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Dohyō
A ''dohyō'' (, ) is the space in which a sumo wrestling bout occurs. A typical ''dohyō'' is a circle made of partially buried rice-straw bales 4.55 meters in diameter. In official professional tournaments (''honbasho''), it is mounted on a square platform of clay 66 cm high and 6.7m wide on each side. Configuration and construction In professional sumo, a new ''dohyō'' is built prior to each tournament by the ''yobidashi'' (ring attendants), who are responsible for this activity. The process of building the ''dohyō'' and its 66 cm high platform takes three days and is done with traditional tools. The clay used is taken from the banks of the Arakawa River in Saitama Prefecture. However, due to growing urbanization, clay from Ibaraki Prefecture has started to be used. The surface is covered by sand. The ''dohyō'' is removed after each tournament and in the case of Nagoya, pieces are taken home by the fans as souvenirs. The ''yobidashi'' also build the ''dohyō'' for ...
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Sumo
is a form of competitive full-contact wrestling where a ''rikishi'' (wrestler) attempts to force his opponent out of a circular ring (''dohyō'') or into touching the ground with any body part other than the soles of his feet (usually by throwing, shoving or pushing him down). Sumo originated in Japan, the only country where it is practiced professionally and where it is considered the national sport. It is considered a ''gendai budō'', which refers to modern Japanese martial arts, but the sport has a history spanning many centuries. Many ancient traditions have been preserved in sumo, and even today the sport includes many ritual elements, such as the use of salt purification, from Shinto. Life as a wrestler is highly regimented, with rules regulated by the Japan Sumo Association. Most sumo wrestlers are required to live in communal sumo training stables, known in Japanese as '' heya'', where all aspects of their daily lives—from meals to their manner of dress—are dic ...
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Honbasho
A is an official professional sumo tournament. The number of ''honbasho'' every year has varied along the years; since 1958 there are six tournaments every year. Only ''honbasho'' results matter in determining promotion and relegation for ''rikishi'' (sumo wrestlers) in the '' banzuke'' ranking. Since 1926 the ''honbasho'' are organized by the Japan Sumo Association, after the merger of the Tokyo and Osaka sumo associations. The term ''honbasho'' means "main (or real) tournament", and is used to distinguish these tournaments from unofficial tournaments which are held as part of sumo tours, between the six major tournaments. Such display tournaments may have prize money attached but a wrestler's performance has no effect on his ranking. This type of sumo is often called ''hana-sumo'' ( flower-sumo) as it is not taken as seriously by the wrestlers. ''Honbasho'' last for 15 days. Sumo wrestlers ranked in the top two divisions ('' makuuchi'' and '' jūryō'') wrestle once eac ...
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... Words Words ...
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The Big Book Of Sumo
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun '' thee'') when followed ...
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Gyōji
A ''gyōji'' () is a referee in professional sumo wrestling in Japan. ''Gyōji'' usually enter the sumo world as teenagers and remain employees of the Sumo Association until they retire aged 65. There are currently a little over 40 active ''gyōji'' with an average of one in each sumo stable, though some stables have more than one and some have no ''gyōji''. History Originally there were no official referees in sumo: if there were any close matches the emperor would determine the winner. It was not until the early 16th century, with the help of Oda Nobunaga, that ''gyōji'' started to make an appearance. Responsibilities The ''gyōji's'' principal and most obvious task is to referee bouts between two sumo wrestlers. After the ''yobidashi'' has called them into the ring, the ''gyōji'' will also call out each wrestler's name. It is the ''gyōjis responsibility to watch over the wrestlers as they go through the initial prebout staring contests, and then coordinate the initial ...
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Edo Period
The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional ''daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was characterized by economic growth, strict social order, isolationist foreign policies, a stable population, perpetual peace, and popular enjoyment of arts and culture. The period derives its name from Edo (now Tokyo), where on March 24, 1603, the shogunate was officially established by Tokugawa Ieyasu. The period came to an end with the Meiji Restoration and the Boshin War, which restored imperial rule to Japan. Consolidation of the shogunate The Edo period or Tokugawa period is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's regional ''daimyo''. A revolution took place from the time of the Kamakura shogunate, which existed with the Tennō's court, to the Tokuga ...
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Black Tortoise
The Black Tortoise () is one of the Four Symbols of the Chinese constellations. Despite its English name, it is usually depicted as a tortoise entwined together with a snake. The name used in East Asian languages does not mention either animal; the alternative name "Black Warrior ~ Dark Warrior ~ Mysterious Warrior" is a more faithful translation. It represents the north and the winter season, thus it is sometimes called Xuanwu (Black Tortoise, lit. Black Warrior) of the North (). In Japan, it is named Genbu. It is said to protect Kyoto on the north side, being one of the four guardian spirits that protect the city. It is represented by the Kenkun Shrine, which is located on top of Mt Funaoka in Kyoto. The creature's name is identical to that of the important Taoist god Xuanwu, who is sometimes (as in ''Journey to the West'') portrayed in the company of a turtle and a snake. History During the Han dynasty, people often wore jade pendants that were in the shape of tu ...
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White Tiger (Chinese Constellation)
The White Tiger (Chinese: 白虎, Pinyin: ''Báihǔ''), known in Chinese as Baihu, is one of the Four Symbols of the Chinese constellations. It is sometimes called the White Tiger of the West (). It represents the west in terms of direction and the autumn season. It is known as Byakko in Japanese, Baekho in Korean, and Bạch Hổ in Vietnamese. Seven Mansions As with the other three Symbols, there are seven astrological "Mansions" (positions of the Moon) within the White Tiger. The names and determinative stars are: Origin In Chinese culture, the tiger is the king of the beasts and has been presented with a () on his forehead for centuries. According to legend, the tiger's tail would turn white when it reached the age of 500 years. In this way, the white tiger became a kind of mythological creature. It was said that the white tiger would only appear when the emperor ruled with absolute virtue or if there was peace throughout the world. Because the color white of the W ...
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Vermilion Bird Of The South
The Vermilion Bird ( zh, c=朱雀, p=Zhūquè) is one of the Four Symbols of the Chinese constellations. According to Wu Xing, the Taoist five elemental system, it represents the Fire element, the direction south, and the season summer correspondingly. Thus it is sometimes called the Vermilion Bird of the South (Chinese: , ). It is described as a red bird that resembles a pheasant with a five-colored plumage and is perpetually covered in flames. It is known as Suzaku in Japanese, Jujak in Korean and Chu Tước in Vietnamese. It is often mistaken for the Fenghuang due to similarities in appearance, but the two are different creatures. The Fenghuang is a legendary ruler of birds who is associated with the Chinese Empress in the same way the dragon is associated with the Emperor, while the Vermilion Bird is a mythological spirit creature of the Chinese constellations. Seven Mansions of the Vermilion Bird As with the other three Symbols, there are seven astrological "Mansi ...
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Four Symbols (Chinese Constellation)
The Four Symbols (, literally meaning "four images"), are four mythological creatures appearing among the Chinese constellations along the ecliptic, and viewed as the guardians of the four cardinal directions. These four creatures are also referred to by a variety of other names, including "Four Guardians", "Four Gods", and "Four Auspicious Beasts". They are the Azure Dragon of the East, the Vermilion Bird of the South, the White Tiger of the West, and the Black Tortoise (also called "Black Warrior") of the North. Each of the creatures is most closely associated with a cardinal direction and a color, but also additionally represents other aspects, including a season of the year, an emotion, virtue, and one of the Chinese "five elements" (wood, fire, earth, metal, and water). Each has been given its own individual traits, origin story and a reason for being. Symbolically, and as part of spiritual and religious belief and meaning, these creatures have been culturally importan ...
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Mon (emblem)
, also , , and , are Japanese emblems used to decorate and identify an individual, a family, or (more recently) an institution or business entity. While is an encompassing term that may refer to any such device, and refer specifically to emblems used to identify a family. An authoritative reference compiles Japan's 241 general categories of based on structural resemblance (a single may belong to multiple categories), with 5,116 distinct individual . However, it is well-acknowledged that there exist a number of lost or obscure . The devices are similar to the badges and coats of arms in European heraldic tradition, which likewise are used to identify individuals and families. are often referred to as crests in Western literature, the crest being a European heraldic device similar to the in function. History may have originated as fabric patterns to be used on clothes in order to distinguish individuals or signify membership of a specific clan or organization. By the ...
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