Double Harmonic Minor Scale
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Double Harmonic Minor Scale
The Hungarian minor scale,Christiansen, Mike (2000). ''Guitar Scale Dictionary'', p. 14. .Stetina, Troy (2007). ''Fretboard Mastery'', p. 126. .Kent Cleland, Mary Dobrea-Grindahl (2010). ''Developing Musicianship Through Aural Skills'', p. 495. Carlos Agon, Emmanuel Amiot, Moreno Andreatta, Gérard Assayag, Jean Bresson, John Manderau; eds. (2011). ''Mathematics and Computation in Music'', p. 89. . "'gypsy' ic(or 'Hungarian minor') scale."Christiansen, Mike (2003). ''Complete Guitar Scale Dictionary'', p. 16. . double harmonic minor scale,Podolsky, Joshua Craig (2010). ''Advanced Lead Guitar Concepts'', p. 111. . Also "Gypsy scale". or Gypsy minor scaleHanson, Paul and Stang, Aaron (1996). ''Shred Guitar'', p. 114. . is a type of combined musical scale. It is the fourth mode of the double harmonic scale. It is the same as the harmonic minor scale, except that it has a raised fourth scale degree to introduce an additional gap, or augmented second. It is a symmetrical scale with ...
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Musical Scale
In music theory, a scale is any set of musical notes ordered by fundamental frequency or pitch. A scale ordered by increasing pitch is an ascending scale, and a scale ordered by decreasing pitch is a descending scale. Often, especially in the context of the common practice period, most or all of the melody and harmony of a musical work is built using the notes of a single scale, which can be conveniently represented on a staff with a standard key signature. Due to the principle of octave equivalence, scales are generally considered to span a single octave, with higher or lower octaves simply repeating the pattern. A musical scale represents a division of the octave space into a certain number of scale steps, a scale step being the recognizable distance (or interval) between two successive notes of the scale. However, there is no need for scale steps to be equal within any scale and, particularly as demonstrated by microtonal music, there is no limit to how many notes can be ...
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Minor Seventh Chord
In music, a minor seventh chord is a seventh chord composed of a root note, together with a minor third, a perfect fifth, and a minor seventh (1, 3, 5, 7). For example, the minor seventh chord built on C, commonly written as C–7, has pitches C–E–G–B: : Minor/minor seventh chord A seventh chord with a minor third, perfect fifth, and minor seventh is commonly called a minor seventh chord, but also sometimes a minor/minor seventh chord to distinguish it from the minor/major seventh chord discussed below. It can be represented as either as m7 or −7, or in integer notation, . This chord occurs on different scale degrees in different diatonic scales: * In a major scale, it is on the supertonic, mediant, and submediant degrees (, , and ). This is why the ii in a ii–V–I turnaround is a minor seventh chord (ii7). * In a natural minor scale, it is on the tonic, subdominant, and dominant degrees (, , and ).Benward & Saker (2003). ''Music: In Theory ...
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Marche Slave
The ''Marche slave'' () in B-flat minor, Op. 31, is an orchestral tone poem by Pyotr Ilyich Tchaikovsky published in 1876. It was written to celebrate Russia's intervention in the Serbian-Ottoman War. Titling It has been published variously as ''Slavic March'' ( sr, Словенски марш / ''Slovenski marš''; russian: Славянский марш, Slavyanskiy marsh), ''Slavonic March'', and ''Serbo-Russian March'' ( sr, Српско-руски марш / ''Srpsko-ruski marš''; russian: Сербско-русский марш, Serbsko-russkiy marsh). Background In June 1876, Serbia and the Ottoman Empire were engaged in the Serbian-Ottoman War, in which Russia openly supported Serbia. The Russian Musical Society commissioned an orchestral piece from Tchaikovsky for a concert in aid of the Red Cross Society, and ultimately for the benefit of wounded Serbian veterans. Many Russians sympathized with their fellow Slavs and Orthodox Christians and sent volunteer soldie ...
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Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets ''Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary nation ...
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Hungarian Rhapsody No
Hungarian may refer to: * Hungary, a country in Central Europe * Kingdom of Hungary, state of Hungary, existing between 1000 and 1946 * Hungarians, ethnic groups in Hungary * Hungarian algorithm, a polynomial time algorithm for solving the assignment problem * Hungarian language, a Finno-Ugric language spoken in Hungary and all neighbouring countries * Hungarian notation, a naming convention in computer programming * Hungarian cuisine Hungarian or Magyar cuisine is the cuisine characteristic of the nation of Hungary and its primary ethnic group, the Magyars. Traditional Hungarian dishes are primarily based on meats, seasonal vegetables, fruits, bread, and dairy products. ..., the cuisine of Hungary and the Hungarians See also * * {{disambiguation Language and nationality disambiguation pages ...
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Franz Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a ''Ritter'' (knight) by Emperor Franz Joseph I of Austria, Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt., group=n (22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic music, Romantic period. With a diverse List of compositions by Franz L ...
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Neapolitan Scale
In music, the major Neapolitan scale and the minor Neapolitan scale are two musical scales. Both scales are minor, in that they both contain the note a minor third above the root. The major and minor Neapolitan scales are instead differentiated by the quality of their sixth. The sequence of scale steps for the Neapolitan minor is as follows:Celentano, Dave (1991). ''Monster Scales and Modes'', p.44. Published by CentreStream. .Burrows, Terry (1999). ''How to Read Music: Reading Music Made Simple'', p.90. .Roth, Dana (2011). ''Encyclopedia of Scales and Modes for Electric Bass'', p.9. .Blatter, Alfred (2012). ''Revisiting Music Theory: A Guide to the Practice'', p.87 & 89. . 1 2 3 4 5 6 7 8 A B C D E F G A , W, W, W, H, WH, H C D E F G A B C And for the Neapolitan major: 1 2 3 4 5 6 7 8 A B C D E F G A , W, W, W, W, W, H C D E F G A B C The scales are distinguished from the harmonic and ascending melodic minor scales by the lowered ...
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Musical Mode
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. (Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their mediaeval/modern counterparts. In the Middle Ages the term modus was used to describe both intervals and rhythm. Modal rhythm was an essential feature of the modal notation system o ...
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Aeolian Mode
The Aeolian mode is a musical mode or, in modern usage, a diatonic scale also called the natural minor scale. On the white piano keys, it is the scale that starts with A. Its ascending interval form consists of a ''key note, whole step, half step, whole step, whole step, half step, whole step, whole step.'' That means that, in A aeolian (or A minor), you would play A, move up a whole step (two piano keys) to B, move up a half step (one piano key) to C, then up a whole step to D, a whole step to E, a half step to F, a whole step to G, and a final whole step to a high A. : History The word ''Aeolian'', like the names for the other ancient Greek ''tonoi'' and ''harmoniai'', is an ethnic designation: in this case, for the inhabitants of Aeolis (Αἰολίς)—the Aeolian Islands and adjacent coastal district of Asia Minor. In the music theory of ancient Greece, it was an alternative name (used by some later writers, such as Cleonides) for what Aristoxenus called the Low Lydian '' ...
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Gypsy Minor Scale
The Romani (also spelled Romany or Rromani , ), colloquially known as the Roma, are an Indo-Aryan ethnic group, traditionally nomadic itinerants. They live in Europe and Anatolia, and have diaspora populations located worldwide, with significant concentrations in the Americas. In the English language, the Romani people are widely known by the exonym Gypsies (or Gipsies), which is considered pejorative by many Romani people due to its connotations of illegality and irregularity as well as its historical use as a racial slur. For versions (some of which are cognates) of the word in many other languages (e.g., , , it, zingaro, , and ) this perception is either very small or non-existent. At the first World Romani Congress in 1971, its attendees unanimously voted to reject the use of all exonyms for the Romani people, including ''Gypsy'', due to their aforementioned negative and stereotypical connotations. Linguistic and genetic evidence suggests that the Roma origin ...
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