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Drill 'n Bass
Drill 'n' bass is a subgenre of drum and bass which developed in the mid-1990s as IDM artists began experimenting with elements of breakbeat, jungle, and drum and bass music. Artists utilized powerful audio software programs and deployed frenzied, irregular beats that often discouraged dancing. The style was often interpreted as having a lightly parodic relationship with the dance styles that inspired it. Simon Reynolds. ''Energy Flash: A Journey Through Rave Music and Dance Culture''. Soft Skull Press, 2012. p. 382-383 Characteristics ''AllMusic'' referred to the genre as "a spastic form of breakbeat jungle that relied on powerful audio software and patient programming to warp old midtempo beats and breaks into a frenzied, experimental potpourri of low-attention-span electronic music." Critic Simon Reynolds described it as "jungle by non-junglists for non-junglists," stating that producers are "free to take the idiomatic features of jungle — fucked-up breakbeats, mutant b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intelligent Dance Music
Intelligent dance music (commonly abbreviated as IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints.''"…the label 'IDM' (for avant-garde, 'intelligent dance music') seems to be based more on an association with individualistic experimentation than on a particular set of musical characteristics."'' Butler, M.J., ''Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music'', Indiana University Press, 2006, (p. 80). It emerged from the culture and sound palette of electronic and rave music styles such as ambient techno, acid house, Detroit techno and breakbeat;''"The electronic listening music of the nineties is a prime example of an art form derived from and stimulated by countless influences. Partisan analyses of this music claim a baffling variety of prime sources (Detroit techno, New York electro + Chicago acid, Eno + Bowie, Cage + Reich, Gary Numan + T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toilet Humor
Toilet humour, or potty or scatological humour (compare scatology), is a type of off-colour humour dealing with defecation, diarrhea, constipation, urination and flatulence, and to a lesser extent vomiting and other bodily functions. It sees substantial crossover with sexual humour, such as dick jokes. Toilet humour is commonly an interest of children and young teenagers, for whom cultural taboos related to acknowledgement of waste excretion still have a degree of novelty. The humour comes from the rejection of such taboos, and is a part of modern culture. Music Toilet humour is sometimes found in song and rhyme, particularly schoolboy songs. Examples of this are found in Mozart and scatology, and variants of the German folk schoolboys' song known as the ''Scheiße-Lied'' (English: "Shit-Song") which is indexed in the German ''Volksliederarchiv''. A children's Spanish musical duo, Enrique y Ana, made a song called "Caca Culo Pedo Pis", which literally translates to "Poop Butt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glitch (music)
Glitch is a genre of electronic music that emerged in the 1990s. It is distinguished by the deliberate use of glitch-based audio media and other sonic artifacts. The glitching sounds featured in glitch tracks usually come from audio recording device or digital electronics malfunctions, such as CD skipping, electric hum, digital or analog distortion, circuit bending, bit-rate reduction, hardware noise, software bugs, computer crashes, vinyl record hiss or scratches, and system errors. Sometimes devices that were already broken are used, and sometimes devices are broken expressly for this purpose. In ''Computer Music Journal'', composer and writer Kim Cascone classified glitch as a subgenre of electronica and used the term ''post-digital'' to describe the glitch aesthetic."The glitch genre arrived on the back of the electronica movement, an umbrella term for alternative, largely dance-based electronic music (including house, techno, electro, drum'n'bass, and ambient) that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum And Bass
Drum and bass (also written as drum & bass or drum'n'bass and commonly abbreviated as D&B, DnB, or D'n'B) is a genre of electronic dance music characterized by fast breakbeats (typically 165–185 beats per minute) with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's rave scene in the 1990s. The popularity of drum and bass at its commercial peak ran parallel to several other UK dance styles. A major influence was the original Jamaican dub and reggae sound that influenced jungle's bass-heavy sound. Another feature of the style is the complex syncopation of the drum tracks' breakbeat. Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, neurofunk, ambient drum and bass, liquid funk (a.k.a. liquid drum and bass), jump up, drumfunk, sambass, and drill 'n' bass. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house, trip hop, ambient music, techno, jazz, ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breakcore
Breakcore is a style and microgenre of electronic dance music that emerged from jungle, hardcore, and drum and bass in the mid-to-late 1990s. It is characterized by very complex and intricate breakbeats and a wide palette of sampling sources played at high tempos. History As the early days of " hardcore techno" or just "hardcore" began to settle in Europe, breakcore as a genre began to take more concrete forms in other parts of the world. Inspired by new labels such as Addict, from Milwaukee, US; Peace Off from Rennes, France; Sonic Belligeranza from Bologna, Italy; and Planet Mu, from London, it began to take a new shape, adding in more elements of mashup and IDM to the hardcore sounds. Each of these labels began to draw in aspects of their own social and aesthetic scenes into their music, allowing for an even broader definition of what was possible in the music. In Europe, the breakcore genre was solidified by raves and club events such as Belgium's Breakcore Giv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kid606
Miguel Trost De Pedro (born July 27, 1979), better known by his stage name Kid606, is an electronic musician who was raised in San Diego and later moved to San Francisco. He is most closely associated with the glitch, IDM, hardcore techno and breakcore scenes. Kid606's music is similar to the work of his friend and colleague Lesser, as well as hardcore and IDM acts such as Atari Teenage Riot, Autechre, Mr. Oizo, and Matmos. He is primarily inspired not by his electronic contemporaries, but by his love of the industrial music, death metal, and industrial metal of the 1980s and 1990s, particularly bands like Godflesh and Napalm Death. His music is known for its high tempo breakbeats and liberal use of noise and sampling, as well as its punk aesthetic, uninhibited genre-mixing, and irreverent sense of humor. However, he is equally adept at creating more serious tracks that often reside in the realm of ambient and glitch ("Parenthood" from '' Kill Sound Before Sound Kills You'' a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amon Tobin
Amon Adonai Santos de Araújo Tobin (born February 7, 1972), known as Amon Tobin (), is a Brazilian electronic musician, composer and producer. He is noted for his unusual methodology in sound design and music production. He has released eight major studio albums under the London-based Ninja Tune record label. He has also released two albums under the alias Two Fingers with collaborator Doubleclick. His latest release, ''A Living Room (Music from Meow Wolf's Omega Mart)'', was released on September 23, 2022. His music has been used in numerous major motion pictures including ''The Italian Job'' and '' 21''. Tobin has created songs for several independent films, including the 2006 Hungarian film ''Taxidermia'', and had his music used in other independent films, including the 2002 '' Cannes Palme d'Or–''nominated ''Divine Intervention''. A selection of his tracks were featured in commercial bumps on Toonami and in the 2005 anime ''IGPX'', and he produced the musical scores to c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Animals On Wheels
Animals on Wheels is the stage name of Andrew Coleman, an electronic musician based in Cambridge. Coleman collaborated with Adam Butler (a.k.a. Vert) to form Bovinyl, an independent record label, and released his first EP, ''Baits Bite'', in 1996. The EP is named after Bates Bite lock on the River Cam where Coleman lived and produced music on his houseboat. In 1997, he signed with Ninja Tune and released another EP, ''Cooked EP''. He then went on to release various album An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records co ...s and EPs including ''Designs and Mistakes'' in 1997 on Ninja Tune; and ''Nuvol I Cadira'' in 1999 also on Ninja Tune. He released material on other labels as well. He published the EP ''Dummy'' on the LaMadameAvecLaChien label in 2009. Coleman collaborated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Witchman
John Roome (born 26 August 1968, a.k.a. Witchman) is a hip hop/breakbeat artist who has worked with The Orb and The Jungle Brothers. Having completed the score on five movies (''Messengers'', ''Dead End Road'', '' Song of Songs'', ''Want'' and '' Final Curtain'') he has provided material for John Leguizamo's '' Undefeated'' and ''Into the Sun'', as well as John Carpenter's ''Masters of Horror''. Roome has contributed music to various other projects including popular television shows like ''Cold Case'', '' CSI: Miami'', '' CSI: NY'', ''Nip Tuck'' and ''Las Vegas''. Most recently completed is the score for Sega's ''Full Auto'' video game for the Xbox 360 ( PS3 to follow) and music for the ''Miami Vice ''Miami Vice'' is an American crime drama television series created by Anthony Yerkovich and produced by Michael Mann for NBC. The series stars Don Johnson as James "Sonny" Crockett and Philip Michael Thomas as Ricardo "Rico" Tubbs, two M ...'' film trailer. It has been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feed Me Weird Things
''Feed Me Weird Things'' is the debut studio album by English electronic musician Tom Jenkinson under the alias Squarepusher. It was released on 3 June 1996 through Rephlex Records. It entered the dance albums chart at No. 10 on 15 June. The album received positive reviews from critics and has been retrospectively cited as a landmark release in the drill 'n' bass subgenre. A 25th anniversary remastered edition was released on 4 June 2021 by Warp. Production Tom Jenkinson produced the tracks on ''Feed Me Weird Things'' from December 1994 to February 1996, while he was a student at Chelsea College of Art and Design. He used his student loans to purchase much of the equipment that he utilised in recording the album. Richard D. James (also known as Aphex Twin), who co-founded Jenkinson's label Rephlex Records, selected the tracks that appeared on the final album. The tracks were mastered by Paul Solomons at the studio Porky's. Title and packaging According to Jenkinson, the title ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum 'n' Bass For Papa
''Drum 'n' Bass for Papa'' is a studio album by Luke Vibert, released under the alias Plug. It was originally released by Blue Planet Recordings in 1996, and in 1997 on Trent Reznor's Nothing Records with the bonus addition of Vibert's previous three Plug EPs. '' NME'' listed it as the 33rd best album of 1996. Writing for ''Chicago Reader'', Peter Margasak listed it as the 9th best album of 1996. Release Originally released by Blue Planet Recordings in 1996, the album has gone through several different releases. The first was a CD release with an additional bonus disc, titled ''Drum 'n' Bass for Papa + Special Edition CD'', released in 1997. It had different cover art and the discs were colored dark blue instead of the original sepia tone. The album was released again on Trent Reznor's label Nothing Records on 9 September 1997. It was a double album on CD, which included the songs from the previously released EPs. This version of the album had the same cover as the ''Special ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hangable Auto Bulb
''Hangable Auto Bulb'' is a series of two 1995 EPs by electronic musician Richard D. James, under his alias AFX. The two were re-released by Warp Records as a single album on 31 October 2005. They marked James's first foray into rapid drill 'n' bass style beat programming. Overview Split across two 12" EPs, the second released eight weeks after the first and each limited to 1000 pressings, the records marked a significant change in sound from previous AFX and Aphex Twin releases. Moving away from the analogue sounds of '' ...I Care Because You Do'' (1995), the tracks show James experimenting with computer-arranged breakbeat programming and timestretched samples inspired by drum and bass; this style would become known as "drill 'n' bass, and would become the dominant sound in his work up until the '' Analord'' releases of 2005. The records are influenced by the early EPs of fellow Cornish producer Plug (Luke Vibert), as well as other drum and bass movements of the day. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
