; and audio plug-in software in the 2000s. History The first delay effects were achieved using tape loops improvised on reel-to-reel audio tape recording systems. By shortening or lengthening the loop of tape and adj ...
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Remix
A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing in music and song recordings. Songs may be remixed for a large variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different audience * to alter a song for artistic purposes * to provide additional version ...
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Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ...
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Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ...
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List Of Dub Artists
Dub is a subgenre of reggae which developed in the late 1960s and early 1970s. This is a list of notable dub musicians, singers and producers. 0–9 *10 Foot Ganja Plant * 340ml A *The Aggrovators * Augustus Clarke *Augustus Pablo *Audio Active * Alpha & Omega *Asian Dub Foundation * African Head Charge *Aswad *Alborosie *Adrian Sherwood B *Banco de Gaia *Basque Dub Foundation *Beats Antique *Beats International *Bedouin Soundclash *Bim Sherman *The Black Seeds *Blind Idiot God *Boom One Records *Burning Spear *Bush Chemists * Dennis Bovell *Glen Brown *Black Uhuru C *Chuck Fenda *The Clash D *Dan-I *Darkwood Dub *De Facto *Digital Mystikz *Dirty Heads * The Disciples * Doctah X *Doof *The Drastics *Dreadzone * Dry & Heavy *Dub FX *Dub Incorporation *Dub Pistols *Dub Trio *Dub Syndicate *Dubioza Kolektiv * Dubtribe E *Easy Star All-Stars * The Expendables F *Fat Freddy's Drop *Fishmans *The Flying Lizards *Free Moral Agents Free Moral Agents were a collective of ...
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Psydub
Psydub (or sometimes inaccurately ambient dub) is a fusion genre of electronic music that has its roots in psychedelic trance, ambient and dub music. Incorporated dub elements are melodic basslines, deep reggae roots and producing techniques like dynamically adding extensive echo, reverb, panoramic delay, and occasional dubbing of vocal or instrumental snippets from the original version or other works. An incorporated ambient element is an emphasis on tone and atmosphere. Incorporated psytrance elements are low-bass frequencies and hypnotic melodies and the use of samples. Those samples mostly contain references to drugs, parapsychology, extraterrestrial life, existentialism, out of body experiences, dreams, science, time travel, spirituality and similar mysterious or unconventional topics. Psydub is also highly influenced by the music of India. History The pioneers of the genre were mostly interested in the combination between ambient music and dub. The Orb can be seen as o ...
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Dub Techno
Dub techno is a subgenre of techno that combines the style with elements of dub music, including its sparse, delay-heavy production and prominent bass. Characteristics and history In the early 1990s, producers Moritz Von Oswald and Mark Ernestus formed Basic Channel, a duo credited for defining dub techno. In addition to making the presence of minimalism commonplace in the techno scene, they also incorporated delay effects that were recurrent in dub music.Baines, Josh (October 15, 2015)"A Bullshitter's Guide to Dub Techno" THUMP. Vice Media. Retrieved 21 October 2016. They then formed the label Chain Reaction; while still releasing the same type of dub-infused techno that Basic Channel created, such as the track "Cyan I" by Monolake, the label also distributed techno without dub elements, such as Continuous Mode's "Direct Out / Direct Drive". Regardless, what Thump writer Josh Baines described as a "thawing of ice as a sonic aesthetic" that was present in Basic Channel's works bef ...
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