|
Double Amphibrach
The double amphibrach is a variation of the double dactyl, similar to the McWhirtle but with stricter formal requirements. Meter and lineation are consistently amphibrachic An amphibrach () is a metrical foot used in Latin and Greek prosody. It consists of a long syllable between two short syllables. The word comes from the Greek ἀμφίβραχυς, ''amphíbrakhys'', "short on both sides". In English accent ... (da DA da) rather than dactylic (DA da da), and the shortened fourth and eighth lines rhyme. In narrative sequences, the requirements that the first line be nonsense syllables and second line be a proper name are sometimes waived, but the sixth line requires a single diamphibrachic word (e.g. discriminatory, hallucinogenic, personification). Jan D. Hodge in ''The Bard Double-Dactyled and Other Odd Pieces'' includes several pieces in this stanza form. His version of “Humpty Dumpty” begins: :As Humpty was sitting :upon a partition, :he misplaced his balance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Dactyl
The double dactyl (poetry), dactyl is a verse form invented by Anthony Hecht and Paul Pascal in 1951.Anthony Hecht and John Hollander, eds. ''Jiggery-Pokery, A Compendium of Double Dactyls'' (New York: Atheneum, 1967) Form Like the limerick (poetry), limerick, the double dactyl has a fixed structure, is usually humorous, and is rigid in its prosodic structure. The double dactyl's prosodic requirements are more strenuous due to its increased length, and its specific requirements as to subject matter and word choice much more rigid, making it significantly more difficult to write. There must be two stanzas, each comprising three lines of Dactyl (poetry), dactylic dimeter ( ¯ ˘ ˘ ¯ ˘ ˘ ) followed by a line consisting of just a choriamb ( ¯ ˘ ˘ ¯ ). The last lines of these two stanzas must rhyme. Further, the first line of the first stanza is repetitive nonsense, and the second line of the first stanza is the subje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
McWhirtle
{{Unreferenced, date=August 2008 A McWhirtle is a light verse form similar to a double dactyl, invented in 1989 by American poet Bruce Newling. McWhirtles share essentially the same form as double dactyls, but without the strict requirements, making them easier to write. Specifically: * McWhirtles do not require a nonsense phrase (e.g., "Higgledy piggledy") on the first line. * There is no requirement for a double-dactylic word in the second stanza. * There is an extra unstressed syllable added to the beginning of the first line of each stanza. * Although the meter is the same as in a double-dactyl, syllables may move from the end of one line to the beginning of the next for readability. This plus the extra unstressed syllable makes McWhirtles essentially an informal double amphibrach. The looser form allows poets additional freedom to include additional rhymes and other stylistic devices. The form is named after the fictional protagonist in an early example by Newling, included w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amphibrachic
An amphibrach () is a metrical foot used in Latin and Greek prosody. It consists of a long syllable between two short syllables. The word comes from the Greek ἀμφίβραχυς, ''amphíbrakhys'', "short on both sides". In English accentual-syllabic poetry, an amphibrach is a stressed syllable surrounded by two unstressed syllables. It is rarely used as the overall meter of a poem, usually appearing only in a small amount of humorous poetry, children's poetry, and experimental poems. The individual amphibrachic foot often appears as a variant within, for instance, anapaestic meter. It is the main foot used in the construction of the limerick, as in "There once was / a girl from / Nantucket." It was also used by the Victorians for narrative poetry, e.g. Samuel Woodworth's poem "The Old Oaken Bucket" (1817) beginning "How dear to / my heart are / the scenes of / my childhood." W. H. Auden's poem "O where are you going?" (1931) is a more recent and slightly less metrically-re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dactyl (poetry)
A dactyl (; el, δάκτυλος, ''dáktylos'', “finger”) is a foot in poetic meter. In quantitative verse, often used in Greek or Latin, a dactyl is a long syllable followed by two short syllables, as determined by syllable weight. The best-known use of dactylic verse is in the epics attributed to the Greek poet Homer, the Iliad and the Odyssey. In accentual verse, often used in English, a dactyl is a stressed syllable followed by two unstressed syllables—the opposite is the anapaest (two unstressed followed by a stressed syllable). An example of dactylic meter is the first line of Henry Wadsworth Longfellow's epic poem ''Evangeline'' (1847), which is in dactylic hexameter: :''This is the / forest prim- / eval. The / murmuring / pines and the / hemlocks, The first five feet of the line are dactyls; the sixth a trochee. Stephen Fry quotes Robert Browning's poem " The Lost Leader" as an example of the use of dactylic metre to great effect, creating verse with "great rhy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |