Disjecta Membra
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Disjecta Membra
, also written , is Latin for "scattered fragments" (also scattered limbs, members, or remains) and is used to refer to surviving fragments of ancient poetry, manuscripts, and other literary or cultural objects, including even fragments of ancient pottery. It is derived from , a phrase used by Horace, a Roman poet. Ancient and medieval poetry, literature, and manuscripts Fragments of ancient writing, especially ancient Latin poetry found in other works, are commonly referred to as ''disjecta membra''. The terms ''disiecta membra'' and ''disjecta membra'' are paraphrased from the Roman lyric poet Horace (65 BC – 8 BC), who wrote of in his ''Satires'', 1.4.62, referring to the "limbs of a dismembered poet". In full, the term originally appeared as , in reference to the earlier Roman poet Ennius. Although Horace's intended meaning remains the subject of speculation and debate, the passage is often taken to imply that if a line from poetry were torn apart and rearranged, ...
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Latin Language
Latin (, or , ) is a classical language belonging to the Italic languages, Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italy (geographical region), Italian region and subsequently throughout the Roman Empire. Even after the Fall of the Western Roman Empire, fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a fusional language, highly inflected language, with three distinct grammatical gender, genders (masculine, feminine, and neuter), six or seven ...
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Literature
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role. Literature, as an art form, can also include works in various non-fiction genres, such as biography, diaries, memoir, letters, and the essay. Within its broad definition, literature includes non-fictional books, articles or other printed information on a particular subject.''OED'' Etymologically, the term derives from Latin ''literatura/litteratura'' "learning, a writing, grammar," originally "writing formed with letters," from ''litera/littera'' "letter". In spite of this, the term has also been applied to spoken or s ...
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History Of Poetry
Poetry as an oral art form likely qredates written text. The earliest poetry is believed to have been recited or sung, employed as a way of remembering oral history, genealogy, and law. Poetry is often closely related to musical traditions, and the earliest poetry exists in the form of hymns (such as the work of Sumerian priestess Enheduanna), and other types of song such as chants. As such poetry is a verbal art. Many of the poems surviving from the ancient world are recorded prayers, or stories about religious subject matter, but they also include historical accounts, instructions for everyday activities, love songs, and fiction. Many scholars, particularly those researching the Homeric tradition and the oral epics of the Balkans, suggest that early writing shows clear traces of older oral traditions, including the use of repeated phrases as building blocks in larger poetic units. A rhythmic and repetitious form would make a long story easier to remember and retell, before writ ...
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Latin Words And Phrases
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a fusional language, highly inflected language, with three distinct grammatical gender, genders (masculine, feminine, and neuter), six or seven grammatical case, noun cases (nominative, accusative, genitive, dative, ablati ...
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Fragmentology (manuscripts)
Fragmentology is the study of surviving fragments of manuscripts (mainly manuscripts from the Middle Ages and the Renaissance in the case of European manuscript cultures). A manuscript fragment may consist of whole or partial leaves, typically made of parchment, conjugate pairs or sometimes gatherings of a parchment book or codex, or parts of single-leaf documents such as notarial acts. They are commonly found in book bindings, especially printed books from the 15th to the 17th centuries, used in a variety of ways such as wrappers or covers for the book, as endpapers, or cut into pieces and used to reinforce the binding. In other non-Western manuscript cultures, fragments of paper manuscripts and other materials, takes place beside parchment, including board covers that many times reused written paper. In recent years, fragmentology has become an active part of scholarly medieval studies fueled by the abundance in institutional libraries of binding fragments that have never been ...
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Pottery Of Ancient Greece
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', Second Edition, 641–644. Oxford & New York: Oxford University Press. , p. 641. There were a multit ...
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Sherd
In archaeology, a sherd, or more precisely, potsherd, is commonly a historic or prehistoric fragment of pottery, although the term is occasionally used to refer to fragments of stone and glass vessels, as well. Occasionally, a piece of broken pottery may be referred to as a shard. While the spelling shard is generally reserved for referring to fragments of glass vessels, the term does not exclude pottery fragments. The etymology is connected with the idea of breakage, from Old English ''sceard'', related to Old Norse ''skarð'', "notch", and Middle High German ''schart'', "notch". A sherd or potsherd that has been used by having writing painted or inscribed on it can be more precisely referred to as an ostracon An ostracon (Greek: ''ostrakon'', plural ''ostraka'') is a piece of pottery, usually broken off from a vase or other earthenware vessel. In an archaeological or epigraphical context, ''ostraca'' refer to sherds or even small pieces of ston .... The analysis of ...
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Fragmentology (manuscripts)
Fragmentology is the study of surviving fragments of manuscripts (mainly manuscripts from the Middle Ages and the Renaissance in the case of European manuscript cultures). A manuscript fragment may consist of whole or partial leaves, typically made of parchment, conjugate pairs or sometimes gatherings of a parchment book or codex, or parts of single-leaf documents such as notarial acts. They are commonly found in book bindings, especially printed books from the 15th to the 17th centuries, used in a variety of ways such as wrappers or covers for the book, as endpapers, or cut into pieces and used to reinforce the binding. In other non-Western manuscript cultures, fragments of paper manuscripts and other materials, takes place beside parchment, including board covers that many times reused written paper. In recent years, fragmentology has become an active part of scholarly medieval studies fueled by the abundance in institutional libraries of binding fragments that have never been ...
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Ennius
Quintus Ennius (; c. 239 – c. 169 BC) was a writer and poet who lived during the Roman Republic. He is often considered the father of Roman poetry. He was born in the small town of Rudiae, located near modern Lecce, Apulia, (Ancient Calabria, today Salento), a town founded by the Messapians, and could speak Greek as well as Latin and Oscan (his native language). Although only fragments of his works survive, his influence in Latin literature was significant, particularly in his use of Greek literary models. Biography Very little is reliably known about the life of Ennius. His contemporaries hardly mentioned him and much that is related about him could have been embroidered from references to himself in his now fragmentary writings. Some lines of the ''Annales'', as well as ancient testimonies, for example, suggest that Ennius opened his epic with a recollection of a dream in which the ancient epic-writer Homer informed him that his spirit had been reborn into Ennius. It is true ...
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Horace
Quintus Horatius Flaccus (; 8 December 65 – 27 November 8 BC), known in the English-speaking world as Horace (), was the leading Roman lyric poet during the time of Augustus (also known as Octavian). The rhetorician Quintilian regarded his ''Odes'' as just about the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."Quintilian 10.1.96. The only other lyrical poet Quintilian thought comparable with Horace was the now obscure poet/metrical theorist, Caesius Bassus (R. Tarrant, ''Ancient Receptions of Horace'', 280) Horace also crafted elegant hexameter verses (''Satires'' and '' Epistles'') and caustic iambic poetry ('' Epodes''). The hexameters are amusing yet serious works, friendly in tone, leading the ancient satirist Persius to comment: "as his friend laughs, Horace slyly puts his finger on his every fault; once let in, he plays about the heartstrin ...
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List Of Latin Phrases (D)
References Additional sources * * {{Latin phrases D ca:Locució llatina#D da:Latinske ord og vendinger#D fr:Liste de locutions latines#D id:Daftar frasa Latin#D it:Locuzioni latine#D nl:Lijst van Latijnse spreekwoorden en uitdrukkingen#D pt:Lista de provérbios e sentenças em latim#D ro:Listă de locuțiuni în limba latină#D sl:Seznam latinskih izrekov#D sv:Lista över latinska ordspråk och talesätt#D ...
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Satires (Horace)
The ''Satires'' ( la, Satirae or ''Sermones'') is a collection of satirical poems written by the Roman poet Horace. Composed in dactylic hexameters, the ''Satires'' explore the secrets of human happiness and literary perfection. Published probably in 35 BC and at the latest, by 33 BC, the first book of ''Satires'' represents Horace's first published work. It established him as one of the great poetic talents of the Augustan Age. The second book was published in 30 BC as a sequel. In his ''Sermones'' (Latin for "conversations") or ''Satires'' (Latin for "miscellaneous poems"), Horace combines Epicurean, that is, originally Greek, philosophy with Roman good sense to convince his readers of the futility and silliness of their ambitions and desires. As an alternative, he proposes a life that is based on the Greek philosophical ideals of ''autarkeia'' (Greek for "inner self-sufficiency") and ''metriotes'' (Greek for "moderation" or sticking to the Just Mean). In ''S.'' 1.6.110–13 ...
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