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Dissolving Views
Dissolving views were a popular type of 19th century magic lantern show exhibiting the gradual transition from one projected image to another. The effect is similar to a dissolve in modern filmmaking. Typical examples had landscapes that dissolved from day to night or from summer to winter. The effect was achieved by aligning the projection of two matching images and slowly diminishing the first image while introducing the second image. The subject and the effect of magic lantern dissolving views is similar to the popular Diorama theatre paintings which originated in Paris in 1822. The terms "dissolving views", "dioramic views", or simply "diorama" were often used interchangeably in 19th century magic lantern playbills. While most dissolving views showed landscapes or architecture in different light, the effect was also used in other ways. For instance, Henry Langdon Childe showed groves changing into cathedrals. Another popular example has a soldier sleeping or daydreaming on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magic Lantern
The magic lantern, also known by its Latin name , is an early type of image projector that used pictures—paintings, prints, or photographs—on transparent plates (usually made of glass), one or more lenses, and a light source. Because a single lens inverts an image projected through it (as in the phenomenon which inverts the image of a camera obscura), slides were inserted upside down in the magic lantern, rendering the projected image correctly oriented. It was mostly developed in the 17th century and commonly used for entertainment purposes. It was increasingly used for education during the 19th century. Since the late 19th century, smaller versions were also mass-produced as toys. The magic lantern was in wide use from the 18th century until the mid-20th century when it was superseded by a compact version that could hold many 35 mm photographic slides: the slide projector. Technology Apparatus The magic lantern used a concave mirror behind a light source to dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magic Lantern
The magic lantern, also known by its Latin name , is an early type of image projector that used pictures—paintings, prints, or photographs—on transparent plates (usually made of glass), one or more lenses, and a light source. Because a single lens inverts an image projected through it (as in the phenomenon which inverts the image of a camera obscura), slides were inserted upside down in the magic lantern, rendering the projected image correctly oriented. It was mostly developed in the 17th century and commonly used for entertainment purposes. It was increasingly used for education during the 19th century. Since the late 19th century, smaller versions were also mass-produced as toys. The magic lantern was in wide use from the 18th century until the mid-20th century when it was superseded by a compact version that could hold many 35 mm photographic slides: the slide projector. Technology Apparatus The magic lantern used a concave mirror behind a light source to dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dissolve (filmmaking)
In the post-production process of film editing and video editing, a dissolve (sometimes called a lap dissolve) is a type of film transition in which one sequence fades over another. The terms fade-out (also called fade to black) and fade-in are used to describe a transition to and from a blank image. This is in contrast to a cut, where there is no such transition. A dissolve overlaps two shots for the duration of the effect, usually at the end of one scene and the beginning of the next, but may be used in montage sequences also. Generally, but not always, the use of a dissolve is held to indicate that a period of time has passed between the two scenes. Also, it may indicate a change of location or the start of a flashback. Creation of effect In film, this effect is usually created with an optical printer by controlled double exposure from frame to frame. In linear video editing or a live television production, the same effect is created by interpolating voltages of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diorama
A diorama is a replica of a scene, typically a three-dimensional full-size or miniature model, sometimes enclosed in a glass showcase for a museum. Dioramas are often built by hobbyists as part of related hobbies such as military vehicle modeling, miniature figure modeling, or aircraft modeling. In the United States around 1950 and onward, natural history dioramas in museums became less fashionable, leading to many being removed, dismantled or destroyed. Etymology The word "diorama" originated in 1823 as a type of picture-viewing device, from the French in 1822. The word literally means "through that which is seen", from the Greek di- "through" + orama "that which is seen, a sight". The diorama was invented by Louis Daguerre and Charles Marie Bouton, first exhibited in Paris in July 1822 and at The Diorama, Regent's Park on September 29, 1823. The meaning "small-scale replica of a scene, etc." is from 1902. Daguerre's and Bouton's diorama consisted of a piece of mate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phantasmagoria
Phantasmagoria (, also fantasmagorie, fantasmagoria) was a form of horror theatre that (among other techniques) used one or more magic lanterns to project frightening images, such as skeletons, demons, and ghosts, onto walls, smoke, or semi-transparent screens, typically using rear projection to keep the lantern out of sight. Mobile or portable projectors were used, allowing the projected image to move and change size on the screen, and multiple projecting devices allowed for quick switching of different images. In many shows, the use of spooky decoration, total darkness, (auto-)suggestive verbal presentation, and sound effects were also key elements. Some shows added a variety of sensory stimulation, including smells and electric shocks. Such elements as required fasting, fatigue (late shows), and drugs have been mentioned as methods of making sure spectators would be more convinced of what they saw. The shows started under the guise of actual séances in Germany in the lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Philidor
Phylidor (17??– 7 March 1829), also spelled "Phylidoor" or "Philidor", also known as "Paul Filidort" and probably the same as Paul de Philipsthal, was a magician and a pioneer of phantasmagoria shows. Biography Phylidor's origins are unclear, as is his exact identity; it is believed that he took his name from François-André Danican Philidor and he was even thought to be the nephew of this French composer and chess master of the famous Philidor family. Phylidor reportedly was from the Duchy of Brabant (now parts of Belgium and The Netherlands). He was also claimed to be from the neighboring County of Flanders. Phylidor reportedly spoke French when he was in Berlin. He was thought to be German when he came to Paris in 1792. From 1785 to 1800 Phylidor traveled through Europe as a showman (see below for details). He also (at least occasionally) traded in "physical instruments" and taught some of his tricks to paying customers. By the time Phylidor came to Berlin in 1789 he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel
Samuel ''Šəmūʾēl'', Tiberian: ''Šămūʾēl''; ar, شموئيل or صموئيل '; el, Σαμουήλ ''Samouḗl''; la, Samūēl is a figure who, in the narratives of the Hebrew Bible, plays a key role in the transition from the biblical judges to the United Kingdom of Israel under Saul, and again in the monarchy's transition from Saul to David. He is venerated as a prophet in Judaism, Christianity, and Islam. In addition to his role in the Hebrew scriptures, Samuel is mentioned in Jewish rabbinical literature, in the Christian New Testament, and in the second chapter of the Quran (although Islamic texts do not mention him by name). He is also treated in the fifth through seventh books of ''Antiquities of the Jews'', written by the Jewish scholar Josephus in the first century. He is first called "the Seer" in 1 Samuel 9:9. Biblical account Family Samuel's mother was Hannah and his father was Elkanah. Elkanah lived at Ramathaim in the district of Zuph. His gene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Witch Of Endor
The Witch of Endor ( he, ''baʿălaṯ-ʾōḇ bəʿĒyn Dōr'', "she who owns the ''ʾōḇ'' of Endor") is a woman who, according to the Hebrew Bible, was consulted by Saul to summon the spirit of the prophet Samuel. Saul wished to receive advice on defeating the Philistines in battle, after prior attempts to consult God through sacred lots and other means had failed. When summoned, however, the spirit of Samuel only delivers a prophecy of doom against Saul. This event occurs in the First Book of Samuel; it is also mentioned in the deuterocanonical Book of Sirach. Etymology The woman of the story is called in biblical Hebrew אֵשֶׁת בַּעֲלַת־אֹוב בְּעֵין דֹּור (''ʾēšeṯ baʿălaṯ-ʾōḇ bəʿĒyn Dōr''), "a woman, possessor of an ''’ōḇ'' at Endor". The word אֹ֖וב ''’ōḇ'' has been suggested by Harry Hoffner to refer to a ritual pit for summoning the dead from the netherworld, based on parallels in other Near Eastern and Med ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Programme (booklet)
A programme or program (see spelling differences) is a booklet available for patrons attending a live event such as theatre performances, concerts, fêtes, sports events, etc. It is a printed leaflet outlining the parts of the event scheduled to take place, principal performers and background information. In the case of theatrical performances, the term playbill is also used. It may be provided free of charge by the event organisers or a charge may be levied. Performing arts At a theatre, opera, or ballet performance, they are usually given at the door in the United States, while they are usually sold in the United Kingdom. The Broadway programme makes its money from selling advertisements. A programme company pays the theatre for the rights to produce the production’s programmes, which is contrary to common belief that the theatre pays the programme company. The programme generally contains photos of the production, a cast list, biographies of the actors and production staff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Automata
An automaton (; plural: automata or automatons) is a relatively self-operating machine, or control mechanism designed to automatically follow a sequence of operations, or respond to predetermined instructions.Automaton – Definition and More from the Free Merriam-Webster Dictionary http://www.merriam-webster.com/dictionary/automaton Some automata, such as bellstrikers in mechanical clocks, are designed to give the illusion to the casual observer that they are operating under their own power. Since long ago, the term is commonly associated with automated puppets that resemble moving humans or animals, built to impress and/or to entertain people. Animatronics are a modern type of automata with electronics, often used for the portrayal of characters in films and in theme park attractions. Etymology The word "automaton" is the latinization of the Ancient Greek , , (neuter) "acting of one's own will". This word was first used by Homer to describe an automatic door opening, or au ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Langdon Childe
Henry Langdon Childe (1781–1874) was an English showman, known as a developer of the magic lantern and dissolving views, a precursor of the dissolve in cinematic technique. While the priority question on the technical innovations Childe used is still debated, he established the use of double and triple lanterns for special theatrical effects, to the extent that the equipment involved became generally available through suppliers to other professionals. By the 1840s the "dissolving view", rooted in Gothic horror, had become a staple of illustrated talks with restrained animations. Early life Childe was born in Poole, Dorset the youngest of three children. He and his wife Elizabeth had one daughter Maria. She is recorded in the 1851 census as an artist in glass, living in Lambeth with her parents. Development of lantern technique Paul de Philipsthal used a magic lantern in London in 1802, for a ''phantasmagoria''; he used effects such as animation of images, and a lantern on ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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